{"id":234,"date":"2023-06-17T18:43:56","date_gmt":"2023-06-17T09:43:56","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=234"},"modified":"2023-06-19T12:09:21","modified_gmt":"2023-06-19T03:09:21","slug":"new-arrival-catalog-127","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=234","title":{"rendered":"[New Arrival] catalog #127"},"content":{"rendered":"

\nAll artworks from catalogue #127 are now available in our online store.
\nIf you are interested, feel free to contact us.\n<\/p>\n

\n*Featured artists<\/b>
\n[Ukiyo-e] Katsushika HOKUSAI<\/strong><\/a>, Utagawa HIROSHIGE<\/a>, Utagawa KUNIYOSHI<\/a>, Utagawa TOYOKUNI<\/a>, Utagawa TOYOKUNI III<\/a>, Utagawa SADAHIDE<\/a>, Tsukioka YOSHITOSHI<\/a>, Kawanabe KYOSAI<\/a>, Yoshu CHIKANOBU<\/a>, Toyohara KUNICHIKA<\/a>, Ochiai YOSHIIKU<\/a>, Utagawa HIROSHIGE III<\/a>, Ogata GEKKO<\/a>
\n[Shinhanga] Kawase Hasui<\/strong><\/a>, Ito Shinsui<\/a>, Yoshida Hiroshi<\/a>, Hashiguchi Goyo<\/a>, Kasamatsu Shiro<\/a>, Ishiwata Koitsu (Shoichiro)<\/a>, Tsuchiya Koitsu<\/a>, Ohara Koson(Shoson)<\/a>, Natori Shunsen<\/a>, Takahashi Shotei(Hiroaki)<\/a>, Ito Sozan<\/a>, Kawatsura Yoshio(Negoro Raizan)<\/a>, Yamakawa Shuho<\/a>, Charles Bartlett<\/a>, Helen Hyde<\/a>, Paul Jacoulet<\/a>
\n[Sosaku hanga] Yamamoto Kanae<\/strong><\/a>, Takei Takeo<\/strong><\/a>, Kawakami Sumio<\/a>, Taninaka Yasunori<\/a>, Munakata Shiko<\/a>, Onchi Koshiro<\/a>, Oda Kazuma<\/a>, Saito Kiyoshi<\/a>, Azechi Umetaro<\/a>, Ono Tadashige<\/a>, Hagiwara Hideo<\/a>, Hirakawa Seizo<\/a>, Minami Kunzo<\/a>, Asano Takeji<\/a>, Asahi Masahide<\/a>, Ishizaki Shigetoshi<\/a>, Inagaki Tomoo<\/a>, Katsuhira Tokushi<\/a>, Kawanishi Hide<\/a>, Koizumi Kishio<\/a>
\n[Modern] Tsuruya Kokei<\/a>, Sugiura Hisui<\/a>, Takehisa Yumeji<\/a>, Kaburaki Kiyokata<\/a>, Anno Mitsumasa<\/a>, Unno Mitsuhiro<\/a>, Komai Tetsuro<\/a>, Shimura Tatsumi<\/a>, Saito Shinichi<\/a>, Takabatake Kasho<\/a>\n<\/p>\n

\u25cbList of artworks in Catalogue No.127 *The list includes works that have been sold.<\/b><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Banzai-Ukiyoe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Banzai-Ukiyoe San-en \/ Kitagawa Utamaro” by Tsuruya Kokei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Gyusharo at Furuichi, Ise\u3000Four Accomplishments \/ Paintng” by Kunimaru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pride
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pride of Edo: Comparison of Famous Products \/ ” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixteen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixteen Wonderful Considerations of Profit \/ No. 2: Saint Gaman Says Stoicism Is Unprofitable” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixteen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixteen Wonderful Considerations of Profit \/ No. 3: Saint Karikosu Says Borrowing Too Much Is Unprofitable” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixteen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixteen Wonderful Considerations of Profit \/ No. 5: Saint Hinsuro Says Being Poor Is Unprofitable” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixteen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixteen Wonderful Considerations of Profit \/ No. 10: Saint Shokuran Says Eating Badly Is Unprofitable” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sixteen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sixteen Wonderful Considerations of Profit \/ No. 16: Saint Mayouwa Says Indecisiveness Is Unprofitable” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Pictorial Commentary on One Hundred Poems by One Hundred Poets \/ No. 64: Gonchunagon Sadayori” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Uchiwa-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Uchiwa-e: Mitate Sugawara \/ Terakoya” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido Beauties \/ Oiso” by Yoshiharu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bathhouse
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bathhouse at the Koshiya in Edo-cho Nichome” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-two Fashonable Physiognomies \/ Heavy Snow” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Story
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Story of a Prostitute” by Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tea Making in Early Summer” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nobility
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nobility in the Evening Cool” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Moon Reflected in Rice Paddies at Sarashina” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon and Flowers \/ Snow” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manners
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manners for Women” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Courtesans
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Courtesans of the New Yoshiwara Parading under Cherry Blossoms” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon and Flowers \/ Moon” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Floral
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Floral Patterns \/ The Bunka Era” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actor Print” by Shunko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"House
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“House of Banzui Chobei” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sumidagawa Tsui no Kagamon” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Crowd Visiting Senso-ji Temple” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enjoying
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enjoying the Evening Cool on the Ryogoku Bridge” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Plum
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Plum Blossoms at Their Height on a Spring Night” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enjoying
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enjoying the Cool of Evening at Ryogoku Bridge” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toshisen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toshisen Hanjo Sugoroku” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toyokuni's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toyokuni’s Caricature Pictures \/ Akama Hoin Imabenkei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toyokuni's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toyokuni’s Caricature Pictures \/ Okami no Akujiro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toyokuni's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toyokuni’s Caricature Pictures \/ Miyanohara Kotaro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Koi no Tekuda Monju no Chie no Wa” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mata
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mata Matsushima Edo no Hanamuke” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ataru
