{"id":838,"date":"2024-07-28T09:40:03","date_gmt":"2024-07-28T00:40:03","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=838"},"modified":"2024-07-28T09:40:03","modified_gmt":"2024-07-28T00:40:03","slug":"new-arrival-kawase-hasui-kitano-tsunetomi-yoshida-toshi-yoshida-toshi-onchi-koshiro-leonard-foujita-clifton-karfu-serizawa-keisuke-hayashi-chie-toyokuni-iii-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=838","title":{"rendered":"[New Arrival] Kawase Hasui, Kitano Tsunetomi, Yoshida Toshi, Yoshida Toshi, Onchi Koshiro, Leonard Foujita, Clifton Karfu, Serizawa Keisuke, Hayashi Chie, Toyokuni III and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Fujikawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fujikawa” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Heron Maiden” by Kitano Tsunetomi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sitting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sitting under Snow-covered Leaves” by Yoshida Toshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flying
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flying around the Plum Tree” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Christ
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Christ and the Virgin Mary” by Onchi Koshiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"from
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“from “World Peace”” by Fujita Tsuguharu (Leonard Foujita)<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gourmet
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gourmet” by Fujita Tsuguharu (Leonard Foujita)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Potiniere
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Potiniere” by Fujita Tsuguharu (Leonard Foujita)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of the Outer Precinct” by Ushijima Noriyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Clear
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Clear Autumn” by Maki Susumu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shadows-Katsura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shadows-Katsura” by Clifton Karfu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Secret
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Secret” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eggplants
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eggplants” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Globe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Globe” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small woodblock prints”\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Views of Shizuoka” by Nakagawa Yutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views and Customs of Ryunan \/ Volume 1” by Nakagawa Yutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock Postcards \/ Mount Aso and Unzen, Group 1” by Yoshida Shuko, Iwata Masami, Noda Kyuho, Ito Shinsui, Takagi Yasunosuke and Yazawa Gengetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock Postcards \/ Yoshino and Kumano, Group 1” by Iwata Masami, Mochizuki Shunko, Murashima Yuichi, Nagata Shunsui, Nishizawa Tekiho and Noguchi Kenjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock Postcards \/ Collection 2” by Yamakawa Shuho, Nagata Shunsui and Yazawa Gengetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock Postcards \/ Collection 3” by Yamakawa Shuho, Fukuda Toyoshiro and Noguchi Kenjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock Postcards \/ Kamikochi” by Hatakeyama Kinsei, Kawasaki Shoko, Matsumoto Shisui, Nishizawa Tekiho, Noguchi Kenjiro and Yazawa Gengetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock Postcards \/ Folk Toys” by Kikuchi Tomoichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Circus
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Circus” by Shi Ruiwen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Piano
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Piano concert” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Course
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Course of a Dream” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hiding
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hiding in the Grass” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Candy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Candy Angels” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sky-watcher
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sky-watcher” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Secrets
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Secrets in the Soil” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Through
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Through the Looking-Glass, and What Alice Found There” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Through
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Through the Looking-Glass, and What Alice Found There” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mother
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mother and children in ancient times with poem” by Kagoshima Juzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scroll
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scroll Painting” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 1: Takao” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 4: Shiratama” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 5: Oguruma” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 7: Hanaogi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 8: Nagao” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 9: Wakamurasaki” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 10: Nanakoshi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 11: Katsuyama” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 12: Komurasaki” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 13: Kokonoe” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 14: Tokonatsu” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 15: Otowa” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 21: Wakatae” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 23: Hitomoto” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 24: Kosan” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 25: Imamurasaki” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 27: Tamagiku” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 28: Utanosuke” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 30: Hanamurasaki” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 31: Kumoi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 32: Mayuzumi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 34: Takigawa” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 35: Morokoshi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Fujikawa” by Kawase Hasui “The Heron Maiden” by Kitano Tsunetomi “Sitting under Snow-covered Leaves” by Yoshida Toshi “Flying around the Plum Tree” by Yoshida Toshi “Christ and the Virgin Mary” by Onchi Koshiro “from “World Peace”” by Fujita Tsuguharu (Leonard Foujita) “Gourmet” by Fujita Tsuguharu (Leonard Foujita) “Potiniere” by Fujita Tsuguharu (Leonard Foujita) “View of […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=838"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/838\/revisions"}],"predecessor-version":[{"id":846,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/838\/revisions\/846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}