{"id":324,"date":"2023-07-15T18:28:40","date_gmt":"2023-07-15T09:28:40","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=324"},"modified":"2023-07-15T18:28:40","modified_gmt":"2023-07-15T09:28:40","slug":"new-arrival-hiroshige-chikanobu-fujita-tsuguharuleonard-foujita-kazuki-yasuo-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=324","title":{"rendered":"[New Arrival] Hiroshige, Chikanobu, Fujita Tsuguharu(Leonard Foujita), Kazuki Yasuo and Others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Fuchu: The Abe River” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Nissaka: Sayo Mountain Pass” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Okitsu: The Okitsu River” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Yui: Satta Peak\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Nissaka\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Okuyama
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Okuyama Flower Garden, Kinryuzan Temple at Asakusa” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cutouts
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cutouts for the Fifty-three Stations \/ No. 5: Yui, Ebi, Okitsu and Fuchu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo \/ Sudden Shower over Shin-Ohashi Bridge and Atake \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Shimekazari Otakara Soga” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Shimekazari Otakara Soga” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Ura Omote Sakura no Iromaku” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sukeroku Yukari no Edo-zakura” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers, Act I \/ No. 1: Kaoyo Gozen” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-four Hours of the Day at Shinbashi and Yanagibashi \/ 5 p.m.” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Famous Generals of Our Country \/ Taira no Tadamori” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Heroic Couples of Our Country \/ Akushichibyoe Kagekiyo and the Courtesan Akoya” by Yoshikado\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauty
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauty and Children at Play” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers of the Sumida River in the Third Month” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Yumiharizuki Genke no Kaburaya” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sugawara Denju Tenarai Kagami” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tenmangu Iroha no Kakegaku” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Play at the Sawamura Theater” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kanjincho” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Imoseyama Onna Teikin” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Good and Evil Beauties \/ The Courtesan Komurasaki” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Sadanji as Aburaya Osome” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Nichiren Daishi Shinjitsu-den” by Kunichika and Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hana no Miyako Yamashiro Meisho” by Chikashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Kumo ni Magau Ueno no Hatsuhana” by Chikashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Ichinotani Futaba Gunki” by Chikashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Yoshitsune Senbon-zakura” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ No. 3: True View of Double Bridge at the New Imperial Palace” by Ikuhide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mount Fuji \/ Fine Wind, Clear Weather \u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mount Fuji \/ Under the Wave off Kanagawa \u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Otani Oniji III as the Footman Edohei \u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Matsumoto Yonesaburo as Kewaizaka no Shosho, Actually Shinobu\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Ichikawa Ebizo as Takemura Sadanoshin\u3010Reproduction\u3011” by Sharaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women Playing with a Ball\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Current
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Current Manners in Eastern Brocade\u3010Reproduction\u3011” by Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Beauties of the Pleasure Quarters \/ Kasugano of the Sasaya\u3010Reproduction\u3011” by Eisho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yakatakaze\u3010Reproduction\u3011
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yakatakaze\u3010Reproduction\u3011” by Torii Kiyotada\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tFujita Tsuguharu (Leonard Foujita)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dance
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dance grass” by Kazuki Yasuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Echo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Echo” by Takahashi Ushio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hydrangea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hydrangea season” by Takahashi Ushio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stars
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stars and Fish series No.2” by Hiwasaki Takao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Sagawa Miyotaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Seasons of Kyoto – Color Prints of Kyoto” by Kamei Tobei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bookplates
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bookplates in Japan” by Onchi Koshiro, Kawakami Sumio, Sekino Junichiro, Hiratsuka Unichi, Takei Takeo, Munakata Shiko and Other Artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris Calendar for 1949” by Kawakami Sumio, Azechi Umetaro, Sekino Junichiro, Onchi Koshiro, Takei Takeo and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Glass
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Glass painting: Chat” by Tsukagoshi Genshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Table
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Table of Contents for Omocha-e shokoku meguri” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Fuchu: The Abe River” by Hiroshige I “Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Nissaka: Sayo Mountain Pass” by Hiroshige I “Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Okitsu: The Okitsu River” by Hiroshige I “Fifty-three Stations of the Tokaido Road \/ Yui: Satta Peak\u3010Reproduction\u3011” […]<\/p>\n","protected":false},"author":1,"featured_media":328,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=324"}],"version-history":[{"count":3,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/324\/revisions"}],"predecessor-version":[{"id":327,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/324\/revisions\/327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/328"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}