{"id":368,"date":"2023-08-26T18:24:58","date_gmt":"2023-08-26T09:24:58","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=368"},"modified":"2023-08-26T18:24:58","modified_gmt":"2023-08-26T09:24:58","slug":"new-arrival-hamaguchi-yozo-leonard-foujita-takehisa-yumeji-tomimoto-kenkichi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=368","title":{"rendered":"[New Arrival] Hamaguchi Yozo, Leonard Foujita, Takehisa Yumeji, Tomimoto Kenkichi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Sole
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sole” by Hamaguchi Yozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman in Blue Dress” by Fujita Tsuguharu (Leonard Foujita)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Day
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Day of Fulfilment of a Vow” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Drawing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Drawing” by Ebihara Kinosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Drawing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Drawing” by Ebihara Kinosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mother
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mother and Child Bathing (tentative title)” by Ebihara Kinosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Drawings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Drawings” by Ebihara Kinosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ashtray
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ashtray” by Tomimoto Kenkichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictures of Loyal Historical Figures of Japan” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tadanobu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tadanobu Fights for Loyalty in Mount Yoshino” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene of Flower Viewing at Fukiage Garden” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Royal
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Royal poet Wakamurasaki of the Matsuba-ro\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Physiognomies of Beauties \/ Beauty and Dog\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections from Six Houses in Yoshiwara \/ Yosooi of the Matsubaya \u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"specialty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“specialty rice cracker\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Version of Seven Komachi \/ Parrot\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Osome
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Osome of the Oil Shop and Apprentice Hisamatsu (Aburaya Osome, Detchi Hisamatsu), from the series True Feelings Compared: The Founts of Love\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties Relaxing \u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Modern Beauties \/ Fukagawa Geisha” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of the Floating World \/ Love Letter\u3010Reproduction\u3011” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fashionable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fashionable Snow, Moon, and Flowers at Famous Places \/ Snow\u3010Reproduction\u3011” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of the Floating World: A Contest of Beautiful Women \u3010Reproduction\u3011” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Favorite Things in the Modern World \u3010Reproduction\u3011” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Looking
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Looking Amused,from the series Twelve Views of Modern Beauties\u3010Reproduction\u3011” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enjoying
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enjoying the Cool of Evening at Ryogoku Bridge\u3010Reproduction\u3011” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Current
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Current Manners in Eastern Brocade \/ Kite String\u3010Reproduction\u3011” by Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Utagawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Utagawa of the Matsubaya, from the series Beauties as the Seven Komachi\u3010Reproduction\u3011” by Toyokuni \u2160\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Washing Her Neck\u3010Reproduction\u3011” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Women from Famous Places geisha from the Edo period\u3010Reproduction\u3011” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Starlight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Starlight Frost and Modern Manners \/ Woman Lighting a Lamp \u3010Reproduction\u3011” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year Fashions as Fresh as Young Leaves \/ Mitsuhana of the Obishiya, kamuro Kikushi and Kikuno\u3010Reproduction\u3011” by Eishi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties of the Yoshiwara as Six Floral Immortals \/ Hanaogi of the Ogiya \u3010Reproduction\u3011” by Eishi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shizuka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shizuka of the Tamaya \u3010Reproduction\u3011” by Eisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Courtesan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Courtesan : Michinoku of Turuya\u3010Reproduction\u3011” by Eisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Courtesans
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Courtesans as the Three Dieties of Japanese Poetry \/ Somenosuke of the Matsubaya\u3010Reproduction\u3011” by Eisho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty \u3010Reproduction\u3011” by Kuniyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Plum-blossom
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Plum-blossom viewing beauty\u3010Reproduction\u3011” by Kunimaru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Inky Water \/ Night Rain at Hashiba\u3010Reproduction\u3011” by Buncho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Osan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Osan Mohee\u3010Reproduction\u3011” by Momokawa Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shizuku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shizuku no Shinju” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Phantoms” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Silver
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Silver Snowstorm” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"COLLECTION
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“COLLECTION DE MES PEINTURES I” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"COLLECTION
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“COLLECTION DE MES PEINTURES” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yume
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yume no Ato” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yume
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yume no Ato” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Koji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Koji Gafu \/ Volume 1: Dreams of Water Lily” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Koji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Koji Gafu \/ Volume 2: Sad Smile” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Koji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Koji Gafu \/ Volume 3: Silver Sand Beach” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mune
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mune yori Mune ni” by written by Shimoda Korenao, illustrated by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Akogare
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Akogare shiru koro” by written by Yoshiya Nobuko, illustrated by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Akogare
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Akogare shiru koro” by written by Yoshiya Nobuko, illustrated by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Retrospective Exhibition of Kitano Tunetomi making the 70th anniversary of his death”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tachibana
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tachibana Sayume’s Artworks Japanese Bewitching Beauty”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exhibition
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exhibition of Kainosho Tadaoto” by The National Museum of Modern Art, Kyoto; Kasaoka City Chikkyo Art Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Urameshiya...Art
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Urameshiya…Art of the Ghost \u2015Featuring Zenshoan’s Sanyutei Encho Collection of Ghost Paintings” by The University Art Museum, Tokyo University of the Arts\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Age of Okamoto Shinso” by The National Museum of Modern Art, Kyoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Special
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Special 50th Memorial Exhibition:Kawabata Ryushi -Nihonga Goes Beyond the Bounds”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Special
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Special Exhibition Commemorating the 50th Anniversary of the Yamatane Museum of Art The Desteuction and Creation of Nihonga-Hayami Gyoshu:A Retrospective”\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yamashita
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yamashita Kiyoshi exhibition catalog: Original Works of the Wandering Maestro”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"15th
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“15th Anniversary of Kamakura City Kaburaki Kiyokata Memorial Art Museum: Masterpieces of Kaburaki Kiyokata”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exhibition
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exhibition of Kajiwara Hisako: Posthumous Works”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"LINEAGE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“LINEAGE OF ECCENTRICS:THE MIRACULOUS WORLD OF EDO PAINTING” by Tokyo Metropolitan Art Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shunga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shunga” by Eisei-Bunko Museum, The executive committee for the Shunga exhibition in Japan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"KUNIYOSHI
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“KUNIYOSHI &KUNISADA From the Collection of the Museum of Fine Arts, Boston” by Bunkamura Gallery, Kobecity museum, Nagoya Boston Museum of Fine Arts\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seductive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seductive Smiles:Masterpieces of ukiyo-e paintings from the Weston Collection”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japan Ukiyo-e Museum: Masterpieces of Ukiyo-e Paintings”<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Sole” by Hamaguchi Yozo “Woman in Blue Dress” by Fujita Tsuguharu (Leonard Foujita) “Day of Fulfilment of a Vow” by Takehisa Yumeji “Drawing” by Ebihara Kinosuke “Drawing” by Ebihara Kinosuke “Mother and Child Bathing (tentative title)” by Ebihara Kinosuke “Drawings” by Ebihara Kinosuke “Ashtray” by Tomimoto Kenkichi “Pictures of Loyal Historical Figures of Japan” by […]<\/p>\n","protected":false},"author":1,"featured_media":373,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=368"}],"version-history":[{"count":10,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/368\/revisions"}],"predecessor-version":[{"id":379,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/368\/revisions\/379"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/373"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}