{"id":89,"date":"2023-02-10T18:56:33","date_gmt":"2023-02-10T09:56:33","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=89"},"modified":"2023-02-10T18:56:33","modified_gmt":"2023-02-10T09:56:33","slug":"new-arrivaltoyokuni-iii-eizan-kyosai-kawase-hasui-tsuruta-goro-saito-kiyoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=89","title":{"rendered":"[New Arrival]Toyokuni III, Eizan, Kyosai, Kawase Hasui, Tsuruta Goro, Saito Kiyoshi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido with Actors” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women before Matsuzakaya” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Plays
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Plays of Raccoon Dog \/ Futon and Rokurokubi” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year’s Amusements of the Seven Lucky Gods” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Roles by Baiko \/ Fox Tadanobu” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dusk
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dusk at Itako” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rabbits
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rabbits and Bush Clover under the Full Moon” by Ohara Koson(Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning at Yoshidaguchi Trail, Mount Fuji” by Tsuruta Goro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peony
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peony” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"KATSURA
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“KATSURA KYOTO 70(A)
\n” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of Kobe \/ Former Foreigners’ Residence Area” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Melody
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Melody of Autumn” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Near
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Near Barracks B” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Southern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Southern Barbarian Boat A” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Omori
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Omori” by Ishii Tsuruzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Front
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Front piece\uff1aScenery” by Komai Tetsuro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Yoshida Hodaka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow” by Ryoji Chomei(Ryoji Kumata)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Clematis
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Clematis” by Nakagawa Kazumasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Erik
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Erik Satie” by Karasawa Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Commemorative
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Commemorative gift for Imaida Isao’s Moya-moya no kai” by Kanamori Yoshio, Sekino Junichiro, Miyashita Tokio and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miss
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miss K” by Funakoshi Yasutake\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kamoi Yoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Future
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Future 2
\n” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tShimada Kana\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lion
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lion Dance of Urayama in Chichibu City, Saitama” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Myoken
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Myoken Festival in Yatsushiro, Kumamoto” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nebuta
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nebuta Festival (tentative title)” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokiwa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokiwa Bridge” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Narihira
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Narihira Bridge, Honjo” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eitai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eitai Bridge” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miyakezaka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miyakezaka” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rakutenchi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rakutenchi” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Marunouchi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Marunouchi” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iroha
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iroha Stores, the Japanese Pangram Series \/ U (No. 24) : Uranaisha, a Fortune-teller” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iroha
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iroha Stores, the Japanese Pangram Series \/ Ya (No. 29) : Yaccha Ba, a Vegetable Market” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iroha
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iroha Stores, the Japanese Pangram Series \/ No (No. 26) : Nozoki Karakuri, a Street Performance” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yotsuya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yotsuya” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Shunzan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Shunzan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Shunzan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting with poem” by Kodera Kenkichi, Yamaguchi Seison\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shikishi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shikishi” by Nakamura Kanzaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Otani Kubutsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Otani Kubutsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Otani Kubutsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Otani Kubutsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Otani Kubutsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Matsuse Seisei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Matsuse Seisei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Matsuse Seisei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Iwaya Sazanami\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Iwaya Sazanami\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Naito Meisetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Naito Meisetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Naito Meisetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Naito Meisetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Naito Meisetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calligraphy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calligraphy” by Minema Shinkichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poem
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poem” by Sugiura Midoriko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Kitamura Rokuro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Nakamura Takeshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Minayoshi Sou\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Fifty-three Stations of the Tokaido with Actors” by Toyokuni III “Women before Matsuzakaya” by Eizan “Plays of Raccoon Dog \/ Futon and Rokurokubi” by Kyosai “New Year’s Amusements of the Seven Lucky Gods” by Yoshiiku “One Hundred Roles by Baiko \/ Fox Tadanobu” by Kunichika “Dusk at Itako” by Kawase Hasui “Rabbits and Bush Clover […]<\/p>\n","protected":false},"author":1,"featured_media":94,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-89","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=89"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/89\/revisions"}],"predecessor-version":[{"id":95,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/89\/revisions\/95"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/94"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=89"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=89"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}