{"id":390,"date":"2023-09-09T18:05:19","date_gmt":"2023-09-09T09:05:19","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=390"},"modified":"2023-09-09T18:05:19","modified_gmt":"2023-09-09T09:05:19","slug":"new-arrival-takazawa-keiichi-kawakami-sumio-yoshida-toshi-hiroshige-i-yoshitoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=390","title":{"rendered":"[New Arrival] Takazawa Keiichi, Kawakami Sumio, Yoshida Toshi, Hiroshige I, Yoshitoshi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman in Kimono” by Takazawa Keiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman in Blue Kimono” by Takazawa Keiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman in Kimono” by Takazawa Keiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paper
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paper Hat, Mask, Collar, Decorations” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hirado
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hirado” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beret,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beret, Accordion, Toys” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autumn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autumn in Hakone Museum” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cherry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cherry Blossoms in Omuro, Kyoto” by Asada Benji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bonfire
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bonfire” by Shimizu Toru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kasuga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kasuga Shrine” by Kotozuka Eiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sakurajima
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sakurajima” by Fujimoto Toichiryo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"APPLE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“APPLE” by Kuri Yoji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chindonya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chindonya” by Morimoto Hideki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints Collection of Mangaka no Ehon no kai \/ No. 3” by Sagawa Miyotaro, Tada Hiroshi, Cho Shinta, Nagashima Shinji, Baba Noboru, Higashi Kunpei, Maekawa Kazuo and Yanase Takashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo \/ View of Shiba Coast” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido Road (Hoeido Edition) \/ Hiratsuka: Nawate Road” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Brief History of Japan \/ Susanoo no Mikoto Kills the Eight-headed Serpent at Hirokawa in Izumo Province” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seiro
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seiro Niwaka \/ Kashima Dance\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pleasure
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pleasure Boat on a Summer Evening \u3010Reproduction\u3011” by Shuncho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Contemporary Beauties of the Pleasure Quarters \/ Geisha of Tachibana-cho and Young Man \u3010Reproduction\u3011” by Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Elegant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Elegant Women of Edo Likened to the Twelve Animals of Zodiac \/ Monkey\u3010Reproduction\u3011” by Toyokuni II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Catching
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Catching Fireflies \u3010Reproduction\u3011” by Choki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Nakamura Noshio II as a White Fox Disguised as Kuzunoha \u3010Reproduction\u3011\u3010Reproduction\u3011” by Kunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Perspective
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Perspective Pictures of Japanese Scenes \/ Fukagawa Hachiman Shrine in Edo \u3010Reproduction\u3011” by Toyoharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rehearsal
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rehearsal \u3010Reproduction\u3011” by Shigemasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Ryogoku Bridge in the Eastern Capital \u3010Reproduction\u3011” by Hokuju\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lovers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lovers in an Autumn Field \u3010Reproduction\u3011” by Moronobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Actors Kamakura Chokuro as Meido no Kohachi and Matsushima Hyotaro as Oiso no Tora \u3010Reproduction\u3011” by Kiyomasu II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daidozan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daidozan Entering the Ring\u3010Reproduction\u3011 ” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Soga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Soga Goro and Gosho Goromaru\u3010Reproduction\u3011 ” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Momijigari\u3010Reproduction\u3011
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Momijigari\u3010Reproduction\u3011 ” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors Nakajima Mihoemon II and Nakamura Tomijyuro I\u3010Reproduction\u3011 ” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Ichikawa Monnosuke II\u3010Reproduction\u3011 ” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Danjuro VI, also called Naritaya Sansho, as Arakawa Taro \u3010Reproduction\u3011 ” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Nakamura Nakazo II, also called Sakaiya Shukaku, as the Farmer Tsuchizo, actually Prince Koretaka \u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Nakayama Tomisaburo I, also called Omiya Kinsha, as Ohisa, wife of Sazanami Tatsugoro\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Yamashita Kinsaku II, also called Tennoji Riko, as the Maid Okane, actually Iwate Gozen, Wife of Sadato \u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Yaozo III, also called Tachibanaya Chusha, as Hachiman Taro Minamoto no Yoshiie\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Komazo III, also called Koraiya Kinsho, as Oyamada Taro Takaie\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Iwai Hanshiro IV, also called Yamatoya Tojaku, as San, the the Servant Woman of Ukiyonosuke, actually Saeda, the Younger Sister of Samanosuke\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Sawamura Sojyuro III, also called Kinokuniya Tosshi, as Kujaku Saburo Narihira\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Segawa Kikunojo III, also called Hamamuraya Roko, as the Maid Ohama\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Bando Mitsugoro II, also called Yamatoya Zegyo, as the Manservant Kugahei\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Actor Ichikawa Omezo as Ippei, A Manservant\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty as a Monkey Trainer\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Woman in Kimono” by Takazawa Keiichi “Woman in Blue Kimono” by Takazawa Keiichi “Woman in Kimono” by Takazawa Keiichi “Flowers” by Kawakami Sumio “Paper Hat, Mask, Collar, Decorations” by Kawakami Sumio “Hirado” by Kawakami Sumio “Beret, Accordion, Toys” by Kawakami Sumio “Autumn in Hakone Museum” by Yoshida Toshi “Cherry Blossoms in Omuro, Kyoto” by Asada […]<\/p>\n","protected":false},"author":1,"featured_media":396,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=390"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/390\/revisions"}],"predecessor-version":[{"id":395,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/390\/revisions\/395"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/396"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}