{"id":45,"date":"2022-12-28T18:33:55","date_gmt":"2022-12-28T09:33:55","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=45"},"modified":"2022-12-28T18:33:55","modified_gmt":"2022-12-28T09:33:55","slug":"new-arrivalkawase-hasui-yoshida-hiroshi-hirayama-ikuo-hiroshige-toyokuni-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=45","title":{"rendered":"[New Arrival]Kawase Hasui, Yoshida Hiroshi, Hirayama Ikuo, Hiroshige, Toyokuni and others"},"content":{"rendered":"

\n[Announcement of Winter Holidays]
\nThank you for your continued business with us.
\nYAMADA SHOTEN will be closed for annual winter holidays from Thursday, 29th December 2022 to Thursday, 5th January 2023.
\nWe will not be able to answer any enquiries during that period. The shop will reopen at regular business hours on Frisday, 6th January 2023.
\nWe are sorry for any inconvenience caused. We appreciate your understanding.\n<\/p>\n

\n
\n
\n\t\t
\n\t\t\"Twenty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty Views of Tokyo \/Morning View at Daikon Shore”, by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Cave Temple at Ajanta”, by Yoshida Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Island Sea Series Sailing Boats – Morning”, by Yoshida Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Moonlight,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Moonlight, Ikaruga no Sato”, by Hirayama Ikuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hydrangea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hydrangea”, by Jean=Pierre CASSIGNEUL\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Day
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Day and Night”, by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokura,Haru-machi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokura,Haru-machi”, by Hirano Ryo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kinrancho
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kinrancho and Vanda Orchid”, by Takama Soshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rose
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rose”, by Yanagisawa Yoshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountainner
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountainner who cross the pass”, by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Azechi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountains of Warmth”, by Azechi Umetaro \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print Collection of Buddha”, by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ryukyu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ryukyu woman”, by Fujishima Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portrait
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portrait of Beethoven”, by Koizumi Kishio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four scenes from Kyoto”, by Kotozuka Eiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wooden
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wooden figurine”, by Nakagawa Kazumasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Car
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Car Town (Toyota)”, by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Nemuro”, by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoshida
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoshida Shrine and Mount Fuji”, by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kiyotsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kiyotsu Gorge B”, by Tagawa Suiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Arrowhead
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Arrowhead”, by Kawarazaki Shodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bellflower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bellflower”, by Kawarazaki Shodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rose
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rose”, by Kawarazaki Shodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Adonis
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Adonis”, by Kawarazaki Shodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fairy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fairy legend”, by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flower in a vase(tentative title)”, by Fujiwara Yu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ Akabane Bridge and Zojo-ji Temple in Shiba”, by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ View of Ochanomizu”, by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo \/ Flower Garden in the Inner Precincts at Asakusa”, by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pride
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pride of Tokyo: Eight Views of Famous Places \/ Autumn \uff4doon at Takanawa”, by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of the Eastern Capital \/ Kanda Myojin Shrine”, by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Senso-ji Temple at Kinryuzan”, by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Civilized Tokyo \/ Wisteria Blossoms at Kameido Tenjin Shrine”, by Hiroshige III and Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hatsugasumi Onna Saruhiki”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Three Heavenly Lights \/ Stars (Hoshi)”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kyo-ganoko Musume Dojo-ji”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Yume Musubu Cho ni Torioi”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Ume Yanagi Sakigake-zoshi”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tobi-no-mono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tobi-no-mono Harugasumi no Hikizo”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokuya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokuya Mankichi”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portraits
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portraits from Hit Plays of Both Historical Stories and Modern Life \/ Ukiyo Inosuke”, by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kazashi no Hana Shibai no Sangatsu”, by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo Wrestler Kimigatake Sukesaburo”, by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo Wrestler the Former Noginosato, Now Shiranui Nagiemon from Unshu”, by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo Wrestler Hironoumi Tomigoro”, by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo Wrestler Kagamiiwa Hamanosuke from Marugame”, by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo Wrestler Musashino Monta”, by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-two Fashonable Physiognomies \/ Feeling Rushed”, by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Back Garden of Pine Trees and Hollyhocks \/ No. 10: The Wife of Lord Ieharu”, by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Goten-yama Sakuragi zoshi and Koi Nyobo Somewake Tazuna”, by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sunset
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sunset at Dokanyama”, by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Amusing Views of Famous Places in Tokyo \/ Motoizumi Bridge, Yanagihara”, by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Amusing Views of Famous Places in Tokyo \/ Yanagibashi Bridge”, by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Amusing Views of Famous Places in Tokyo \/ Low Tide at Susaki”, by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kusunoki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kusunoki Masashige (tentative title)”, by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nobility
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nobility Watching the Sunrise”, by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Ono no Tofu Aoyagi Suzuri”, by Chikashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hyakunin machi Uwasa no Hitofushi”, by Chikashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Horse Racing at Ueno Park”, by Chikaharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tsukimi no Hare Meiga no Ichijiku”, by Yoshiharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Yorozuyo Bridge”, by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Eiri Shinbun \/ Urami Fuji Onna Saigyo”, by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales of Modern Heroes \/ No. 21: Kohashi”, by Kunikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Tea Manufacturing in Imperial Japan \/ No. 17: Sample Inspection”, by Shugeysu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Pilgrimage to Enoshima”, by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Nezumi Komon Haru no Shingata”, by Kunisato\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scenes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scenes of Famous Places along the Tokaido Road”, by Central Kyoto: The Great Bridge at Sanjo \/ Yoshimune\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Nihonbashi”, by Kuninao II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Emperor Heading to the National Diet”, by Shogetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ Kinryuzan Temple in Asakusa”, by Shigekiyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Bando Shuka I<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Naniwaya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Naniwaya Okita \u3010Reproduction\u3011”, by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Pledges at Lovers Meetings \/ Happy Togetherness of Umegawa and Chubei\u3010Reproduction\u3011”, by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Array
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Array of Supreme Beauties of the Present Day \/ Morokoshi of the Echizenya\u3010Reproduction\u3011”, by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo \/ Kinryuzan ( temple ) at Asakusa\u3010Reproduction\u3011 \/ Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ Shower at Nihombashi from\u3010Reproduction\u3011”, by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Shinagawa: Sunrise \u3010Reproduction\u3011”, by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Kawasaki: Rokugo Ferry \u3010Reproduction\u3011”, by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Totsuka: Motomachi Forked Road \u3010Reproduction\u3011”, by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[Announcement of Winter Holidays] Thank you for your continued business with us. YAMADA SHOTEN will be closed for annual winter holidays from Thursday, 29th December 2022 to Thursday, 5th January 2023. We will not be able to answer any enquiries during that period. The shop will reopen at regular business hours on Frisday, 6th January […]<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-45","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=45"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/45\/revisions"}],"predecessor-version":[{"id":52,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/45\/revisions\/52"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}