{"id":73,"date":"2023-01-18T18:03:52","date_gmt":"2023-01-18T09:03:52","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=73"},"modified":"2023-01-18T18:16:37","modified_gmt":"2023-01-18T09:16:37","slug":"new-arrivaltoyokuni-iii-hiroshige-i-kuniyoshi-yoshitoshi-yoshifuji-hokusai-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=73","title":{"rendered":"[New Arrival]Toyokuni III, Hiroshige I, Kuniyoshi, Yoshitoshi, Yoshifuji, Hokusai and Others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Toyokuni's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toyokuni’s Caricature Pictures \/ Inaba Kozo Sankichi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji-e” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dance
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dance of the Flowers and Birds, Wind and Moon” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Popular
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Popular Matches for Thirty-six Selected Flowers \/ Mysterious Iris: Otaka Tonomo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miracles
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miracles of Kannon \/ Index of the One Hundred Pilgrimage Sites” by Toyokuni III, Kunisada II and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lady
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lady Murasaki’s Genji Cards \/ Title page” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lady
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lady Murasaki’s Genji Cards \/ No. 9: Aoi” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Loyalty and Vengeance \/ Takadanobaba” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Detailed
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Detailed Pitures of Tokyo \/ The First National Bank, Kaiun Bridge and Brick Buildings along the Ginza” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Spread from Hokusai manga, Volume 5” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children at Play \/ The Sixth Month” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Five Festivals \/ Ayame Ningyo” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches by Yoshitoshi \/ Tanzen sugata” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children at Play \/ Collection of Dances” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Festival
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Festival Parade at Hie Shrine in the Eastern Capital” by Yoshifuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Eiri Shinbun \/ Urami Fuji Onna Saigyo” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Nichinichi Shinbun \/ No. 3” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Controversy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Controversy over a Punitive Expedition against Korea” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of the Empress Strolling” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"On
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“On the Seventh Day of the Second Month, People Born in Metal Signs Will Enter a Lucky Cycle” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Roof-raising
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Roof-raising Ceremony Blessed by the Lucky Gods” by Kunimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children at Play \/ Loyalty” by Sadafusa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Accurate Depiction of Toshogu Shrine and Taiyuin Temple at Nikko” by Kobayashi Jiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mount Fuji \/ Under the Wave off Kanagawa \u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mount Fuji \/ Fine Wind, Clear Weather \u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Nihonbashi: Morning Scene \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido Road \/ Shono: Driving Rain\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido Road \/ Kanbara: Night Snow\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Classes of Women’s Physiognomy \/ Young Woman Blowing a Glass Pipe\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mallard
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mallard Ducks and Kingfisher\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Women and Their Poems on Flowers, Birds, Wind and Moon \/ Bird\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hanaogi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanaogi of the Ogiya \u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Sawamura Sojuro III as Ogishi Kurando \u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Matsumoto Yonesaburo as Kewaizaka no Shosho, Actually Shinobu\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Ebizo as Takemura Sadanoshin\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women Playing with a Ball\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Contemporary Beauties of the Pleasure Quarters \/ The Tachibana District \u3010Reproduction\u3011” by Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Current
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Current Manners in Eastern Brocade\u3010Reproduction\u3011” by Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mandarin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mandarin Ducks\u3010Reproduction\u3011” by Shunsho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enjoying
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enjoying the Cool of Evening at the Shijo Riverbed\u3010Reproduction\u3011” by Toyohiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-two Physiognomic Types in the Modern World \/ The Conclusive Type\u3010Reproduction\u3011” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty\u3010Reproduction\u3011” by Kiyonobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Yamashita Kinsaku as Oiso Tora\u3010Reproduction\u3011” by Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Danjuro II Making Introductory Speech\u3010Reproduction\u3011” by Kiyotomo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Replacing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Replacing the Shamisen String\u3010Reproduction\u3011” by Kunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Danjuro II in Shibaraku\u3010Reproduction\u3011” by Kiyotada\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comparing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comparing the Charms of Modern Beauties \/ Flowers of Yamashita\u3010Reproduction\u3011” by Masanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tsukioka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tsukioka of the Hyogoya\u3010Reproduction\u3011” by Eisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties of the Licensed Quarter \/ Shinohara of the Tsuruya\u3010Reproduction\u3011” by Eisho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shiseido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shiseido in Meiji 1 (c1868)\u3010Reproduction\u3011” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Toyokuni’s Caricature Pictures \/ Inaba Kozo Sankichi” by Toyokuni III “Genji-e” by Toyokuni III “Dance of the Flowers and Birds, Wind and Moon” by Toyokuni III “Popular Matches for Thirty-six Selected Flowers \/ Mysterious Iris: Otaka Tonomo” by Toyokuni III “Miracles of Kannon \/ Index of the One Hundred Pilgrimage Sites” by Toyokuni III, Kunisada […]<\/p>\n","protected":false},"author":1,"featured_media":75,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-73","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/73","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=73"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/73\/revisions"}],"predecessor-version":[{"id":79,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/73\/revisions\/79"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/75"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=73"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=73"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=73"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}