{"id":584,"date":"2024-01-20T18:38:43","date_gmt":"2024-01-20T09:38:43","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=584"},"modified":"2024-01-20T18:38:43","modified_gmt":"2024-01-20T09:38:43","slug":"new-arrival-kuniyoshi-yoshitoshi-chikanobu-nobukazu-kunichika-kunisada-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=584","title":{"rendered":"[New Arrival] Kuniyoshi, Yoshitoshi, Chikanobu, Nobukazu, Kunichika, Kunisada and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Wakasa Province: Momoi Wakasanosuke, and Echizen Province: Mikuni Kojoro and Tamaya Shinbei” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Sado Province: Kumawakamaru, and Tanba Province: Yosaku” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Shimosa Province: Asakura Togo, and Hitachi Province: Kohagi, the Wife of Oguri” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Tango Province: Anju-hime and Taiomaru, and Tajima Province: Tajimaya Onatsu” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Sanuki Province: Nurse Otsuji, and Iyo Province: Minamoto no Yoshitsune” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Tosa Province: Matahei the Stutterer, and Chikuzen Province: Akamatsu Jutamaru” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Owari Province: Child Kairiki, and Mikawa Province: Yahagi Ushiwakamaru” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Osumi Province: Shunkan, and Satsuma Province: Satsuma no kami Tadanori” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Hida Province: Hida no Takumi, and Shinano Province: Yaegaki-hime” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Scenes of the Provinces in Edo Brocade Prints \/ Iki Province: Ikinoatai Maneko, and Tsushima Province: Taira no Tomomori” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ogura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ogura Imitations of One Hundred Poems by One Hundred Poets \/ Poem by Sakanoue no Korenori” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ogura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ogura Imitations of One Hundred Poems by One Hundred Poets \/ Poem by Chunagon Kanesuke” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months with the Pride of Tokyo \/ The Fifth Month: Iris at Horikiri” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months with the Pride of Tokyo \/ The Eighth Month: The Twenty-sixth Night” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months with the Pride of Tokyo \/ The Third Month: Cherry Blossoms in the Yoshiwara” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-four Paragons of Filial Piety Matched with Parody Pictures” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Outer Palace \/ Procession at Ueno” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Fujiwara Ason Narimichi” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in the Present Day \/ September” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in the Present Day \/ August” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in the Present Day \/ July” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in the Present Day \/ June” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in the Present Day \/ April” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The National Diet Building” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Modern Restaurants \/ Uehan at Mokubo-ji Temple” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Modern Restaurants \/ Daimon in Mukojima” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Modern Restaurants \/ Hirasei in Fukagawa” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Modern Restaurants \/ Seiyoken in Ueno” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Modern Restaurants \/ Bansenro in Ohashi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Modern Restaurants \/ Toriyaso at Shitaya Hirokoji” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Sarumaru Dayu” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Kakinomoto Hitomaro” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Sojo Henjo” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Fujiwara no Okikaze” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Ki no Tsurayuki” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Selected Flowers of Elegance \/ Minamoto no Shigeyuki” by Kunichika and Chikaharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 43: Kobai” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 42: Niou no miya” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 37: Kashiwagi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 22: Tamakazura” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 20: Asagao” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 16: Sekiya” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-four Chapters in Modern Times \/ No. 6: Suetsumuhana” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers \/ Act 10” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers \/ After Act 11” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers” by Konobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Uchiwa-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Uchiwa-e” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Uchiwa-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Uchiwa-e” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ceremony of the Promulgation of the Constitution” by Chikuyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Imperial Army’s Great Victory at Great Battle of Pyongyang” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Modern Scenes of the Provinces in Edo Brocade Prints \/ Wakasa Province: Momoi Wakasanosuke, and Echizen Province: Mikuni Kojoro and Tamaya Shinbei” by Kuniyoshi “Modern Scenes of the Provinces in Edo Brocade Prints \/ Sado Province: Kumawakamaru, and Tanba Province: Yosaku” by Kuniyoshi “Modern Scenes of the Provinces in Edo Brocade Prints \/ Shimosa Province: […]<\/p>\n","protected":false},"author":1,"featured_media":586,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=584"}],"version-history":[{"count":1,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/584\/revisions"}],"predecessor-version":[{"id":585,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/584\/revisions\/585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/586"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}