{"id":599,"date":"2024-02-10T19:45:33","date_gmt":"2024-02-10T10:45:33","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=599"},"modified":"2024-02-10T19:45:33","modified_gmt":"2024-02-10T10:45:33","slug":"new-arrival-ota-masamitsu-shukusanpo-kuniyoshi-yoshitoshi-kunisada-toyokuni-shunko-shunsen-hiroshige-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=599","title":{"rendered":"[New Arrival] Ota Masamitsu, Shukusanpo, Kuniyoshi, Yoshitoshi, Kunisada, Toyokuni, Shunko, Shunsen, Hiroshige and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Standing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Standing Hina Dolls” by Ota Masamitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Shukusanpo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mt.Fuji(tentative
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mt.Fuji(tentative title)” by Hashimoto Yuzuru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The One and Only Eight Dog History of Old Kyokutei, Best of Refined Authors \/ Inue Shinbei” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of the Life of Minamoto Yoshitsune, the Wellspring of Romance: The Secrets of Strategy \/ No. 13” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Ise Province: Shinanoya Ohan, and Shima Province: Fukuoka Mitsugi’s Aunt” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixty-nine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixty-nine Stations of the Kisokaido Road \/ No. 9, Kumagaya: Kojiro Naoie” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixty-nine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixty-nine Stations of the Kisokaido Road \/ No. 30, Shimosuwa: Yaegaki-hime” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixty-nine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixty-nine Stations of the Kisokaido Road \/ No. 33, Motoyama: Yamauba” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixty-nine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixty-nine Stations of the Kisokaido Road \/ No. 35, Narai: Oroku and Zenkichi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixty-nine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixty-nine Stations of the Kisokaido Road \/ No. 56, Narai: Mieji: Maple-leaf Viewing” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Famous Generals of Great Japan \/ Lay Priest Tokiyori of Saimyo-ji Temple” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flower Picking \u3010Reproduction\u3011” by Shunko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Descending
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Descending Geese at the Sumida River” by Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Fukagawa” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Courtesans
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Courtesans of the Sanomatsuya, in Edo-machi Nichome in the New Yoshiwara: Matsushima, Ume III and Kicho” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Color Print Contest of a Modern Genji \/ Chapter 3: Utsusemi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Color Print Contest of a Modern Genji \/ Chapter 38: Suzumushi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Color Print Contest of a Modern Genji \/ Chapter 51: Ukifune” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of Famous Women, Ancient and Modern \/ Fumihiroge no Chiyo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of Famous Women, Ancient and Modern \/ The Nun Ryonen” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of Famous Women, Ancient and Modern \/ Tomoe Gozen” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Purple
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Purple of Edo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture of Dolls” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Beautiful Women at Famous Places in Edo \/ Jumokudani in Shirogane” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Mariko: Tagohei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Kanagawa Station: Ferryman Tonbei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Mount Fudesute, between Seki and Saka no shita: Kano Utanosuke” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Ide no sato, between Numazu and Hara: Kawazu Saburo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Pride of Edo: Thirty-six Scenes \/ Red Maple Leaves at Kaian-ji Temple” by Toyokuni III and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Pride of Edo: Thirty-six Scenes \/ The First Horse Day of the Second Month at Oji Inari Shrine” by Toyokuni III and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Yamato Province: Fox Tadanobu” by Toyokuni III and Kunimasa III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Figures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Figures of Contemporary Beauties \/ Tea-shop Waitress” by Toyokuni II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Famous Places in Osaka \/ Umeda Station, and night cherry blossoms in Matsuhima” by Sadanobu II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Fengtianfu: The Bivouac of Japanese Troops” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Monkey
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Monkey Bridge in Kai Province \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain River on the Kiso Road \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Whirlpools in Naruto Strait, Awa Province \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain River on the Kiso Road \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children in Shunga” by Hayakawa Monta\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Katsushika
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Katsushika Hokusai and Kawanabe Kyosai – Fantastic Comics” by Ota Memorial Museum of Art\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"YOSHITOSHI
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“YOSHITOSHI TSUKIOKA : GHOST STORIES OF UKIYOE” by Hinohara Kenji, Watanabe Akira\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE DIARY OF KYOSAI” by Kawanabe Kyosai Memorial Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shunga:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shunga: Japanese Erotic Art” by Shirakura Yoshihiko, Hayakawa Monta\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Edo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Edo hyakumu” by Tanaka Yuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bijutsutecho,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bijutsutecho, December 2016”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kawanabe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kawanabe Kyosai” by Kawanabe Kusumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Hokusai’s Daughter Oi” by Kubota Kazuhiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Art
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Art Beginners’ Collection: Katsushika Hokusai” by Nagata Seiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Art
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Art Beginners’ Collection: Kawanabe Kyosai” by Kano Hiroyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kyosai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kyosai and His Magical World” by Kawanabe Kyosai Memorial Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Soul of the Brush: The Line\u2019s Pull, the Color\u2019s Spell : From Matabei to Hokusai and Kuniyoshi” by Sumida Hokusai Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sex and Laughter with Kyosai: Shunga from the Israel Goldman Collection” by Ishigami Aki, Sadamura Koto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Irokurabe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Irokurabe” by Naito Masato\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kawanabe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kawanabe Kyosai” by Japan Art Centre\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Suzuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Suzuki Harunobu Masterpieces” by Fukuda Kazuhiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Booklet
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Booklet of DEMON OF PAINTING : KAWANABE KYOSAI” by Kawanabe Kyosai Memorial Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Travelling
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Travelling Paintings of Edo” by Kaneko Nobuhisa\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Standing Hina Dolls” by Ota Masamitsu “Title unknown” by Shukusanpo “Mt.Fuji(tentative title)” by Hashimoto Yuzuru “The One and Only Eight Dog History of Old Kyokutei, Best of Refined Authors \/ Inue Shinbei” by Kuniyoshi “Mirror of the Life of Minamoto Yoshitsune, the Wellspring of Romance: The Secrets of Strategy \/ No. 13” by Kuniyoshi “Modern […]<\/p>\n","protected":false},"author":1,"featured_media":602,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=599"}],"version-history":[{"count":2,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/599\/revisions"}],"predecessor-version":[{"id":601,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/599\/revisions\/601"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/602"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}