{"id":339,"date":"2023-07-29T19:17:34","date_gmt":"2023-07-29T10:17:34","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=339"},"modified":"2023-07-29T19:17:34","modified_gmt":"2023-07-29T10:17:34","slug":"new-arrival-mishima-yukio-shimura-tatsumi-jan-voss-clifton-karfu-azechi-umetaro-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=339","title":{"rendered":"[New Arrival] Mishima Yukio, Shimura Tatsumi, Jan Voss, Clifton Karfu, Azechi Umetaro and Others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Fushi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fushi Kaden” by Mishima Yukio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Shimura Tatsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Untitled
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Untitled” by Jan Voss\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Muromachi,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Muromachi, Roofs” by Clifton Karfu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Astonished
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Astonished by the Volcano” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bird
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bird Singing” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tenno-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tenno-ji Temple at Yanaka” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Martyrdom
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Martyrdom of Saint Sebastian (Variant)” by Karasawa Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mr.
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mr. White Camellia Drinking Alone Sitting with His Legs Crossed” by Karasawa Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Hayashi Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yagura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yagura Drum” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"L'Odalisque
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“L’Odalisque – Work translated from Turkish” by Leon Courbouleix\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixty-eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixty-eight Views of the Various Provinces \/ Sakurajima, Osumi Province” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixty-eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixty-eight Views of the Various Provinces \/ Arashiyama, Yamashiro Province” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Capital \/ Cherry Blossoms in Full Bloom at Ninna-ji Temple in Omuro” by Sadanobu I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mount Fuji \/ Fine Wind, Clear Weather \u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Telescope\u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peonies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peonies and Butterfly\u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo \/ Sudden Shower over Shin-Ohashi Bridge and Atake \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo \/ Plum Garden at Kameido\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Three Stations of the Tokaido (Hoeido Edition) \/ Nihonbashi: Morning Scene \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Kanbara: Night Snow\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Kanbara: Night Snow\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo: Views of the Four Seasons \/ Sumida River in Snow\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Kashima Dance, Continued at the Niwaka Festival in the Pleasure Quarters\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Classes of Women’s Physiognomy \/ Young Woman Blowing a Glass Pipe\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Lodgers under a Mosquito Net\u3010Reproduction\u3011 ” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yamauba
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yamauba and Kintaro\u3010Reproduction\u3011” by Utamaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Curtain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Curtain Of Shells\u3010Reproduction\u3011” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Popular
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Popular Customs and the Poetic Immortals in the Four Seasons \/ The Eleventh Month\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Popular
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Popular Customs and the Poetic Immortals in the Four Seasons \/ The Tenth Month\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sanbaso
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sanbaso Dance Played By A Boy\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Parody
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Parody of Kinko Sennin\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girl arranging flowers\u3010Reproduction\u3011” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girl Stopping Her in the Mosquito Net\u3010Reproduction\u3011 ” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman in wind under wisteria bunches\u3010Reproduction\u3011” by Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fan-Paper
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fan-Paper Vendor\u3010Reproduction\u3011 ” by Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sight At Nan Eki\u3010Reproduction\u3011” by Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Omezo I as the Footman Ippei \u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Washing Her Neck\u3010Reproduction\u3011” by Shucho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comparison
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comparison Of Brothel Beauties \/ The Courtesan Kashiku Of The Tsuru-ya House\u3010Reproduction\u3011\u3000” by Eiri\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of the Young Beauties in the Three Cities \/ Oman of Sunaba, Sanjo in Kyoto\u3010Reproduction\u3011” by Eiri\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Courtesan Takigawa of the Ogiya House\u3010Reproduction\u3011” by Eisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Parodies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Parodies of Six Poetic Immortals Komachi\u3010Reproduction\u3011 ” by Eishi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"O-uta\u3000\uff08from
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“O-uta\u3000\uff08from the seires ” by Eisho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Furyu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Furyu Omi Hakei\u3010Reproduction\u3011 ” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ukiyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ukiyo fuzoku bijo-kurabe \u3010Reproduction\u3011” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Standing on the Veranda\u3010Reproduction\u3011 ” by Shunsho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flower\u3010Reproduction\u3011
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flower\u3010Reproduction\u3011 ” by Shuncho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman After a Sweet-Flag Bath\u3010Reproduction\u3011 ” by Toyoharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman at the Boatslip\u3010Reproduction\u3011” by Toyohiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Sights of Sumida River: Night Rain at Hashiba\u3010Reproduction\u3011 ” by Buncho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Waking fro\uff4d Sleep\u3010Reproduction\u3011 ” by Choki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The courtesan Kasugano of the Ogi-ya house\u3010Reproduction\u3011” by Shunzan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Patterns
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Patterns for Collage Pictures \/ Hobbyhorse Dance\u3010Reproduction\u3011 ” by Shunei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shellfish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shellfish Gathering \u3010Reproduction\u3011” by Kiyohiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women Smoking under a Cherry Blossoms\u3010Reproduction\u3011” by Shunman\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Tying a Poem to the Cherry Tree\u3010Reproduction\u3011” by Toyonobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Geisha
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Geisha with Wine Cup\u3010Reproduction\u3011 ” by Kiyomine\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Triptych
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Triptych of Women with Plunging Neckline \/ Summer Dress (Right) \u3010Reproduction\u3011” by Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mother
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mother and Daughter on Their Way to the Theater\u3010Reproduction\u3011” by Harushige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Courtesan Likened to Chokaro\u3010Reproduction\u3011” by Masanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Standing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Standing \uff57oman with a baby in her arm\u3010Reproduction\u3011” by Kiyomasu \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Courtesan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Courtesan and Her Maid \u3010Reproduction\u3011” by Kiyomasu I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Standing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Standing Woman ( In Kimono With Design of Characters )\u3010Reproduction\u3011 ” by anchi\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Fushi Kaden” by Mishima Yukio “A Beauty” by Shimura Tatsumi “Untitled” by Jan Voss “Muromachi, Roofs” by Clifton Karfu “Snow” by Maekawa Senpan “Astonished by the Volcano” by Azechi Umetaro “Bird Singing” by Azechi Umetaro “Tenno-ji Temple at Yanaka” by Kawatsura Yoshio (Negoro Raizan) “Martyrdom of Saint Sebastian (Variant)” by Karasawa Hitoshi “Mr. White Camellia […]<\/p>\n","protected":false},"author":1,"featured_media":343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-339","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=339"}],"version-history":[{"count":3,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/339\/revisions"}],"predecessor-version":[{"id":342,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/339\/revisions\/342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/343"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}