{"id":819,"date":"2024-07-13T18:43:55","date_gmt":"2024-07-13T09:43:55","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=819"},"modified":"2024-07-13T18:49:01","modified_gmt":"2024-07-13T09:49:01","slug":"new-arrival-kasamatsu-shiro-takahashi-shoteihiroaki-takehisa-yumeji-taninaka-yasunori-maekawa-senpan-onchi-koshiro-ito-seiu-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=819","title":{"rendered":"[New Arrival] Kasamatsu Shiro, Takahashi Shotei(Hiroaki), Takehisa Yumeji, Taninaka Yasunori, Maekawa Senpan, Onchi Koshiro, Ito Seiu and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Misty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Misty Evening at Shinobazu Pond” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening at the Tone River” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mount
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mount Fuji at Yoshida, Koshu” by Yokouchi Kiyoharu\uff08Ginnosuke\uff09\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Town
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Town of Nara” by Mori Masamoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauty after the Bath” by Okamoto Taiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paintings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paintings” by Shimosawa Kihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bando
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bando Soichi Exlibris Collection” by Bando Soichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poems
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poems” by Hojo Hideji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tanka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tanka poem” by Ohara Shigeakira\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calligraphy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calligraphy” by Hirota Koki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting” by Ishii Kan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Handprint
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Handprint with autograph” by Mineyama Takashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autograph
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autograph” by Tatsumi Ryutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting with calligraphy” by Shimada Shogo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paintings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paintings” by Ohashi Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bamboo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bamboo” by Yoshimura Ijuro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript and portrait photograph” by Tokutomi Soho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"King's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“King’s Back” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sosaku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sosaku Hanga: HANGA \/ Volume 13”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sosaku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sosaku Hanga: HANGA \/ Volume 14<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Small Works of Outdoors” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Folk
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Folk Customs of the Tohoku Region” compiled by Sendai Tetsudo-kyoku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Suiinfu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Suiinfu” by Henmi Takashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Honyu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Honyu monogatari” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Unai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Unai no Tomo” by Shimizu seifu, Nishizawa Tekiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kawakami
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kawakami Sumio’s posthumous works: Sumio E-kotoba” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poetry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poetry book: Mui no sekkei” written by Kawaji Ryuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kikan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kikan Hanga \/ No. 7: Limited Edition including an original copper print by Hamada Chimei”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo (Luxury Collector’s Edition)”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Moods of Women” by Ito Seiu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Makaze
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Makaze Koikaze \/ Volume 2 and 3” written by Kosugi Tengai, kuchi-e by Kaburaki Kiyokata and Nakazawa Hiromitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kobayashi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kobayashi Kiyochika: Famous Sights of Tokyo” curated by Takahashi Seiichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poetry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poetry book: Snow and Bread” written by Aikawa Masayoshi, illustrations by Ito Yoshiteru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Okame
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Okame Hachimoku” by translated by Iida Kiken\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dontaku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dontaku E-hon \/ No. 1 & 2” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yumeji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yumeji Art Collection \/ Flower” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Silk
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Silk Tree” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketchbook
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketchbook of Children” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yumeji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yumeji E-tehon” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tasoya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tasoya Ando” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gogatsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gogatsu no Tabi” written by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"To
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“To Kujukuri” written by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Journal
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Journal that Cannot be Shown” written by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yumeji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yumeji Art Collection \/ Flower” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock miniature book: Cats” by Takehisa Yumeji, Takehisa Fujihiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Seisaku \/ Volume 3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kojitsu\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kojitsu”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chugaku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chugaku sekai \/ No. 9 of Volume 9”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bunsho
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bunsho sekai \/ No. 3 of Volume 3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Societe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t\t\t“Societe Franco-Japonaise de Paris -Statuts-“<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Jazz
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Jazz \/ January 1927”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Vient
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Vient de Paraitre” curated by Marius Boisson\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Le
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Le Sourire \/ December 1926” curated by Paul Briquet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Le
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Le Sourire \/ January 1927” curated by Paul Briquet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Personality
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Personality and Works of Kawai Kanjiro” written by Yanagi Muneyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women with Bursting Heart” by Munakata Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.38”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.53”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.54”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t\t“Kogei Vol.64”\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 3 of Volume 15”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 1 of Volume 15”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 14 of Volume 14”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 2 of Volume 14”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 5 of Volume 14”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 13 of Volume 14”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 12 of Volume 14”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 9 of Volume 13”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 7 of Volume 13”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 5 of Volume 13”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ No. 10 of Volume 9”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ December Volume 2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ March Volume 1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ February Volume 2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ April Volume 2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Asahi Sports \/ April Volume 1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Olympic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Olympic Gaho”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Olympic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Olympic Gaho \/ Volume 34 of the 5th Year”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Grand
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Grand Sumo Tournament: Haru Basho” edited by the Asahi Sports\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sportsman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sportsman \/ No. 1 of Volume 9”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Shizuokaken Sport \/ No. 3 of Volume 2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Shizuokaken Sport \/ No. 8 of Volume 2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fairy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fairy Tales In Old Books” by Unno Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"William
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“William Morris: Farther of Modern Design and Pattern” by Unno Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"George
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“George Barbier: Master of Art Deco” by Unno Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Avant-Garde
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Avant-Garde Graphics in Russia” by Unno Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"George
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“George Barbier Postcard Book” by Unno Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Postcard
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Postcard book: animals in fairy tales” by Unno Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Misty Evening at Shinobazu Pond” by Kasamatsu Shiro “Evening at the Tone River” by Takahashi Shotei (Hiroaki) “Mount Fuji at Yoshida, Koshu” by Yokouchi Kiyoharu\uff08Ginnosuke\uff09 “Town of Nara” by Mori Masamoto “Beauty after the Bath” by Okamoto Taiko “Paintings” by Shimosawa Kihachiro “Bando Soichi Exlibris Collection” by Bando Soichi “Poems” by Hojo Hideji “Tanka poem” […]<\/p>\n","protected":false},"author":1,"featured_media":828,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=819"}],"version-history":[{"count":8,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/819\/revisions"}],"predecessor-version":[{"id":827,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/819\/revisions\/827"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/828"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}