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ataru Oiri Kurabe” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tosei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tosei Suikoden” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hana-kurabe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hana-kurabe Zen-aku mitate Mikujibako” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Sawamura Tanosuke as Oboshi Rikiya” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Actors with a Festival Float” by Kunichika and Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Image
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Image of the Fight for Good and Evil in the Hearts of Actors” by Unknown artist\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Competitions
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Competitions among Actors of the Three Theaters” by Unknown artist\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Children at Play” by Unknown artist\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Guide to the History of Japan \/ No. 8: Accompanied by a Tortoise, the Young Man Reaches the Land of the Immortals” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"On
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“On the Sea at Mizumata in Hogo Province, Tametomo Encounters a Storm…” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Minamoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Minamoto no Yorimitsu (Raiko) Confronting the Earth Spider” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Perspective Pictures of the Storehouse of Loyal Retainers” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections for the Twelve Zodiac Signs \/ Rat: Yuki-hime” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections for the Twelve Zodiac Signs \/ Ox: Sakuramaru” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections for the Twelve Zodiac Signs \/ Hare: The Mountain Witch of the Ashigara Mountains” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections for the Twelve Zodiac Signs \/ Monkey: Yojiro” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selections for the Twelve Zodiac Signs \/ Chicken: Sukune Taro” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of Our Country’s Swordsmen \/ Inukai Genpachi Nobumichi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of Our Country’s Swordsmen \/ Inuzuka Shino Moritaka” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoshida
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoshida Shuzaemon Fujiwara no Kanesuke” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Oboshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Oboshi Yuranosuke Fujiwara no Yoshio” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sakata
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sakata Kintoki” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Heike Clan Appears as Mokuichi Plays the Secret Song” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Title page” by Yoshiiku and Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Marigase Shuya” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Sano Jirozaemon” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Geisha Miyokichi” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Inga Kozo Rokunosuke” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Dakki no Ohyaku” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Gosho Gorozo” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Katsuma Gengobei” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Kasamori Osen” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Shirai Gonpachi” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Takakuraya Sukeshichi” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Takakuraya Sukeshichi” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Furuteya Hachirobei” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Inada Kyuzo Shinsuke” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Naosuke Gonbei” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Twenty-eight Lunar Lodges, with Poems \/ Yurugi Motoharu” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tales
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tales of the Floating World in Eastern Brocade \/ Banzuiin Chobei” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Types Selected by Yoshitoshi \/ Hatano Kiriwaka” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Types Selected by Yoshitoshi \/ Aizu Komon Kagekatsu” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Saigo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Saigo Takamori Commits Suicide” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Heroes with Wisdom and Benevolence of Our Country \/ Nitta Sachujo Yoshisada” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Virtues \/ Filial Piety (Ko): Hino no Kumawakamaru” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Virtues \/ Loyalty (Chu): Kusunoki Masashige” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Virtues \/ Benevolence (Jin): Komatsu Shigemori, Minister of the Center” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tale
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tale of Takashima Oiko” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Virtues \/ Duty (Gi): Kato Kazue no kami Kiyomasa” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Stories of the Taoist Immortals \/ Kinko” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nitta
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nitta Shiro Viewing the True Figure of Mount Fuji” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ True View of the Benten Shrine at Inokashira” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ People Who Sell Flowers and People Who Arrange Flowers” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Hotei Crossing the River” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Emperor Nintoku Viewing Private Houses” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Two Gods Izanagi and Izanami Standing on the Bridge of Heaven” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Ono no Komachi Praying for Rain” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Dragon Ascending to the Heavens” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Mori Tahei on a Tiger Hunt” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Horsemanship of Magaki Heikuro” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Sparrow Dance” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Yamato Takeru and His Sword Kusunagi” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Rat, the Black Stone of Mutsu Province, and the Cat of J\u00f4ky\u00f4-ji Temple” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Momotaro at Demon Island” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Kato Kiyomasa Rendering Distinguished Service at Shizugatake” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Four Social Classes Riding the Ferryboat Together” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Lord Yoshiie at the Nakoso Barrier” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Hell Courtesan” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Beauties Gathering Fern