{"id":656,"date":"2024-04-13T19:13:54","date_gmt":"2024-04-13T10:13:54","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=656"},"modified":"2024-04-13T19:13:54","modified_gmt":"2024-04-13T10:13:54","slug":"new-arrival-utamaro-hiroshige-toyokuni-kunisada-kuniyoshi-yoshiiku-kunitora-eishi-sadahide-kiyochika-chikanobu-kuniteru-toshikata-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=656","title":{"rendered":"[New Arrival] Utamaro, Hiroshige, Toyokuni, Kunisada, Kuniyoshi, Yoshiiku, Kunitora, Eishi, Sadahide, Kiyochika, Chikanobu, Kuniteru, Toshikata and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women Engaged in the Sericulture Industry \/ No. 12, the last piece” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Perspective Picture of the Niomon Gate to the Kinryuzan Temple” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo \/ Goten-yama, Shinagawa” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Omi \/ Sunset Glow at Seta” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Matsumoto Koshiro as Nikki Danjo” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Otokodate
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Otokodate Benkei Tazaemon” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comparison
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comparison of Night View of Cherry Blossoms” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Beautiful Women at Famous Places in Edo \/ Asajigahara” by Toyokuni III and Kunihisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Collection of Famous Places in the Red-Hair Oil-Painting Style \/ Masaki” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Upper Floor of the Sakurai-ro in Yoshicho” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stories
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stories of the True Loyalty of the Faithful Samurai \/ Ishido Umanosuke” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Joruri:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Joruri: Chushingura Sugata no Eawase” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The False Ikkyu Preaching to the Bill Collectors” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Night Attack at Horikawa: Preparing to Meet the Attack of Tosanobo Shoshun” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miraculous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miraculous Paintings by Ukiyo Matabei” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women as the Seven Gods of Good Fortune \/ Daikoku” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women as the Seven Gods of Good Fortune \/ Hotei” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women as the Seven Gods of Good Fortune \/ Ebisu” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prosperity
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prosperity of the English Trading House in Yokohama” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Nichinichi Shinbun \/ No. 917” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Nichinichi Shinbun \/ No. 656” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of the Celebration of the Silver Wedding Anniversary” by Kunitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Layers of Brocade in the Capital” by Eishi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Roben
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Roben Falls on Mount Oyama” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ryogoku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ryogoku in the Snow” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Seaside Garden of the Tsukiji Hotel in the Eastern Capital” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lessons
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lessons from the History of Japan \/ No. 1: Shinra Saburo and Tokiaki” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hiyodorigoe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hiyodorigoe” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Opened
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Opened Fans Blooming with Flowery Words \/ Komatsu Sanmi Koremori” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matches for the Kana Syllables \/ We (E) Brigade, Fifth Group: En’ya Hangan” by Kunichika and Tacho (Yoshikane)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Four Accomplishments” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Funeral
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Funeral Procession of the Empress Dowager Eisho” by Kokyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Viewing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Viewing the Horsemanship” by Shogetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Braving
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Braving the Heavy Snow, Our Generals Alone Scout the Enemy Territory” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Fengtianfu: The Bivouac of Japanese Troops” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Women Engaged in the Sericulture Industry \/ No. 12, the last piece” by Utamaro “Newly Published Perspective Picture of the Niomon Gate to the Kinryuzan Temple” by Utamaro “One Hundred Famous Views of Edo \/ Goten-yama, Shinagawa” by Hiroshige I “Eight Views of Omi \/ Sunset Glow at Seta” by Hiroshige I “Actor Matsumoto Koshiro […]<\/p>\n","protected":false},"author":1,"featured_media":662,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=656"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/656\/revisions"}],"predecessor-version":[{"id":661,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/656\/revisions\/661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/662"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}