{"id":81,"date":"2023-01-28T20:05:36","date_gmt":"2023-01-28T11:05:36","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=81"},"modified":"2023-01-28T20:05:36","modified_gmt":"2023-01-28T11:05:36","slug":"new-arrival-saito-kiyoshi-minami-kunzo-yoshida-toshi-kawakami-sumio-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=81","title":{"rendered":"[New Arrival] Saito Kiyoshi, Minami Kunzo, Yoshida Toshi, Kawakami Sumio and Others"},"content":{"rendered":"
\n
\n
\n
\n\"Scenery
\n<\/a>\n\t<\/div>\n
\n
\n“Scenery of Aizu with a Persimmon Tree” by Saito Kiyoshi<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Summer
\n<\/a>\n\t<\/div>\n
\n
\n“Summer in Aizu” by Saito Kiyoshi<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Joko-ji
\n<\/a>\n\t<\/div>\n
\n
\n“Joko-ji Temple, Kaminoyama” by Saito Kiyoshi<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Bunraku
\n<\/a>\n\t<\/div>\n
\n
\n“Bunraku Puppet” by Saito Kiyoshi<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Uomi
\n<\/a>\n\t<\/div>\n
\n
\n“Uomi” by Minami Kunzo<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Snow-man
\n<\/a>\n\t<\/div>\n
\n
\n“Snow-man” by Azechi Umetaro<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Archer
\n<\/a>\n\t<\/div>\n
\n
\n“Archer” by Taninaka Yasunori<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Under
\n<\/a>\n\t<\/div>\n
\n
\n“Under Ichikawa Bridge Seen from the Edogawa Embankment” by Okuyama Gihachiro<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Thirty-Six
\n<\/a>\n\t<\/div>\n
\n
\n“Thirty-Six Views of Mt. Fuji \/ Fuji in Front of the Egawa Residence in Nirayama (The View Acclaimed by Buson)” by Tokuriki Tomikichiro<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Thirty-Six
\n<\/a>\n\t<\/div>\n
\n
\n“Thirty-Six Views of Mt. Fuji \/ Fuji Behind the Mill (Omiya-guchi Path)” by Tokuriki Tomikichiro<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Thirty-Six
\n<\/a>\n\t<\/div>\n
\n
\n“Thirty-Six Views of Mt. Fuji \/ Fuji in Early Spring (Motosuko Lake)” by Tokuriki Tomikichiro<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Thirty-Six
\n<\/a>\n\t<\/div>\n
\n
\n“Thirty-Six Views of Mt. Fuji \/ Fuji in the Clouds” by Tokuriki Tomikichiro<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Nihonbashi
\n<\/a>\n\t<\/div>\n
\n
\n“Nihonbashi” by Tokuriki Tomikichiro<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Hamaotsu
\n<\/a>\n\t<\/div>\n
\n
\n“Hamaotsu” by Tokuriki Tomikichiro<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Japanese
\n<\/a>\n\t<\/div>\n
\n
\n“Japanese Girls Month by Month (Part 1: December to May) \/ Karuta” by Onuma Chiyuki<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Buncho
\n<\/a>\n\t<\/div>\n
\n
\n“Buncho” by Yoshida Toshi<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Hanging
\n<\/a>\n\t<\/div>\n
\n
\n“Hanging Lamp” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Woman
\n<\/a>\n\t<\/div>\n
\n
\n“Woman and a Lamp” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Women
\n<\/a>\n\t<\/div>\n
\n
\n“Women in the Style of the Meiji Era” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Eight
\n<\/a>\n\t<\/div>\n
\n
\n“Eight Candidates for a Girl” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Hirado
\n<\/a>\n\t<\/div>\n
\n
\n“Hirado” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Southern
\n<\/a>\n\t<\/div>\n
\n
\n“Southern Barbarian Boat B” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Bowl
\n<\/a>\n\t<\/div>\n
\n
\n“Bowl of Southern Barbarians” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Children,
\n<\/a>\n\t<\/div>\n
\n
\n“Children, Flowers and Butterflies” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Face
\n<\/a>\n\t<\/div>\n
\n
\n“Face of a Japanese Clock” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Three
\n<\/a>\n\t<\/div>\n
\n
