{"id":991,"date":"2024-11-16T18:30:33","date_gmt":"2024-11-16T09:30:33","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=991"},"modified":"2024-11-16T16:51:42","modified_gmt":"2024-11-16T07:51:42","slug":"new-arrival-kawase-hasui-yoshida-hiroshi-ohara-koson-tsuchiya-koitsu-natori-shunsen-kawanishi-hide-hasegawa-kiyoshi-kumagai-morikazu-maki-haku-kuniyoshi-kunitoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=991","title":{"rendered":"[New Arrival] Kawase Hasui, Yoshida Hiroshi, Ohara Koson, Tsuchiya Koitsu, Natori Shunsen, Kawanishi Hide, Hasegawa Kiyoshi, Kumagai Morikazu, Maki Haku, Kuniyoshi, Yoshiiku and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Souvenirs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Souvenirs of Travel, Third Series \/ Futomi, Awa Province” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Suzhou
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Suzhou” by Yoshida Hiroshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bird
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bird Hunting an Insect (tentative title)” by Ohara Koson(Shoson)<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rooster
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rooster and Hen (tentative title)” by Ohara Koson(Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rainy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rainy Miyajima” by Tsuchiya Koitsu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Portraits by Shunsen, the Additions \/ Actor Onoe Baiko VI as Aburaya Okon” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock print collection: Honor of Japan” by Kobayakawa Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Madame
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Madame Butterfly (Act 2)” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lamp
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lamp and a Small Bottle (tentative title)” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Frontispiece
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Frontispiece for ‘Le Japon traditionnel'” by Hasegawa Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Niseko
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Niseko Annupuri” by Yamaguchi Susumu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Still
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Still Life in Afterglow” by Kidokoro Sho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown (Girl)” by Takazawa Keiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Album
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Album of Beauties by Kiyokata” by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calligraphy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calligraphy” by Kumagai Morikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calligraphy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calligraphy” by Shibata Renzaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poem
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poem” by Okuno Shintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cartoon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cartoon Handscrolls of the Fifty-three Stations of the Tokaido” by Tokyo Manga Association\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Church
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Church at Night” by Tsubouchi Yoshiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Doll
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Doll Store on a Street Corner” by Kuruhara Kimi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Boy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Boy” by Mizu Tetsuo (Mizushima Tetsuo)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Mizu Tetsuo (Mizushima Tetsuo)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EN_1
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EN_1” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"HALO_2
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“HALO_2” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"HALO_1
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“HALO_1” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"POEM_2
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“POEM_2 (Heart” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Z_155
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Z_155” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"HO
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“HO” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"SUN_3
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“SUN_3” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"CROSS_2
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“CROSS_2” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Z_153b
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Z_153b” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"OCARINA_E
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“OCARINA_E” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Z_171
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Z_171” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"FUJI
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“FUJI 14” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Z_154s
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Z_154s” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Z_170s
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Z_170s” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"SUNFLOWER
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“SUNFLOWER ” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"MOON_1
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“MOON_1” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"KUMA_921
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“KUMA_921” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"GO_2
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“GO_2 (B)” by Maki Haku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Ichikawa Danjuro VIII” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kiso
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kiso Yoshinaka and Taira no Tomonori in the Great Battle of Kurikara Valley, Eiju 2” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Loyalty and Vengeance” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Victimization of Mr. Itagaki” by Toyonobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-two Mirrors of Good and Evil \/ Akashiya Oyuki” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Souvenirs of Travel, Third Series \/ Futomi, Awa Province” by Kawase Hasui “Suzhou” by Yoshida Hiroshi “Bird Hunting an Insect (tentative title)” by Ohara Koson(Shoson) “Rooster and Hen (tentative title)” by Ohara Koson(Shoson) “Rainy Miyajima” by Tsuchiya Koitsu “Collection of Portraits by Shunsen, the Additions \/ Actor Onoe Baiko VI as Aburaya Okon” by Natori […]<\/p>\n","protected":false},"author":1,"featured_media":1000,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=991"}],"version-history":[{"count":10,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/991\/revisions"}],"predecessor-version":[{"id":1003,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/991\/revisions\/1003"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1000"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}