{"id":672,"date":"2024-04-27T20:04:26","date_gmt":"2024-04-27T11:04:26","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=672"},"modified":"2024-04-27T20:04:26","modified_gmt":"2024-04-27T11:04:26","slug":"new-arrival-munakata-shiko-sugiura-hisui-azechi-umetaro-kawase-hasui-tachibana-sayume-kitano-tsunetomiono-bakufu-tokuriki-tomikichiro-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=672","title":{"rendered":"[New Arrival] Munakata Shiko, Sugiura Hisui, Azechi Umetaro, Kawase Hasui, Tachibana Sayume, Kitano Tsunetomi,Ono Bakufu, Tokuriki Tomikichiro and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Nihon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nihon hanga Vol.1” by Munakata Shiko<\/strong>, Munakata Makka, Sasajima Kihei, Shimosawa Kihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hisui's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hisui’s Original Patterns” by Sugiura Hisui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Red
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Red Aso” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kankai-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kankai-ji Temple in Beppu” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kawase
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kawase Hasui’s commentary on his own prints” commentary by Kawase Hasui, foreword by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE LOYAL RONINS \/ Blabbing in Town” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ito
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ito Shinsui’s commentary on his own prints” commentary by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dancing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dancing Figures of Kikugoro” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Contest of Beauties of the Floating World \/ March: Lip Color” by Kitano Tsunetomi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mizunoe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mizunoe Takiko” by Tachibana Sayume<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sayo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sayo Fukuko” by Tachibana Sayume\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Watanabe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Watanabe Hangaten’s Exhibition Catalog of the Latest Woodblock Prints”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Watanabe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Watanabe Hangaten’s Catalog of Woodblock Prints”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Watanabe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Watanabe Hangaten’s Catalog of Woodblock Prints”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Suzuki Kason\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ No. 9 of Volume 2: Sarcocheilichthys variegatus variegatus” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish of Japan \/ No. 4 of Volume 2: Mackerel” by Ono Bakufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four seasons of Kyoto” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Feelings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Feelings of the Ancient Capital” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Night” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Afternoon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Afternoon” by Iwata Sentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Maiko
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Maiko in Kyoto” by Takamura Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture of the South Sea Islands: Yap” by Fuse Shintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Black
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Black & White” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small prints” by Kato Yasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Female
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Female Nude” by Mitsutani Kunishiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peach
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peach” by Okamura Kichiemon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Serizawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Serizawa Keisuke Calendar for 1957” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Serizawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Serizawa Keisuke Calendar for 1974” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Travel
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Travel Sketches of Korea (tentative title)” by Ikebe Hitoshi, Hosokibara Seiki, Maekawa Senpan, Miyao Shigeo and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Camel
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Camel (tentative title)” by Shimizu Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.1 of Volume7”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.2 of Volume 2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.2 of Volume3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.2 of Volume 5”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.2 of Volume 6”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.2 of Volume 8”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.2 of Volume 11”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.10 of Volume 2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 2 of Volume 3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume 3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume 4”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume5”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume11”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume9”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume10”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume11”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.3 of Volume12”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.4 of Volume1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.4 of Volume2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.4 of Volume3”<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Nihon hanga Vol.1” by Munakata Shiko, Munakata Makka, Sasajima Kihei, Shimosawa Kihachiro “Hisui’s Original Patterns” by Sugiura Hisui “Red Aso” by Azechi Umetaro “Kankai-ji Temple in Beppu” by Kawase Hasui “Kawase Hasui’s commentary on his own prints” commentary by Kawase Hasui, foreword by Kaburaki Kiyokata “THE LOYAL RONINS \/ Blabbing in Town” by Ito Shinsui […]<\/p>\n","protected":false},"author":1,"featured_media":679,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-672","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=672"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/672\/revisions"}],"predecessor-version":[{"id":678,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/672\/revisions\/678"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/679"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}