{"id":937,"date":"2024-10-12T18:40:25","date_gmt":"2024-10-12T09:40:25","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=937"},"modified":"2024-10-12T18:40:25","modified_gmt":"2024-10-12T09:40:25","slug":"new-arrival-maekawa-senpan-yamagishi-kazue-takehisa-yumeji-hashiguchi-goyo-hirafuku-hyakusui-hiroshige-kuniyoshi-yoshitoshi-toyokuni-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=937","title":{"rendered":"[New Arrival] Maekawa Senpan, Yamagishi Kazue, Takehisa Yumeji, Hashiguchi Goyo, Hirafuku Hyakusui, Hiroshige, Kuniyoshi, Yoshitoshi, Toyokuni and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo \/ Subway” by Maekawa Senpan<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman with a Shawl (tentative title)” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman in Tohoku” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bath
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bath (tentative title)” by Yamagishi Kazue\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paris at Night” by Yamagishi Kazue\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Koharu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Koharu and Jihei” by Takehisa Yumeji<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Face
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Face of Jihei” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bunraku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bunraku Dolls” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening View of Tokyo Station” by Ishii Tsuruzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Central Terminal” by Okuyama Gihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Station” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"100
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“100 Views of Great Tokyo in Showa Era \/ Shinobazu Lake in the Spring Rain (#2)” by Koizumi Kishio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of Tokyo in Showa Era \/ Yanagibashi” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yabakei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yabakei” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"San-no-mon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“San-no-mon Gate of Komoro Castle” by Mori Masamoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude Woman” by Yamamura Koka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Deep
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Deep Autumn” by Miyamoto Shufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haruna
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haruna snow scene” by Uchida Shizuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"100
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“100 Views of New Japan \/ Sanjo Bridge (Kyoto) ” by Asahi Yasuhiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain Lake” by Watabe Masaya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Letters
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Letters” by Hirafuku Hyakusui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"MUNAKATA
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“MUNAKATA SHIKO Complete Works Woodblock-Prints”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"CLIFTON
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“CLIFTON KARHU PRINTS” by Clifton Karhu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flower:Nakagawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flower:Nakagawa Yukio works” by Nakagawa Yukio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ No. 33: Shirasuka, from the Fifty-three Stations” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of the Fifty-three Stations \/ No. 6, Totsuka: View of Fuji from the Mountain Road” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ View of Matsuchiyama” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Shinagawa” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Nihonbashi” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Kakegawa” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Tale of the Soga Brothers \/ Banba Chuta, Ichimanmaru and Hakoomaru” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ No. 34: Futagawa” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miracles
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miracles of Kannon \/ No. 28 of the Chichibu Pilgrimage Route: Kyoryu-ji at Sekiryusan in Hashidate” by Hiroshige II and Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred and Eight Heroes of the Popular Shuihuzhuan \/ Lin Zhong, the Leopard-headed” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Wada Rebellion: Yoshihide Breaks Down the Great Gate” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of Awazu Plain” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chronological
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chronological Record of the Rule of the Tokugawas \/ Lord Ieyasu” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Battle at Aizu, Mutsu Province” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Twelve Months \/ The Seventh Month: The Moon-awaiting Festival on the Night of the Twenty-sixth” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Beautiful Women at Famous Places in Edo \/ Furukawa” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Pictorial Commentary on One Hundred Poems by One Hundred Poets \/ No. 78: Taikenmon’in no Horikawa” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Moon,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Moon, Snow, and Flowers \/ Snow” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sato
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sato Masakiyo Gains Renown” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Inner Palace \/ Poetry Contest” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ono no Komachi Composing Poetry” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Racoon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Racoon Dog” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Monkey
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Monkey (tentative title)” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ebisu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ebisu (tentative title)” by Toyohiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Ise \/ Geku Kitamikado” by Toyokage\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Special
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Special exhibition:Honen and \uff50ure land buddhism”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Jingoji:The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Jingoji:The dawn of Shingon buddhism”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Tokugawa art museum collecyion:Treasures of the Owari Tokugawa family”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Idemitsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Idemitsu Sazo and the resonance of beauty-Itaya Hazan,Kosugi Hoan,Georges Rouault” by Idemitsu museum of arts\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Masterpieces
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Masterpieces of Japanese and Chinese ceramics” by Idemitsu museum of arts\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“New One Hundred Views of Tokyo \/ Subway” by Maekawa Senpan “Woman with a Shawl (tentative title)” by Maekawa Senpan “Woman in Tohoku” by Maekawa Senpan “Bath (tentative title)” by Yamagishi Kazue “Paris at Night” by Yamagishi Kazue “Koharu and Jihei” by Takehisa Yumeji “Face of Jihei” by Takehisa Yumeji “Bunraku Dolls” by Takehisa Yumeji […]<\/p>\n","protected":false},"author":1,"featured_media":939,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=937"}],"version-history":[{"count":3,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/937\/revisions"}],"predecessor-version":[{"id":941,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/937\/revisions\/941"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/939"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}