{"id":830,"date":"2024-07-20T19:27:24","date_gmt":"2024-07-20T10:27:24","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=830"},"modified":"2024-07-20T19:27:24","modified_gmt":"2024-07-20T10:27:24","slug":"new-arrival-hirayama-ikuo-kume-keiko-azuma-hideo-kunichika-kuniyoshi-yoshitoshi-yoshiiku-hiroshige-chikanobu-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=830","title":{"rendered":"[New Arrival] Hirayama Ikuo, Kume Keiko, Azuma Hideo, Kunichika, Kuniyoshi, Yoshitoshi, Yoshiiku, Hiroshige, Chikanobu and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Blue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Blue Mosque, Istanbul in the Bright Moonlight” by Hirayama Ikuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Phoenix
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Phoenix Hall, Byodo-in Temple at Uji in the Morning Light” by Hirayama Ikuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"a
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“a fossil” by Asami Chizuru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lacquer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lacquer bowl” by Azuma Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bowl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bowl with turnip design” by Azuma Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"K-2
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“K-2 wonders 070” by Kume Keiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snake” by Ushijima Tatsuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Demonic People, Good and Evil \/ Kajinoki Kinsuke” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Heroic Men” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Edo” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Shiranami Gonin Otoko” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections of Actors for the Twelve Zodiac Signs \/ Horse (Uma) and Goat (Hitsuji)” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections of Actors for the Twelve Zodiac Signs \/ Dragon (Tatsu) and Snake (Mi)” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sanga no Tsu Ogi no Eawase” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Fujiwara no Kiyotada” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Momochidori Sakigake Soga” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers of Tokyo: Collection of Matoi with Famous Places \/ No. 5” by Kunichika and Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Sixty-odd Provinces \/ Hitachi Province: Daijingu Shrine in Kashima” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon and Flowers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes of the Taiheiki \/ No. 22: Fujiwara Masakiyo” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese and Chinese Comparisons for the Chapters of Genji \/ Nowaki: Kidomaru Hides under the Cattle Skin to Kill Yorimitsu at Ichiharano” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Famous Generals of Great Japan \/ Sama-no-kami Yoshitomo and Osada Shoji Kagemune” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Famous Generals of Great Japan \/ Heishokoku Kiyomori” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoshitsune
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoshitsune Jumps Across Eight Boats at the Battle of Dan-no-ura, Yashima” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Pride of Restaurants in Ryogoku \/ Kunugiya in Higashi-Ryogoku” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Pride of Restaurants in Ryogoku \/ Aoyagi in Higashi-Ryogoku” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Pride of Restaurants in Ryogoku \/ Kawachiya in Yanagibashi” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comical
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comical Pictures” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rei:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rei: Tokiwa Gozen” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Famous Generals of Our Country \/ Saimyoji Tokiyori” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Wise Monarch Encountering a Dangerous Situation in Utsunomiya” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of Kawanakajima” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Omocha-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Omocha-e” by Yoshifuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Compatibility
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Compatibility of Rabbits” by Yoshifuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketch
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketch of the Imperial Line of Japan” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Kagoshima Rebels Charge into Kumamoto” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tea Making in Early Summer” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-four Paragons of Filial Piety Matched with Parody Pictures \/ No. 4: Min Ziqian” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-four Paragons of Filial Piety Matched with Parody Pictures \/ No. 21: T’ien Chen, T’ien Kuang, and T’ien Ch’ing” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sono Omokage Sugata no E-awase \/ Benevolence (Jin)” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Dipiction of the Gosei-ro in Full Bloom” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Five Festivals Represented by Eastern Genji \/ The Fifth Month” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play : Saga Bodo-ki” by Kunisada III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lesson
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lesson on Drinking Alcohol” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Double Mirror of Moral Teachings for Girls \/ No. 12” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictures of a Brief History of Japan \/ The Soga Brothers” by Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sakurada
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sakurada kibun” by Toshimitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections from Tokyo Newspapers \/ Ichikawa Metora” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory of Japanese Troops at the Battle of Seonghwan, Korea” by Kunitora II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Chinwan-bushi” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Modern Life at a Glance \/ Flourishing Merchant House in Yokohama” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Blue Mosque, Istanbul in the Bright Moonlight” by Hirayama Ikuo “Phoenix Hall, Byodo-in Temple at Uji in the Morning Light” by Hirayama Ikuo “a fossil” by Asami Chizuru “Lacquer bowl” by Azuma Hideo “Bowl with turnip design” by Azuma Hideo “K-2 wonders 070” by Kume Keiko “Snake” by Ushijima Tatsuma “Mirror of Demonic People, Good […]<\/p>\n","protected":false},"author":1,"featured_media":837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-830","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=830"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/830\/revisions"}],"predecessor-version":[{"id":836,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/830\/revisions\/836"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/837"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}