{"id":807,"date":"2024-07-10T17:24:13","date_gmt":"2024-07-10T08:24:13","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=807"},"modified":"2024-07-10T23:24:08","modified_gmt":"2024-07-10T14:24:08","slug":"new-arrival-one-hundred-aspects-of-the-moon-by-yoshitoshi-hiroshige-shunsho-kiyochika-kunichika-chikanobu-kokunimasa-gekko-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=807","title":{"rendered":"[New Arrival] “One Hundred Aspects of the Moon” by Yoshitoshi \/ Hiroshige, Shunsho, Kiyochika, Kunichika, Chikanobu, Kokunimasa, Gekko and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Sugawara no Michizane” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Ariko” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ The Shining Princess Returns to the Moon, the Bamboo Cutter” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Mount Ashigara Moon, Yoshimitsu” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Dawn Moon at the Shinto Ritual” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Aspects of the Moon \/ Moon at Kazan Temple” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Toyotomi Chronicles \/ Hyosokabe Attacks Hori’s Encampment at Night” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Omi \/ Sunset Glow at Seta” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ View of Suruga-cho” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers \/ No. 27: Hibiscus at the Flower Garden by the Sumida River in the Eastern Capital” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Views of Tokyo \/ Kaigandori, Takanawa” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actor Print” by Shunsho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ The Wrestler (Keiriki) Tomigoro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Natsu Matsuri Naniwa Kagami” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Roles by Baiko \/ Torii Yazaemon” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Goyoboku Kumoemon from Hirado” by Kunimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Koyanagi Tsunekichi from Awa Province” by Kunimori II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Ebijuro as Asahina Tobei” by Shunshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Arashi Kitsusaburo as Kowari Dennai” by Ashiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors as Gorgeous Underworld Characters \/ Nihon Daemon” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Floral
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Floral Patterns \/ The Kanbun and Genroku Era” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Senso-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Senso-ji Temple in Snow” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Army and Navy Heroes \/ Yokota Yasuji” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Naval Victory of Our Fleet near Phung-to in Korea” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hurrah
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hurrah for Japan: The Victory Song of Pyongyang” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Records
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Records of the Battle of Kagoshima” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory for the Great Japanese Army at Seonghwan, Korea” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory of Our Troops at Fierce Battle of Pyongyang” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Battle near Jiuliancheng by the Yalu River” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sino-Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sino-Japanese War: Pursuing the Retreating Enemy at Jinzhoucheng” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Battle at Tianzhuangdai: The Gathering of Eleven Generals” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sino-Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sino-Japanese War: The Japanese Navy Victory Off Takushan” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fierce
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fierce Street Battle at Niuzhuang” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Officers and Men Fight Furiously at Fenghuangcheng” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sino-Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sino-Japanese War: Picture of the Great Victory at Jiuliancheng” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Occupation of Magongcheng in the Pescadores, Taiwan” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Attack on Keelung, Taiwan” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sino-Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sino-Japanese Fleet: Great Battle at Haiyang Island” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Raging
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Raging Tigers” by Baisai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory of Japanese Troops at the Battle at Seoul, Korea” by Ikuhide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Artillery
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Artillery Captain Nezu and First Lieutenant Iida” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory at Port Arthur” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sino-Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sino-Japanese War: True Account of the Fierce Fighting at Ansong” by Kunisada III\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“One Hundred Aspects of the Moon \/ Sugawara no Michizane” by Yoshitoshi “One Hundred Aspects of the Moon \/ Ariko” by Yoshitoshi “One Hundred Aspects of the Moon \/ The Shining Princess Returns to the Moon, the Bamboo Cutter” by Yoshitoshi “One Hundred Aspects of the Moon \/ Mount Ashigara Moon, Yoshimitsu” by Yoshitoshi “One […]<\/p>\n","protected":false},"author":1,"featured_media":817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=807"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/807\/revisions"}],"predecessor-version":[{"id":818,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/807\/revisions\/818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/817"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}