{"id":382,"date":"2023-09-02T18:38:53","date_gmt":"2023-09-02T09:38:53","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=382"},"modified":"2023-09-02T18:38:53","modified_gmt":"2023-09-02T09:38:53","slug":"new-arrival-kuniyoshi-hiroshige-utamaro-chikanobu-kawase-hasui-hashiguchi-goyo-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=382","title":{"rendered":"[New Arrival] Kuniyoshi, Hiroshige, Utamaro, Chikanobu, Kawase Hasui, Hashiguchi Goyo and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ghost of Oiwa and Kamiya Iemon” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese and Chinese Comparisons for the Chapters of Genji \/ Otome: The Nine-tailed Fox Woman Terrorizing Prince Hansoku and His Servant” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of the Fifty-three Stations \/ No. 19: Ejiri: Tago Bay and Miho no Matsubara” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Restaurants of Edo \/ Yanagishima” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictures of the Fifty-three Stations of the Tokaido Road \/ Shinagawa, Nihonbashi and Kawasaki” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ Eitai Bridge and New Land at Fukagawa” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miracles
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miracles of Kannon \/ The Chichibu Pilgrimage Route, No. 6: Haginodo at Bokuun-ji on Mount Koyo” by Hiroshige II and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miracles
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miracles of Kannon \/ The Chichibu Pilgrimage Route, No. 25: Kyusho-ji on Mount Gankoku in Kuna” by Hiroshige II, Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokyo, Past and Present \/ Edobashi: Storehouses of Nihonbashi and Mitsubishi” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Amusements
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Amusements of the Four Seasons: Cool Breeze” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gathering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gathering Shellfish (tentative title)” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Views in the Various Provinces \/ Lowering the Basket at Kurama” by Utamaro II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Arakuma Rikinosuke” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirrors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirrors for Collage Pictures in the Modern Style \/ Saito Uchikuranosuke” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Yamashiro Province: Ono no Komachi” by Toyokuni III and Kunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Usagi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Usagi-e” by Toyokuni IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Models
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Models for Fashion: New Year Designs as Fresh as Young Leaves \/ Morokoshi of the Echizenya” by Koryusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comic Picture” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sands
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sands of Edo: Annual Events \/ Tango Festival” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manners
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manners for Women: Tea Ceremony” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening Cool at the Water God Festival in Ryogoku” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Collection of Squids and Octopuses” by Chikashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Collection of Horses” by Chikashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actor Print” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Imaginary
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Imaginary Matches of Actors for Kagoshima” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Foxes’ Wedding” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales of Modern Heroes \/ No. 6: Miura Goro” by Kunikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prosperity
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prosperity of the Jinpu-ro at Yokohama in Musashi Province” by Toyoshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Collection of Shadow Pictures” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“From a series Forty-eight Kimarites of Sumo” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Army Soldiers” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The War Chronicle of Kagoshima: Collection of Heroes of the Government Forces and the Rebel Army” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Collection of Journeys” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Collection of Tenjin” by Ikumaru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“From a series Forty-eight Kimarites of Sumo” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mimasu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mimasu goshi \/ Sorori Shinzaemon” by Toshihide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Three Evening Poems: Poem by Saigyo” by Shunzan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Might
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Might of Our Army Terrifies Chinese Soldiers” by Kunitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory of the Imperial Army at Pyongyang” by Kunitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five-piece
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five-piece Kumiage: The Carriage-Pulling Scene in the Life of Sugawara Tenjin” by Maki Kinnosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Heroes from the Records of the Taiko Hideyoshi” by Mizuno Keijiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture of a Dutch Man and Woman” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Collection of Double-sided Warriors” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Collection of Warriors” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Omocha-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Omocha-e” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Collection of Sumo Wrestlers” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Omocha-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Omocha-e” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Three Cities \/ Osaka: Hanazono, Nakanoshima” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bugler
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bugler (tentative title)” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nagao
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nagao of the Owariya in Edo-machi Icchome, the New Yoshiwara” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Shadow Pictures” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published: Kachi-kachi Yama, the Crab and the Monkey, Hanasaka Jijii” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Ichikawa Danjuro VIII” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory at the Great Battle of Pyongyang” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mt.Fuji\u3000from
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mt.Fuji\u3000from Tagonoura Bridge” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Applying Make-up\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bird
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bird” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Origami
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Origami crane” by Fukuda Heihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kawabata Ryushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Miyamoto Saburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shikishi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shikishi” by Musashiyama Takeshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting” by Hosokawa Munehide\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“The Ghost of Oiwa and Kamiya Iemon” by Kuniyoshi “Japanese and Chinese Comparisons for the Chapters of Genji \/ Otome: The Nine-tailed Fox Woman Terrorizing Prince Hansoku and His Servant” by Kuniyoshi “Famous Sights of the Fifty-three Stations \/ No. 19: Ejiri: Tago Bay and Miho no Matsubara” by Hiroshige I “Famous Restaurants of Edo […]<\/p>\n","protected":false},"author":1,"featured_media":387,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=382"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/382\/revisions"}],"predecessor-version":[{"id":388,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/382\/revisions\/388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/387"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}