{"id":848,"date":"2024-08-03T18:32:37","date_gmt":"2024-08-03T09:32:37","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=848"},"modified":"2024-08-03T18:32:37","modified_gmt":"2024-08-03T09:32:37","slug":"new-arrival-kanpon-by-takei-takeo","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=848","title":{"rendered":"[New Arrival] “Kanpon” by Takei Takeo"},"content":{"rendered":"
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\n\t\t“Kanpon \/ No. 11: Light” by Takei Takeo and Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 12: Kokeshi” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 13: My Karuta” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 16: Book of Noel” by Takei Takeo and Inagaki Toshijiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 17: Book of Beggars” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 18: Book of Saint Agnes” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 19: Story of Moridon” by Takei Takeo and Inagaki Toshijiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 20: Aesop’s Fables” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 21: Kikuyo-ki” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 22: Byokan no fu” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 23: Flower of India” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 24: Aria” by Takei Takeo and Wakayama Yasoji\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 25: Story of a Paper Crane” by Takei Takeo<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 26: Kocho Sansaku” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 27: Letter from a Princess” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 28: Curious Tale of Kings” by Takei Takeo and Kato Takikawa\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 29: The Fifth World” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 36: The Sun and the Peacock” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 37: An Alternate Eden” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 38: Sphere” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 39: Canary ABC” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 40: Obake taijo” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 41: King Straw” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 42: Mile Q’s Miracle” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 43: Nanae and Yae” by Takei Takeo, Nanbu Yoshimatsu and Goto Seikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 44: Yonjuyonbankan” by Takei Takeo and Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 45: Human Beings and an Apple” by Takei Takeo and Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 52: From Egg to Egg” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 58: A New Earth” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 59: Mermaid and the Moon” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 60: Leo’s Magic” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 62: Shuju no kyoen” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 64: Twentieth Century Tiger” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 65: Life Stamps” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 66: Samoiya-den” by Takei Takeo, Goto Seikichiro and Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 67: Wind, Water, Fire, Star” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 68: Sakadachi Kankuro” by Takei Takeo and Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 69: Six Windows” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 70: Devil’s Flag” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 71: MIRACLE TOWER” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 72: Kageya” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 73: Pigeon and Magician” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 77: Gankyu ibun” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 79: Ji-ko Embarks” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 80: Window of Jinshiro” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 84: White Paper on Peace” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 85: No Women Admitted” by Takei Takeo and Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 86: What is Heaven” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 87: Luzon Okiku” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 88: The Gourd Maker” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 89: Mendo muyoto” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 90: Modern Gods” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 91: The Man Who Makes Rainbows” by Takei Takeo and Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 92: Kohagi-sho” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 93: Story of a Strange Elephant” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 94: Takasugi Shinsaku” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 95: Return of the Creator” by Takei Takeo and Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 96: Sosei no yume” by Takei Takeo and Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 97: Rom and Ram” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 98: The Forest of Gold” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 99: Don Quixote” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 100: The Rooster Lecoq” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 101: The Tiny Snow Woman” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 102” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 103: Senno bugyo” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 104: Tengu Tenhachiro” by Takei Takeo and Tsukagoshi Genshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 105: Chin wamei-sho” by Takei Takeo and Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 106: Hansuke no Kamisama” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 107: Aiueo Monogatari” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 109: The Carriage of the King and the Carriage of the Beggar” by Takei Takeo and Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 110: Kyonosuke and Chigusa” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 111: Poem to Lanterns” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 112: Nezumikozo Gerokichi” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 113: Osan the Thunder Goddess” by Takei Takeo and Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 114: Konji and Otan” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 115: Jinsei no mon” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t“Kanpon \/ No. 117: Rui and Canna” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 121: Rickshaw Puller Mangoro” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ Extra: Shibun-sho” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Reduced
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Reduced Edition of Kanpon Collection \/ Nos. 1-10” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Publications
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Publications related to Kanpon by Takei Takeo”\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"LES
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“LES CARTES A JOUER Par TAKEO TAKEI” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokeshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokeshi Collection” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Kanpon \/ No. 11: Light” by Takei Takeo and Sekino Junichiro “Kanpon \/ No. 12: Kokeshi” by Takei Takeo “Kanpon \/ No. 13: My Karuta” by Takei Takeo “Kanpon \/ No. 16: Book of Noel” by Takei Takeo and Inagaki Toshijiro “Kanpon \/ No. 17: Book of Beggars” by Takei Takeo “Kanpon \/ No. 18: […]<\/p>\n","protected":false},"author":1,"featured_media":851,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=848"}],"version-history":[{"count":2,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/848\/revisions"}],"predecessor-version":[{"id":850,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/848\/revisions\/850"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/851"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}