{"id":306,"date":"2023-07-07T16:29:44","date_gmt":"2023-07-07T07:29:44","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=306"},"modified":"2023-07-26T14:41:33","modified_gmt":"2023-07-26T05:41:33","slug":"new-arrival-hokusai-kyosai-yoshikazu-kiyochika-onchi-koshiro-takehisa-yumeji-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=306","title":{"rendered":"[New Arrival] Hokusai, Kyosai, Yoshikazu, Kiyochika, Onchi Koshiro, Takehisa Yumeji and Others"},"content":{"rendered":"

2023 The 58th annual Tanabata Auction<\/b> started today, Friday 7 July.
\nIf you are interested, please feel free to contact us.
\n\"News:
\nhttps:\/\/www.yamada-shoten.com\/english\/blog\/?p=288<\/a><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales of Divine Providence in China and Japan” by Hokusai<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of Mount Fuji\u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kyosai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kyosai suiga \/ Volume 2” by Kyosai<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views of Japan \/ Matsushima, Oshu Province” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Place-names
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Place-names of the East \/ Takanawa” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Place-names
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Place-names of the East \/ Ryogoku” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Place-names
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Place-names of the East \/ Izumibashi Street” by Kuniharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Battle of Kawanakajima” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of Actor Onoe Kikugoro IV” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Hiraishi Shichidayu” by Shunsho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Second Army Attacks Port Arthur” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Great
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Great Victory of Our Troops at Fierce Battle of Pyongyang” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Our
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Our Troops Occupy and Land on Rongcheng Bay” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sanriku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sanriku Great Bore in Meiji 29” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fierce
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fierce Battle at Snowy Dengzhou near Weihaiwei” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fall of Port Arthur” by Toshihide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” Illustration of the Occupation of Port Arthur” by Beisaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fierce
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fierce Battle at Haicheng” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Our
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Our Troops Attack Pyongyang” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictures of Noh Plays” by Tsukioka Kogyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Military
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Military Songs for Education in Elementary Schools” by Ozeki Toyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Album
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Album of Pictures of Flowering Plants and Insects by Senryudo” by illustrated by Takizawa Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of a Hundred Views of Great Tokyo in the Showa Era \/ No. 69: Snow Scene at Meguro Fudo” by Koizumi Kishio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kisetsu-hyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kisetsu-hyo” by Onchi Koshiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Butsuge
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Butsuge” by katazome by Serizawa Keisuke \/ gatha by Yanagi Muneyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mingei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mingei movement journal: Kogei \/ No. 118”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Han
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Han Geijutsu \/ No. 10: Small Woodblock Masterpieces of Hiratsuka Unichi”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small Prints by Yumeji” by Takehisa Yumeji<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"hamaguchi's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“hamaguchi’s color mezzotints” by Hamaguchi Yozo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-one
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-one Views of Ezo” by Omoto Yasushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flower of the Shell” by Sato Nobuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Minami Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Akao Naomi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Fragments of Myths” by Matsunaga Goichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: A Drop of Tears” by Matsunaga Goichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Blessed Fruits” by Matsunaga Goichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Love Is Always Something to Be Found” by Matsunaga Goichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Hat in a Good Mood” by Matsunaga Goichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Time Becomes Fireworks” by Matsunaga Goichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Solitude of Stars” by Matsunaga Goichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picture Book: The Essence of Coloring” by Hokusai \/ annotated by Miyagawa Torao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Poems of Fuji” by written by Wakayama Bokusui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takarazuka
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takarazuka Hanataba” by written by Hirai Fusando\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Artworks
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Artworks for the novel Hana no Shogai (collector’s edition)” by Kimura Shohachi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shirogane
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shirogane no Daria” by written by Mizunoe Takiko\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

2023 The 58th annual Tanabata Auction started today, Friday 7 July. If you are interested, please feel free to contact us. https:\/\/www.yamada-shoten.com\/english\/blog\/?p=288 “Tales of Divine Providence in China and Japan” by Hokusai “One Hundred Views of Mount Fuji\u3010Reproduction\u3011” by Hokusai “Kyosai suiga \/ Volume 2” by Kyosai “Views of Japan \/ Matsushima, Oshu Province” by […]<\/p>\n","protected":false},"author":1,"featured_media":315,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=306"}],"version-history":[{"count":15,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/306\/revisions"}],"predecessor-version":[{"id":335,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/306\/revisions\/335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/315"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}