\n“Three Lamps” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Lamps
\n<\/a>\n\t<\/div>\n
\n
\n“Lamps and a Pot” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Globe
\n<\/a>\n\t<\/div>\n
\n
\n“Globe” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Clock
\n<\/a>\n\t<\/div>\n
\n
\n“Clock (tentative title)” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Dress-up
\n<\/a>\n\t<\/div>\n
\n
\n“Dress-up Girl” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Captains
\n<\/a>\n\t<\/div>\n
\n
\n“Captains A” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Cuckoo
\n<\/a>\n\t<\/div>\n
\n
\n“Cuckoo clock and Bugle” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Four
\n<\/a>\n\t<\/div>\n
\n
\n“Four Pipes” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Three
\n<\/a>\n\t<\/div>\n
\n
\n“Three Lamps” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Ganmangafuchi
\n<\/a>\n\t<\/div>\n
\n
\n“Ganmangafuchi Abyss” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Liquor
\n<\/a>\n\t<\/div>\n
\n
\n“Liquor Bottles with Beards and Mustaches” by Kawakami Sumio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Teikoku-zaigo-gunjinkai
\n<\/a>\n\t<\/div>\n
\n
\n“Teikoku-zaigo-gunjinkai program
\n” by Kondo Shiun<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Bird
\n<\/a>\n\t<\/div>\n
\n
\n“Bird and Pomegranate” by Hirata Shodo<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Tateyama
\n<\/a>\n\t<\/div>\n
\n
\n“Tateyama Mountain Range” by Maeda Josaku<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Akabane
\n<\/a>\n\t<\/div>\n
\n
\n“Akabane” by Inagaki Tomoo<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Spring
\n<\/a>\n\t<\/div>\n
\n
\n“Spring evening” by Igawa Sengai<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Title
\n<\/a>\n\t<\/div>\n
\n
\n“Title unknown” by Igawa Sengai<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Thirty-six
\n<\/a>\n\t<\/div>\n
\n
\n“Thirty-six Views of Mt. Fuji in the Heisei Period \/ Fuji in the Auspicious Clouds” by Nishizawa Shizuo<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Tanzaku
\n<\/a>\n\t<\/div>\n
\n
\n“Tanzaku” by Takahama Toshio<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Tanzaku
\n<\/a>\n\t<\/div>\n
\n
\n“Tanzaku” by Matsumura Eiichi<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Tanzaku
\n<\/a>\n\t<\/div>\n
\n
\n“Tanzaku” by Takano Sujyu<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Tanzaku
\n<\/a>\n\t<\/div>\n
\n
\n“Tanzaku” by Shimoda Jitsuka<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Shikishi
\n<\/a>\n\t<\/div>\n
\n
\n“Shikishi” by Kubota Utsubo<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Painting
\n<\/a>\n\t<\/div>\n
\n
\n“Painting with calligraphy” by Inoue Masao<\/a>\n\t<\/div>\n<\/div>\n
\n
\n
\n\"Shikishi
\n<\/a>\n\t<\/div>\n
\n
\n“Shikishi” by Kato Kenichi<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Scenery of Aizu with a Persimmon Tree” by Saito Kiyoshi “Summer in Aizu” by Saito Kiyoshi “Joko-ji Temple, Kaminoyama” by Saito Kiyoshi “Bunraku Puppet” by Saito Kiyoshi “Uomi” by Minami Kunzo “Snow-man” by Azechi Umetaro “Archer” by Taninaka Yasunori “Under Ichikawa Bridge Seen from the Edogawa Embankment” by Okuyama Gihachiro “Thirty-Six Views of Mt. Fuji […]<\/p>\n","protected":false},"author":1,"featured_media":85,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-81","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=81"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/81\/revisions"}],"predecessor-version":[{"id":87,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/81\/revisions\/87"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/85"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=81"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=81"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}