{"id":967,"date":"2024-11-02T18:30:54","date_gmt":"2024-11-02T09:30:54","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=967"},"modified":"2024-11-02T14:14:46","modified_gmt":"2024-11-02T05:14:46","slug":"new-arrival-kitagawa-tamiji-ito-shinsui-shimura-tatsumi-komai-tetsuro-yoshitoshi-kuniyoshi-toyokuni-hiroshige-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=967","title":{"rendered":"[New Arrival] Kitagawa Tamiji, Ito Shinsui, Shimura Tatsumi, Komai Tetsuro, Yoshitoshi, Kuniyoshi, Toyokuni, Hiroshige and others"},"content":{"rendered":"

[News] The Annual Auction of Antique Books, 2024 (\u53e4\u5178\u7c4d\u5c55\u89b3\u5927\u5165\u672d\u4f1a)<\/b>
\n
\n\"The
\n\u2192Click here for details<\/a><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Mexican-style
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mexican-style Bathing” by Kitagawa Tamiji<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude Woman at Taxco” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mother
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mother and Her Daughter Bathing” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Group
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Group” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Three Mexican Women” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women Before the Church” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"American
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“American Indians Selling Calla” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women Outside” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Face
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Face” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Women Leaning on a Chair” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mother
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mother and Her Children with a Dog” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cactus
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cactus Sellers” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Sitting on the Ground” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thistle
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thistle” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small Rose” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cactus
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cactus” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calla
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calla Lily” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Still
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Still Life” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small Grasshopper” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Grasshopper
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Grasshopper” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Town
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Town of Seto” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait of K” by Kitagawa Tamiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Milky
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Milky Way Festival” by Ito Shinsui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Women \/ Jyanome-umbrella
\n” by Shimura Tatsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Oni
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Oni de are” by Sato Katsuhiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yari
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yari makuttara e’e” by Sato Katsuhiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"E'egana
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“E’egana E’egana” by Sato Katsuhiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve exlibris by Hideo Hagiwara” by Hagiwara Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hagiwara
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hagiwara Hideo Exlibris collection \/ Volume 2” by Hagiwara Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Les
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Les Chants de Maldoror” by written by Lautreamont; translated by Aoyagi Mizuho; illustrated by Komai Tetsuro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Attack on Tairo Ii Naosuke outside the Sakurada Gate on the 3rd Day of the Third Month, Ansei 5” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-four Paragons of Imperial Japan \/ Kato Ishidomaru” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Pictures of Heroic Women Compared \/ Mrs. Hagi” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers \/ Act 1, 4, 7 and 8” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Auspicious
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Auspicious Desires on Land and Sea \/ No. 28, Wanting to Catch Lots of Fish: Ceramics from Owari Province” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Kawachi Province: Kusunoki Masashige, and Izumi Province: Kuzunoha” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Yamashiro Province: Ono no Komachi, and Yamato Province: Kuganosuke” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Settsu Province: Osome and Hisamatsu, and Iga Province: Sawai Shimobe Sukebei” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle in Oshu Province” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fashionable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fashionable Genji \/ Garden at Night” by Toyokuni III and Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening Scene at Snowy Rokujo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene in the Play Meiboku Sendai Hagi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Beautiful Women at Famous Places in Edo \/ Iris at Horikiri” by Toyokuni III and Kunihisa II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seven Calligraphic Models for Each Character in the Kana Syllabary \/ The Syllable Mo for Mochitsuki: Yu\u2019giri and Izaemon” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hakata Kojoro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views of Famous Places in Edo \/ Senso-ji Temple” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ogura Collection of One Hundred Poems by One Hundred Poets” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[News] The Annual Auction of Antique Books, 2024 (\u53e4\u5178\u7c4d\u5c55\u89b3\u5927\u5165\u672d\u4f1a) \u2192Click here for details “Mexican-style Bathing” by Kitagawa Tamiji “Nude Woman at Taxco” by Kitagawa Tamiji “Nude” by Kitagawa Tamiji “Nude” by Kitagawa Tamiji “Mother and Her Daughter Bathing” by Kitagawa Tamiji “Group” by Kitagawa Tamiji “Three Mexican Women” by Kitagawa Tamiji “Women Before the Church” […]<\/p>\n","protected":false},"author":1,"featured_media":976,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=967"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/967\/revisions"}],"predecessor-version":[{"id":971,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/967\/revisions\/971"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/976"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}