Shoots” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Heroic Commoner with the Japanese Spirit” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Kokaji at Inariyama” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Princess Sotoori” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Filial Son Draws Water from the Yoro Falls” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Art of Needlework: Kurehatori and Anahatori” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Taigong Wang Fishing” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Shunkan the Castaway” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Great Minister Takenouchi no Sukune” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Wake no Kiyomaro at the Usa Hachiman Shrine” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Azuma Naka-no-kimi” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Dance of Shizuka” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Sugawara Michizane on Mount Tenpai” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Fudo and Yuten” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Nine-tailed Fox” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Pilgrimage to Enoshima” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Lady Kogo’s Hermitage at Sagano” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Emperor Yuryaku Hunting in the Katsuragi Mountains” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Saigyo Hoshi” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Lonely House at Asajigahara” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ The Famous Sculptor Hidari Jingoro” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Restaurants of Edo \/ Snow Viewing at Mokubo-ji Temple” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-nine Stations of the Kiso Road \/ No. 46: Nakatsugawa” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Kameyama” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Minakuchi” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Tsuchiyama” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Sakanoshita: View of Mount Fudesute” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Oiso” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Ishiyakushi: The Station House” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Kuwana: Tomita Post Station” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Chiryu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Fujikawa” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Kusatsu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Akasaka” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Kanagawa” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Yoshida” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Mitsuke: Ferryboats on the Tenryu River” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Kanaya” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Numazu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Mishima” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Odawara” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Shono” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Goyu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Hodogaya” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Okazaki: Yahagi Bridge” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido Road \/ Kyoto: The Imperial Palace” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ Theater in Saruwaka-cho” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ Ezaki: Open Garden at Fukagawa Hachiman Shrine” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo (Reproduction)” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mount Fuji \/ The Riverbank at Sukiya in the Eastern Capital” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictorial Biographies of Heroes of the Tokaido” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miracles
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miracles of Kannon \/ The Bando Pilgrimage Route, No. 2” by Hiroshige II and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Travel Journal of the Revised Fifty-three Stations of Famous Places in Tokai” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Geographical
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Geographical Sketches of Japan” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Iseyama at Yokohama” by Seisai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreign
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreign Merchant House in Yokohama” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights and Strangers in the Eastern Capital \/ Distant View of the Sumida River and English Men” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreign
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreign Traders in Yokohama” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreigners
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreigners Enjoying Themselves at Yokohama in Musashi Province” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prosperity
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prosperity of the Bayside Kobe in Settsu Province” by Konobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"French
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“French Office Building by the Sea, Yokohama” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Traffic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Traffic of Carriages in the City of Tokyo” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Taihei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Taihei Kaika Ayatsuri Sugoroku” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Stories from Various Newspapers \/ Tokyo Nichinichi Shinbun, No. 498” by Eitaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of the Silk Reeling Machine at the Japanese National Industrial Exposition” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of Flourishing Sericulture” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kibi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kibi dango \/ No. 51” by Unknown artist\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Former
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Former President of the United States, Mr. Grant, Watching a Lance Training Exhibition at Ueno Park” by Toshimitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sugoroku:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugoroku: School Gymnastics” by Arakawa Tobei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Promulgation
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Promulgation of the Constitution of Great Japan” by Kunimasa IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Celebration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Celebration of the Silver Wedding Anniversary” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Celebration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Celebration of the Silver Wedding Anniversary” by Toshimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of the Modern Places \/ Steam Train at Yokohama” by Unknown artist\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daily
