{"id":744,"date":"2024-06-11T17:39:28","date_gmt":"2024-06-11T08:39:28","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=744"},"modified":"2024-06-11T17:39:28","modified_gmt":"2024-06-11T08:39:28","slug":"new-arrival-hiroshige-toyokuni-kuniyoshi-yoshitoshi-kiyochika-tankei-toshikata-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=744","title":{"rendered":"[New Arrival] Hiroshige, Toyokuni, Kuniyoshi, Yoshitoshi, Kiyochika, Tankei, Toshikata and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo and Murasaki’s Genji \/ Parody of the Umegae Chapter: Plum Garden at Kameido” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Restaurants of Edo \/ Ikenohata \/ The Horaitei Restaurant” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Fujikawa” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Hara” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Fifty-three Stations of the Tokaido Road \/ Kuwana: Tomita Post Station” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Chiryu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Totsuka” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo, Newly Selected \/ View of Zojo-ji Temple in Shiba” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Fujikawa” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Mariko” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixty-eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixty-eight Views of the Various Provinces \/ No. 38: Iwai Valley, Tajima Province” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixty-eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixty-eight Views of the Various Provinces \/ No. 13: Monkey Bridge, Kai Province” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Forty-Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Forty-Eight Famous Views of Edo \/ No. 44: Kinokuni Slope in Akasaka” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Pride of Edo: Thirty-six Scenes \/ Cherry Blossoms on the Embankment and Sakura Mochi at Mukojima” by Toyokuni III and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Pride of Edo: Thirty-six Scenes \/ Hatsu-gatsuo at Nihonbashi” by Toyokuni III and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Joruri Ballads \/ The Tomimoto Narrative Song, Shirafuji Genta” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lives
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lives of Wise and Heroic Women \/ Kesa Gozen” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Visiting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Visiting the Shrines of the Seven Gods of Good Fortune in the Eastern Capital \/ Benzaiten, Ikenohata” by Sadatora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Umegatani Totaro” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Sadanobu II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Forty-eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Forty-eight Hawks Drawn from Life \/ No. 44: White Sparrows, Withered Banana Leaves, and Winter Chrysanthemum” by Sugakudo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Forty-eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Forty-eight Hawks Drawn from Life \/ No. 41: Goldcrest and Camellia” by Sugakudo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 1: Ikina” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 2: Dainin Kamitsuke no Katana” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 3: Ono no Tofu” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 9: Fujiwara no Arihira” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 11: Hotoke Gozen” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 11: Lord Sugawara no Michizane” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 12: Kesa Gozen” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 16: Hangaku Gozen” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 18: Sano Tsuneyo” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 19: Aoto Fujitsuna” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 19: Aoto Fujitsuna” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 21: Ichimanmaru and Hako-o” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 21: Ichimanmaru and Hako-o” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 21: Murakami Yoshiteru” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 24: Kojima Takanori” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 25: Hojo Yasutoki” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 25: Kikuchi Takemitsu” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 27: Mori Motonari” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 31: Lord Tokugawa Takechiyo” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 31: Lord Tokugawa Takechiyo” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 32: Nobunaga” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 34: Toyotomi Hideyasu Izumo-okuni” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 40: Tanikaze Kajinosuke” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 41: Hanawa Hokiichi” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 43: Chikako” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 44: Lord Tokugawa Yoshinobu” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 45: Fukuchi Gen’ichiro” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 46: Akiko” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Famous Places in Edo and Murasaki’s Genji \/ Parody of the Umegae Chapter: Plum Garden at Kameido” by Hiroshige I “Famous Restaurants of Edo \/ Ikenohata \/ The Horaitei Restaurant” by Hiroshige I “Fifty-three Stations of the Tokaido Road \/ Fujikawa” by Hiroshige I “Fifty-three Stations of the Tokaido Road \/ Hara” by Hiroshige I […]<\/p>\n","protected":false},"author":1,"featured_media":748,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=744"}],"version-history":[{"count":3,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/744\/revisions"}],"predecessor-version":[{"id":747,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/744\/revisions\/747"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/748"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}