{"id":536,"date":"2023-12-16T18:29:28","date_gmt":"2023-12-16T09:29:28","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=536"},"modified":"2023-12-16T18:29:28","modified_gmt":"2023-12-16T09:29:28","slug":"new-arrival-takehisa-yumeji-fukiya-koji-takabatake-kasho-yamagishi-kazue-tokuriki-tomikichiro-asano-takeji-toyokuni-iii-yoshitoshi-kunichika-chikanobu-kiyochika-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=536","title":{"rendered":"[New Arrival] Takehisa Yumeji, Fukiya Koji, Takabatake Kasho, Yamagishi Kazue, Tokuriki Tomikichiro, Asano Takeji, Toyokuni III, Yoshitoshi, Kunichika, Chikanobu, Kiyochika and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Sugoroku(Board
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugoroku(Board Game): Girls for the Twelve Months” by Takehisa Yumeji, Iwata Sentaro, Kato Hisashi, Sudo Shigeru, Yamakawa Shuho and others\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sugoroku:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugoroku: Loving Sisterhood” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ups
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ups And Downs Luck Promotion Sugoroku” by Takabatake Kasho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bath
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bath (tentative title)” by Yamagishi Kazue\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cat
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cat parent and child” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cat
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cat and butterfly” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow Scene (tentative title)” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New York” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Light
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Light Snow at Demachi” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Occupations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Occupations in the Showa Era \/ Blacksmith” by Wada Sanzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Unzen-Amakusa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Unzen-Amakusa National Park” by Nishiyama Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lamp
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lamp” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"People
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“People in English ABC” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Ichikawa Kuzo as Rakan no Takezo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Iwai Kumesaburo as Kani no Otaku” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Arashi Hinasuke as Yuzen Asakichi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Ichikawa Ebizo as Kinezumi Shirokichi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Nakamura Tsuruzo as Kagura-jishi Raihachi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Nakamura Utaemon as Shinto Okuji” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Bando Mitsugoro as Kogakure no Kiritaro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Ichimura Takenojo as Yukanba kozo Kichiza” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Bando Hikosaburo as Shinozaki no Masakichi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Kawarazaki Gonjuro as Sageo no Inosuke” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Modern Shuihuzhuan \/ Onoe Baiko as Namikiri Juza” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Personalities
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Personalities of Recent Times \/ Lady-in-waiting Muraoka of the Konoe Family” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors and Comedy, Comparisons of Hits” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors and Comedy, Comparisons of Hits” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors and Comedy, Comparisons of Hits” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors and Comedy, Comparisons of Hits” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors and Comedy, Comparisons of Hits” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Children \/ Visiting a Shrine” by Shuntei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Children \/ Mekuraoni” by Shuntei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Inner Palace \/ Osazareishi Ceremony” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Inner Palace \/ Cherry Blossoms at Night in the Garden” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Inner Palace \/ Year-end Cleaning” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Inner Palace \/ Evacuation” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Outer Palace \/ Visiting the Shrine at Nikko” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ladies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ladies of the Tokugawa Period \/ Gathering Shellfish” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Beauties \/ No. 26” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wedding
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wedding Ceremony of a Noble Couple” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene at New Year” by Nobuyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Our
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Our Field Artillery Attacks the Enemy Camp at Jiuliancheng” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Advancing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Advancing across the Ansong River at the Battle of Asan” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Braving
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Braving a Shower of Bullets, the Man Alone Opens the Hyonmu Gate” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Braving
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Braving the Snow, Our Troops Capture the Stronghold at Weihaiwei” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Our
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Our Scout Reconnoiters the Enemy Encampment near the Yalu River” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle at Snowy Niuzhuang” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Visit
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Visit of the Empress to the Field Hospital” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Torpedo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Torpedo Launching from the Torpedo Boat” by Nobuchika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sino-Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sino-Japanese Naval Battles: Illustration of the Great Victory of the Imperial Navy at the Great Pitched Battle off Takushan” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Fengtianfu: The Bivouac of Japanese Troops” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Captain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Captain Matsuzaki Fights Bravely at the Ansong River” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Private
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Private Harada Jukichi Opens the Hyeonmu Gate from Within the Fort at Pyongyang” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Sugoroku(Board Game): Girls for the Twelve Months” by Takehisa Yumeji, Iwata Sentaro, Kato Hisashi, Sudo Shigeru, Yamakawa Shuho and others “Sugoroku: Loving Sisterhood” by Fukiya Koji “Ups And Downs Luck Promotion Sugoroku” by Takabatake Kasho “Bath (tentative title)” by Yamagishi Kazue “Cat parent and child” by Tokuriki Tomikichiro “Cat and butterfly” by Tokuriki Tomikichiro “Snow […]<\/p>\n","protected":false},"author":1,"featured_media":539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=536"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/536\/revisions"}],"predecessor-version":[{"id":541,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/536\/revisions\/541"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/539"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}