{"id":902,"date":"2024-09-21T17:11:15","date_gmt":"2024-09-21T08:11:15","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=902"},"modified":"2024-09-21T17:11:15","modified_gmt":"2024-09-21T08:11:15","slug":"new-arrival-fukazawa-sakuichi-maekawa-senpan-inagaki-tomoo-takahashi-shoteihiroaki-ito-sozan-sakamoto-hanjiro-toyokuni-hiroshige-kuniyoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=902","title":{"rendered":"[New Arrival] Fukazawa Sakuichi, Maekawa Senpan, Inagaki Tomoo, Takahashi Shotei(Hiroaki), Ito Sozan, Sakamoto Hanjiro, Toyokuni, Hiroshige, Kuniyoshi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Yoyogi” by Fukazawa Sakuichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo \/ Yanagibashi Bridge” by Fukazawa Sakuichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yushima
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yushima Tenjin Shrine” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Swallows
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Swallows and Willow (tentative title)” by Ito Sozan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-five Views of the Reconstructed Imperial City \/ Hibiya Public Hall” by Inagaki Tomoo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print Collection of Great Tokyo \/ View of Marunouchi” by Nomura Toshihiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gulliver's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gulliver’s Remains” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris: Forty Arms of Senju Kannon” by Kanzaki Sunao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Hirezaki Eiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yukiya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yukiya Konko” by Kiyohara Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Views of Aso \/ Volcano Crater” by Sakamoto Hanjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Views of Aso \/ Nango Valley” by Sakamoto Hanjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Views of Aso \/ Nekodake at Dawn” by Sakamoto Hanjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Views of Aso \/ Moon over Namino” by Sakamoto Hanjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Compendium
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Compendium of Occupations in the Showa Era, Volume 2 \/ Dancer” by Wada Sanzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kijo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kijo shunju \/ No. 2” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kijo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kijo shunju \/ No. 3” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kijo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kijo shunju \/ No. 4” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kijo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kijo shunju \/ No. 4” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kijo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kijo shunju \/ No. 6” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kijo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kijo shunju \/ No. 5” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kijo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kijo shunju \/ No. 7” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Views of Japan \/ Fuji” by Anayama Shodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Views of Japan \/ Onjuku” by Endo Kyozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Views of Japan \/ Lake Towada” by Endo Kyozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Views of Japan \/ Nakiri” by Kano Koga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"My
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“My Dying Autumn” by Kozaki Kan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Butterflies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Butterflies on a Warm Autumn Day” by Kozaki Kan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shower on the Pine at a Temple” by Kozaki Kan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Overripe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Overripe Persimmon at the Mountain Temple” by Kozaki Kan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Monology
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Monology on the Mountain Path” by Kozaki Kan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spill
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spill for One Person” by Kozaki Kan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Play
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Play and Sing” by Kozaki Kan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e: O’shu Adachigahara” by Shugeysu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toyokuni's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toyokuni’s Sketches in a Set of Three Sake Cups” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toyokuni's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toyokuni’s Sketches in a Set of Three Sake Cups” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo \/ Tenmangu Shrine at Yushima” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Futakawa” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Caricatures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Caricatures of Popular Plays \/ Vengeance at Ganryujima and Hiragana Seisuiki” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Eighteen-article Memorandum of Oboshi” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Imperial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Imperial Viewing of Sumo at Yayoi Shrine” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Defensive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Defensive Fight against the Korean Rebels” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ranking
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ranking of Japanese Army and Navy Officers (tentative title)” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comparisons
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comparisons of Famous Products, the Pride of Tokyo \/ San’yutei Enza” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Gojo no hashi Hayase no Tsukikage” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Birth of the Child: Inaka Genji at Suma” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Songs” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children’s Play of the Floating World” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places of Tokyo \/ Imado Bridge in Snow” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Forty-Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Forty-Eight Views of Famous Places in Tokyo \/ Red Maple Leaves at Kaian-ji Temple” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: O’tohira Hirokichi from Sendai” by Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Iroha Poem with Kanji and Alphabet” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Various National Flags” by Tsunajima Kamekichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Present-day
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Present-day Actors’ Wigs to Put On \/ No. 37” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“View of Yoyogi” by Fukazawa Sakuichi “New One Hundred Views of Tokyo \/ Yanagibashi Bridge” by Fukazawa Sakuichi “Yushima Tenjin Shrine” by Takahashi Shotei (Hiroaki) “Swallows and Willow (tentative title)” by Ito Sozan “Twenty-five Views of the Reconstructed Imperial City \/ Hibiya Public Hall” by Inagaki Tomoo “Print Collection of Great Tokyo \/ View of […]<\/p>\n","protected":false},"author":1,"featured_media":907,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-902","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/902","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=902"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/902\/revisions"}],"predecessor-version":[{"id":906,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/902\/revisions\/906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/907"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=902"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=902"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}