{"id":643,"date":"2024-03-30T19:58:44","date_gmt":"2024-03-30T10:58:44","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=643"},"modified":"2024-03-30T20:29:56","modified_gmt":"2024-03-30T11:29:56","slug":"new-arrival-kawase-hasui-yoshida-hiroshi-kuniyoshi-yoshitoshi-yoshitora-yoshimori-kunisada-kunichika-sadahide-shogetsu-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=643","title":{"rendered":"[New Arrival] Kawase Hasui, Yoshida Hiroshi, Kuniyoshi, Yoshitoshi, Yoshitora, Yoshimori, Kunisada, Kunichika, Sadahide, Shogetsu and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Ueno
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ueno park, Tokyo” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Scenes of Tokyo \/ Autumn in the Hyakka-en” by Yoshida Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Golden Pavilion” by Yoshida Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Minamoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Minamoto Ushiwakamaru Learns Martial Arts from Sojobo” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Record
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Record of the Punitive Campaign at Kagoshima, Satsuma Province \/ Women Rebels Fight Bravely” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chronological
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chronological Record of the Rule of the Tokugawas \/ The Fifteenth Shogun, Lord Tokugawa Yoshinobu” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers in Full Bloom: Their Own Calligraphy \/ Shinagawa-ro” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers in Full Bloom: Their Own Calligraphy \/ Older Sister Somenosuke and Younger Sister Usuginu of the Inamoto-ro” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Battle of Torisaka in Echigo Province” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Vehicles Coming and Going in Tokyo” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kintaro
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kintaro at Play” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido \/ Okazaki: Eightbridge Village” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enjoying
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enjoying Flowers at the Garden” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Great Bridges in Edo \/ Spring View at Shin-Ohashi Bridge” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Revised
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Revised Panoramic View of Yokohama” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Fashionable Artisans \/ Maker of Braided Cords” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Play
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Play at the Kabuki-za Theater in March” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Play at the Meiji-za Theater: Kurotegumi Kuruwa no Tatehiki” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors Arriving at the Sacred Fudo in Narita” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Song
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Song Composed by the Empress” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year’s Parade of Fire Brigades” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Minamoto and the Taira: Snow, Moon and Flowers \/ Moon” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokugawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokugawa Shogun Visiting the Shrine at Nikko” by Shogetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Antiquarian
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Antiquarian Studies: Eastern Brocade \/ The Three Hundredth Anniversary of the Toshogu Shrine” by Shogetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties Compared to Spring Flowers” by Koso\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tSasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tSasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tSasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tSasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tSasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tSasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Aizen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Aizen Myoo” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tNagatomo Yuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Osaka \/ Hozenji Temple in Sennichimae” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening at Kofuku-ji in Nara, Early Spring” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Gion Festival (tentative title)” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“From the illustrations for Ernest Hemingway’s novels ‘Farewell to Arms'” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“From the illustrations for Ernest Hemingway’s novels ‘Farewell to Arms'” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Narcissus
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Narcissus and a Fish” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow country” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tenmoku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tenmoku Sanso”by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Quiet
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Quiet Forest” by Ogawa Kunio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Japanese Life” by Ogawa Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Koizumi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Koizumi Kiyoshi Art Collection”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Asano
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Asano Takeji’s Self-Selected Woodblock Prints”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"WATANABE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“WATANABE Toyoshige: Playing with ONI” by Edited by The Museum of Modern Art,Kamakura&Hayama\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Atsuko
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Atsuko Tanaka. The Art of Connecting” by Edited by Jonathan Watkins and Kato Mizuho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kikukawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kikukawa Eizan” by Edited by Ota Memorial Museum of Art\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE 800TH MEMORIAL OF YOSAI ROOTS OF ZEN: YOSAI AND THE TREASURES OF KENNINJI” by Edited by The Museum of Modern Art,Kamakura&Hayama\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The World of HAMADA Chimei: Elegy and Humor in Prints and Sculptures” by Edited by The Museum of Modern Art,Kamakura&Hayama\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Goseda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Goseda Yoshimatsu”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yokohama
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yokohama 1859-1899: New Visions, New Representations”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nui
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nui Sano —– A distant Order: Composition in Blue” by Text by Kagesato Tetsuro, Omura Satoshi, Sano Nui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Price Collection: JAKUCHU and The Age of Imagination” by Edited by Tokyo National Museum, Nikkei Inc.\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kawanabe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kawanabe Kyosai and Kyosui”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” Arcimboldo: Nature into Art” by Edited by Sylvia Ferino-Pagden, Watanabe Shinsuke and others\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Karasawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Karasawa Hitoshi: A Retrospective 1971-2006” by Edited by Tochigi Prefectural Museum of Fine Arts\/The Museum of Modern Art,Kamakura&Hayama\/Karasawa Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"LINEAGE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“LINEAGE OF ECCENTRICS:THE MIRACULOUS WORLD OF EDO PAINTING” by Tokyo Metropolitan Art Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Felix
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Felix Vallotton(1865-1925). LE FEU SOUS LA GLACE” by Edited by Sugiyama Naoko, Nikkei Inc.\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"YOON
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“YOON Hee Chang -The Which is There-” by Edited by Shizuoka Prefectural Museum of Art, Lee Mina\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tSupervision by Aoba Masuteru, Kashiwagi Hiroshi, Nagai Kazumasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE PASSIONATE ART of KITAGAWA UTAMARO” by Written and Edited by Asano Shugo, Tomothy Clark\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"SUGANO
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“SUGANO KEISUKE” by Edited by Yokosuka Museum of Art, Ichinomiya City Memorial Art Museum of Setsuko Migishi, MIURART Village, Umeno Memorial Art Gallery\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Light
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Light and Shadows in Namban Art: The Mystery of the Western Kings on Horseback” by Edited by Suntory Museum of Art, Kobe City Museum and Nikkei Inc.\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The 400 Years of Nihonbashi: The Foremost Landmark of Edo-Tokyo Seen in Art” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Complete Art of Kuniyoshi” by Written and Supervision by Isao Toshihiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Utagawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Utagawa Kuniyoshi Exhibition” by Supervision by Suzuki Juzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The World of Kuniyoshi” by Supervision by Nakau Ei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sharaku,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sharaku, Utamaro, Hokusai and Hiroshige: Four Great Ukiyoe Artists Exhibition” by Supervision by Nakau Ei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hokusai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hokusai and His Students” by Supervision by Nakau Ei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Centennial Exhibition of the Japan Art Institute’s Revival: The Masterpieces of NIHONGA” by Tokyo Metropolitan Art Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Ueno park, Tokyo” by Kawase Hasui “Twelve Scenes of Tokyo \/ Autumn in the Hyakka-en” by Yoshida Hiroshi “The Golden Pavilion” by Yoshida Hiroshi “Minamoto Ushiwakamaru Learns Martial Arts from Sojobo” by Kuniyoshi “Record of the Punitive Campaign at Kagoshima, Satsuma Province \/ Women Rebels Fight Bravely” by Yoshitoshi “Chronological Record of the Rule of […]<\/p>\n","protected":false},"author":1,"featured_media":648,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=643"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/643\/revisions"}],"predecessor-version":[{"id":650,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/643\/revisions\/650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/648"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}