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daily Report about Taiwan Win a Victory in Shimenkou” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tToshihide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Our
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Our Army’s Great Victory at the Night Battle of Pyongyang” by Toshimitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Key
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Key block print of Uchiwa-e” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon and Flowers” by Unknown artist\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Album” by Ogata Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Geese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Geese and Full Moon (tentative title)” by Ito Sozan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fireflies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fireflies (tentative title)” by Ito Sozan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sankaku,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sankaku, Kasai” by Ishiwata Koitsu (Shoichiro)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enoshima
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enoshima in the Moonlight” by Ishiwata Koitsu (Shoichiro)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collected
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collected Views of Hot Springs in Japan \/ Hatcho no Yu, Okunikko” by Ishiwata Koitsu (Shoichiro)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening at Tamagawa Riverbed” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Omi \/ The Pine at Karasaki ” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fireflies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fireflies” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cormorant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cormorant Fishing (tentative title)” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pair
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pair of Deer” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matsue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matsue Bridge” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peony
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peony” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original lithographs: Maiko” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ginza on a Spring Night” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pagoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pagoda in Rain at Dusk (Yanaka, Tokyo)” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Waves
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Waves of Blossoms” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tree
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tree” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Souvenirs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Souvenirs of Travel, First Series \/ Boat Carrying Stones (Boshu)” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kude Beach in Wakasa Province” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Scenes of Tokyo \/ Snow at Shirahige” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow at Kiba” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hoshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hoshi Onsen, Kozuke Province” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lanterns
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lanterns” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Senjogahara,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Senjogahara, Nikko” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning at Yobuko, Hizen Province” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening at Byodo-in” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ochanomizu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ochanomizu Bridge” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kinokuni
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kinokuni Hill” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sunset
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sunset at Hamacho” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Senso-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Senso-ji Temple” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Meiji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Meiji Shrine” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Marunouchi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Marunouchi” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shower at Maruyama, Shiba” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nezu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nezu Gongen Shrine” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Night
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Night at Shinagawa” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Imperial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Imperial Theatre” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takenodai,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takenodai, Ueno” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tenno-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tenno-ji Temple at Yanaka” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tamahime
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tamahime Shrine” by Kawatsura Yoshio (Negoro Raizan)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five-storied
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five-storied Pagoda at Asakusa” by Senkai?\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ueno
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ueno Park” by Shoda Koho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bridge
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bridge at Night (tentative title)” by Kobayashi Eijiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sacred Bridge at Nikko in Snow” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Revolving
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Revolving Lantern and Bellflowers” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kiridoshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kiridoshi” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Port
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Port Town” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mount
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mount Fuji at Kurasawa” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yamatofuune
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yamatofuune” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoru
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoru no Ryo” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Agra
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Agra” by Charles Bartlett\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sarusawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sarusawa Pond in Nara” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calendar
