{"id":978,"date":"2024-11-09T18:30:31","date_gmt":"2024-11-09T09:30:31","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=978"},"modified":"2024-11-09T19:30:28","modified_gmt":"2024-11-09T10:30:28","slug":"new-arrival-azechi-umetaro-onoki-gaku-adachi-genichiro-ishii-hakutei-uemura-shoen-yoshitoshi-yoshitora-yoshifuji-yoshitoyo-kiyochika-toyokuni-kyosai-eitaku-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=978","title":{"rendered":"[New Arrival] Azechi Umetaro, Onoki Gaku, Adachi Genichiro, Ishii Hakutei, Uemura Shoen, Yoshitoshi, Yoshitora, Yoshifuji, Yoshitoyo, Kiyochika, Toyokuni, Kyosai, Eitaku and others"},"content":{"rendered":"

[News] The Annual Auction of Antique Books, 2024 (\u53e4\u5178\u7c4d\u5c55\u89b3\u5927\u5165\u672d\u4f1a)<\/b>
\n
\n\"The
\n\u2192Click here for details<\/a><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Figure
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Figure in White” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Landscape-\uff21
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Landscape-\uff21” by Onoki Gaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Landscape-L.U.L
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Landscape-L.U.L” by Onoki Gaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kyu-Rikyu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kyu-Rikyu” by Adachi Genichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Senso-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Senso-ji Temple” by Ueno Makoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Jihei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Jihei” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twilight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twilight” by Uemura Shoen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kiba
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kiba” by Ishii Hakutei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small woodblock prints” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dragon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dragon at Fuji Sengen Shrine” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Aigasa Masayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sky
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sky of Thoughts (A)” by Sakamoto Koichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small copper prints” by Kobayashi Donge\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enumerative
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enumerative Song: Occupation of Port Arthur” by written by Kimata Senkichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enumerative
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enumerative Song: Modern Humanity” by written by Ito Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kudokibushi:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kudokibushi: Great Tsunami in Mikawa Province” by written by Kimata Senkichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture Album of the Peaceful Capital” by Takeuchi Seiho, Taniguchi Kokyo, Kikuchi Hobun and Yamamoto Shunkyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Soseki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Soseki ibokushu” by Natsume Soseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painted
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painted Tanzaku” by Yawata Hakuhan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haimi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haimi taikan” by Takahama Kyoshi, Ishii Hakutei, Naito Meisetsu, Tomita Keisen, Nakamura Fusetsu, Kondo Koichiro, Ogawa Usen, Kawahigashi Hekigoto and Other Artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ehankiri
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ehankiri” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months with the Pride of Tokyo \/ The Third Month: Cherry Blossoms in the Yoshiwara” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months with the Pride of Tokyo \/ The Ninth Month: Chrysanthemums at Sendagi” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months with the Pride of Tokyo \/ The Tenth Month: Autumn Foliage at Takinogawa” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Representations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Representations of Desires \/ Wanting to Let It Snow More” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kusunoki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kusunoki at the Siege of Chihaya” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Damashi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Damashi-e” by Yoshifuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictures of People from Foreign Lands \/ Holland” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"American
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“American Woman and Her Child” by Yoshitoyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Guide
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Guide to Aizu” by Seccho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stories
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stories from Japanese History” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sequence
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sequence of Woodblock Printing: View of the Sea at Shinagawa\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Perspective
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Perspective Pictures of The Storehouse of Loyal Retainers \/ Act 5” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Western Provinces \/ No. 21: Kaminoseki” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matches for the Collection of Shoguns \/ Akechi Samanosuke Mitsutoshi” by Chikashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/ New Land at Susaki in Fukagawa” by Utatora and Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Bedside Guide to the Colors of Love in Spring” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Koi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Koi no gojo” by written by Kosekisai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Album of Pictures by Kyosai” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokkei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokkei tawake mondo” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Handbook
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Handbook of Diet in Daily Life” written by Ishikawa Genkon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales from Old Japan \/ No. 12: The Cub’s Triumph” translated by J. Dautremer; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales from Old Japan \/ No. 14: Yamasachi-hiko and Umisachi-hiko” translated by J. Dautremer; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales from Old Japan \/ No. 16: Bunbuku Chagama” translated by J. Adam; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales from Old Japan \/ No. 17: Shippeitaro” translated by J. Dautremer; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales from Old Japan \/ No. 1: Momotaro” translated by J. Dautremer; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales from Old Japan \/ No. 20: The Enchanted Waterfall” translated by J. Dautremer and J. Adam; illustrated by Suzuki Kason; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales from Old Japan \/ No. 4: Hanasaka Jiisan” translated by J. Dautremer; illustrated by Kobayashi Eitaku; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales from Old Japan \/ No. 11: The Hare of Inaba” translated by J. Dautremer; illustrated by Kobayashi Eitaku; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Greetings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Greetings from Poets from the East: Japanese Poetry” written by Karl Florenz; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Dramas: Terakoya and Asagao” written by Karl Florenz; published by Hasegawa Takejiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kwaidan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kwaidan” written by Koizumi Yakumo; illustrated by Fujita Yasumasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Popular
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Popular Song about the Russo-Japanese War” written by Fujii Sannosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[News] The Annual Auction of Antique Books, 2024 (\u53e4\u5178\u7c4d\u5c55\u89b3\u5927\u5165\u672d\u4f1a) \u2192Click here for details “Figure in White” by Azechi Umetaro “Landscape-\uff21” by Onoki Gaku “Landscape-L.U.L” by Onoki Gaku “Kyu-Rikyu” by Adachi Genichiro “Senso-ji Temple” by Ueno Makoto “Jihei” by Takehisa Yumeji “Twilight” by Uemura Shoen “Kiba” by Ishii Hakutei “Small woodblock prints” by Kato Yasu “Dragon […]<\/p>\n","protected":false},"author":1,"featured_media":987,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-978","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=978"}],"version-history":[{"count":9,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/978\/revisions"}],"predecessor-version":[{"id":989,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/978\/revisions\/989"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/987"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}