{"id":734,"date":"2024-06-08T18:28:17","date_gmt":"2024-06-08T09:28:17","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=734"},"modified":"2024-06-08T18:28:17","modified_gmt":"2024-06-08T09:28:17","slug":"new-arrival-kawase-hasui-natori-shunsen-yoshida-toshi-kayama-matazo-oda-kazuma-kunisada-sadatora-sadahide-kunichika-yoshitoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=734","title":{"rendered":"[New Arrival] Kawase Hasui, Natori Shunsen, Yoshida Toshi, Kayama Matazo, Oda Kazuma, Kunisada, Sadatora, Sadahide, Kunichika, Yoshitoshi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning in Nishibira, Izu” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE COMPLETE WOODCUTS OF KAWASE HASUI” by Watanabe Tadasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nakamura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nakamura Senjaku in Koya Hijiri” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Nakamura Utaemon VI as Shirabyoshi Dancer Hanako in Dojo-ji” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Bando Jusaburo III as Oboshi Yuranosuke” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Otani Tomoemon VII as Yuki Joro” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Nakamura Senjaku II as Ohatsu in Sonezaki Shinju” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Nakamura Fukusuke VII as Kuramae no Osome” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Ichikawa Sadanji III as Yoshiro in Modorikago” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Morita Kan’ya XIV as Tadanobu in Yoshinoyama” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Ichikawa Danshiro III in Kotobuki Shiki Sanbaso” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Ichikawa Ennosuke II in Kotobuki Shiki Sanbaso” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Stage Portraits \/ Nakamura Tomijuro IV as Hago no Kamuro” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Okaramon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Okaramon” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Window
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Window and Stone Garden” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Wall” by Kayama Matazo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Stylish Beauties in the Showa Era \/ The Sixth Month: After the Bath” by Watanabe Ikuharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Six Views of Tokyo \/ Near Nihonbashi” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Station
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Station” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quarterly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quarterly R* \/ Issues 1-8” by Horii Hideo, Tanami Niwako, Miyashita Tokio, Otani Kazuyoshi, Kobayashi Donge, Watanabe Tatsumasa, Azechi Umetaro, Kidokoro Sho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EXLIBRIS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EXLIBRIS BY 12 ARTISTS V – Published by the Nippon Exlibris Association in Commemoration of the 24th International Exlibris Congress Sapporo Japan” by Kanamori Yoshio, Kurita Masahiro, Tokuriki Tomikichiro, Hagiwara Hideo, Yamataka Noboru and Other Artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Romantic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Romantic Hand-printed Decorative Paper” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original Caricatures: Pictures of 2500 Years of the Foundation of Japan” by Kitazawa Rakuten,Okamoto Ippei,Ikebe Hitoshi,Hosokibara Seiki,Maekawa Senpan,Miyao Shigewo,Tanaka Hisara Nakamura Fusetsu and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original Caricatures: Pictures of Sixty Years of New Japan” by Kitazawa Rakuten, Okamoto Ippei, Maekawa Senpan, Tanaka Hisara and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Half-dragon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Half-dragon Child (tentative title)” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Elegant Flower Calendar \/ Pink” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Eight Dog Heroes of Satomi \/ The Fight on the Roof of the Horyukaku” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Ume Yanagi Sakigake-zoshi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Enoshima from Seven-mile Beach in Kamakura” by Sadatora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Guide
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Guide to Nikko” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ Yugyo-ji Temple at Fujisawa” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seven Hot Springs of Hakone \/ Tonosawa” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comparison
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comparison of the Millionaires in Tokyo” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Fan \/ Odawara” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Fan \/ Hiratsuka” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Fan \/ Oiso” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Hiratsuka” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Odawara” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Inner Palace \/ Kagamimochi-hiki” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokusen'ya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokusen’ya Kassen \/ Act 3” by Hasegawa Sadanobu III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Meido(Hell\uff09
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Meido(Hell\uff09” by Uchida Hyakken, Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Complete
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Complete Works of Tenshin” by Nihonbijyutsuin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nishikie
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nishikie Collection of the Edo Firefighters” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuniyoshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuniyoshi” by Suzuki Juzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Esugoroku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Esugoroku of the Bakumatsu and Meiji Periods” by Ikuta Makoto and Matsumura Noriko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"E-toki:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“E-toki: Emperor and the Caricatures of the Bakumatsu Period” by Nagura Tetsuzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Namazu-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Namazu-e: Earthquake and Japanese Culture” by Miyata Noboru and Takada Mamoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Prints & Drawings from the Vever Collection” written by Jack Hillier\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japan One Hundred Years Ago: Sceneries Captured in Postcards -Meiji, Taisho and Showa Periods-” by Ikuta Makoto\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Morning in Nishibira, Izu” by Kawase Hasui “THE COMPLETE WOODCUTS OF KAWASE HASUI” by Watanabe Tadasu “Nakamura Senjaku in Koya Hijiri” by Natori Shunsen “New Stage Portraits \/ Nakamura Utaemon VI as Shirabyoshi Dancer Hanako in Dojo-ji” by Natori Shunsen “New Stage Portraits \/ Bando Jusaburo III as Oboshi Yuranosuke” by Natori Shunsen “New Stage […]<\/p>\n","protected":false},"author":1,"featured_media":742,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=734"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/734\/revisions"}],"predecessor-version":[{"id":741,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/734\/revisions\/741"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/742"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}