{"id":909,"date":"2024-09-28T18:30:33","date_gmt":"2024-09-28T09:30:33","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=909"},"modified":"2024-10-03T16:54:33","modified_gmt":"2024-10-03T07:54:33","slug":"new-arrival-kawase-hasui-takehisa-yumeji-shimizu-kon-torii-tadamasa-takabatake-kasho-hiroshige-eizan-maki-kinnosuke-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=909","title":{"rendered":"[New Arrival] Kawase Hasui, Takehisa Yumeji, Shimizu Kon, Torii Tadamasa, Takabatake Kasho, Hiroshige, Eizan, Maki Kinnosuke and others"},"content":{"rendered":"

[News] The 34th Ukyo-e Auction<\/b>
\n\"[News]<\/a>
\n\u2192Click here for details<\/a><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Tamiya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tamiya Village, Saitama” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock print of Minatoya Ezoshi-ten wrapping paper” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty Female Kappas” by Shimizu Kon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Sharpening the Arrow” by Torii Tadakiyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Sukeroku” by Torii Kiyosada , Torii Tadakiyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Jealousy” by Torii Kiyosada , Torii Tadakiyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Calendar of Kabuki Actors \/ April” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Calendar of Kabuki Actors \/ May” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Calendar of Kabuki Actors \/ June” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Calendar of Kabuki Actors \/ July” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Calendar of Kabuki Actors \/ August” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Calendar of Kabuki Actors \/ October” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Calendar of Kabuki Actors \/ November” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Calendar of Kabuki Actors \/ December” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Uiro-uri” by Torii Kiyotada V\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Kagekiyo” by Torii Kiyotada V\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Ja yanagi” by Torii Kiyotada V\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Fuwa” by Torii Kiyotada V\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Guan Yu” by Torii Kiyotada V\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Kanjincho” by Torii Kiyotada V\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Gedatsu” by Torii Kiyotada V\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen Great Kabuki Plays \/ Narukami” by Torii Kiyotada V\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Portraits by Shunsen \/ Jitsukawa Enjaku II as Danshichi Kurobei” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sugoroku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugoroku of Luck and Success: Fall Down Seven Times, Get Up Eight” by Takabatake Kasho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Sugoroku for Girls” by Ikeda Terukata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sugoroku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugoroku of Dolls” by Hosokibara Seiki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Sugoroku of Lofty Ambition” by Uzaki Sumikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting and haiku” by Hanayagi Shotaro, Hojo Hideji and Mori Kakuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paintings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paintings” by Mizutani Yaeko I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Kitamura Rokuro I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting” by Ishii Kan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autographs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autographs” by Fujiyama Kanbi, Shibuya Tengai II and Soganoya Gorohachi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autographs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autographs” by Akasaka Koume, Kouta Katsutaro, Ichikawa Ennosuke and other kabuki actors\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Okazaki: Yahagi Bridge” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo \/ Kanda Myojin Shrine” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Purple-dyed
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Purple-dyed Patterns of Edo Products \/ Dyed Fabric from the Ebisuya Store” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fashionable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fashionable Five Colors of Thread” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of the Asakusa Kanzeon Temple and the Park with Newly Constructed Brick Buildings in Tokyo” by Eisai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mimasu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mimasu Tokujiro from Kamigata (Kudari)” by Shunko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actor Print” by Shunko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shini-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shini-e (Words and Puns for the Loyal Retainers)” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Three-piece
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Three-piece Kumiage of Miyamoto Musashi in the Kiso Mountains” by Maki Kinnosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Three-piece
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Three-piece Kumiage of the First Lieutenant Gunji Sailing on the Boat” by Maki Kinnosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ No. 25: Hotaru” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Adachi Shohaku” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of the Faithful Samurai \/ The Syllable Yo: Kataoka Gengoemon Minamoto no Takafusa” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year Gate Pines with Young Needles of Intense Color, Good Fortune at the Beginning of the Year” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Life of the Buddha in Up-to-date Magic Lantern Slides \/ No. 12” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of Horse Racing at Shinobazu in Ueno” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five-story
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five-story Western-style Mitsui-gumi Kawaseza at Kaiun Bridge, Kabutomachi, Tokyo” by Ikumaru\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[News] The 34th Ukyo-e Auction \u2192Click here for details “Tamiya Village, Saitama” by Kawase Hasui “Woodblock print of Minatoya Ezoshi-ten wrapping paper” by Takehisa Yumeji “Twenty Female Kappas” by Shimizu Kon “The Eighteen Great Kabuki Plays \/ Sharpening the Arrow” by Torii Tadakiyo “The Eighteen Great Kabuki Plays \/ Sukeroku” by Torii Kiyosada , Torii […]<\/p>\n","protected":false},"author":1,"featured_media":912,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=909"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/909\/revisions"}],"predecessor-version":[{"id":921,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/909\/revisions\/921"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/912"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}