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calendar for 1935” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Zenshin-za
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Zenshin-za Atari iwai: Kawarazaki Gonjuro as Musashibo Benkei” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Zenshin-za
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Zenshin-za Atari iwai: Nakamura Kan’emon as Togashi Saemon and Kawarazaki Kunitaro as Minamoto Yoshitsune” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumadori
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumadori Juhachiban” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Woodblock Portraits \/ No. 1: The Hatchet Man” by Natori Shunsen and Shimizu Miezo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Interior
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Interior of the Kannon Temple at Asakusa” by Narazaki Eisho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Country
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Country Town at Night” by Nishimura Hodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The White Peacock” by Helen Hyde\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Summer Girl” by Helen Hyde\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Going
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Going to Market” by Helen Hyde\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mallard
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mallard Ducks on Snowy Bank” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mount
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mount Ibuki in Snow” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mother
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mother and Daughter at Church” by Paul Jacoulet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of a Modern Tokaido \/ Nihonbashi Bridge” by Bannai Kokan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Scenes in the Japan Alps \/ The Kurobe River” by Yoshida Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Yamakawa Shuho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Yamakawa Shuho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hosun
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hosun \/ No. 6 of Volume 1”\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hosun
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hosun \/ No. 7 of Volume 1: Fall Exhibition” \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hosun
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\tHosun \/ No. 1 of Volume 2\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hosun
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hosun \/ No. 2 of Volume 2”\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hosun
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hosun \/ No. 3 of Volume 2”\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hosun
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hosun \/ No. 4 of Volume 2”\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hosun
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hosun \/ No. 4 of Volume 3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hosun
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hosun gareki \u201943”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shiro
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shiro to Kuro (White & Black) \/ Volume 3 (republication)”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shiro
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shiro to Kuro (White & Black) \/ Volume 4 (republication)”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poetry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poetry and Hanga: Kaze (Wind) \/ Nos. 1-4 (republication)”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Modern European Women, No. 1-3” by Asahi Masahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Singing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Singing Voice from the Mountain” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mount
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mount Asama” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Mount Ishizuchi, Iyo” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bird
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bird and Mountaineer” by Azechi Umetaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints Collection \/ Volume 1” by Aigasa Masayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Views of Osaka \/ Kitahama in Snow” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Views of Osaka \/ River Mouth in the Evening” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Views of Osaka \/ Osaka Castle after Rain” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Views of Osaka \/ Nakanoshima Park on a Moonlit Night” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Views of Osaka \/ Chikko Harbor” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Views of Osaka \/ Cloudy Day at Miyakojima” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Views of Osaka \/ Moonlit Evening at Shin-Yodogawa” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Takada in Snow” by Uchida Shizuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Matsuyama \/ Ishite” by Ishizaki Shigetoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seto with Banners” by Ishizaki Shigetoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bilboquet
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bilboquet” by Anno Mitsumasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lamp
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lamp” by Anno Mitsumasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints for Takarazuka Shojo Kageki \/ Volume 2: Senorita” by Inagaki Tomoo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints for Shunjuza: Storm over Asia” by Inagaki Tomoo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints for the Imperial Theater: Uyuge” by Inagaki Tomoo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Blooming
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Blooming in Spring Rain” by Uchida Masayasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gate
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gate with Hydrangea” by Unno Mitsuhiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rock with the Birds” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"House
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“House in Posting Station” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Slope
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Slope in Minami-yamate, Nagasaki” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo \/ Meiji Shrine” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo \/ Early Autumn at the Zoo” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo \/ Double Bridge, Early Spring” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Manuscript:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Manuscript: Tsuki no Sabaku” by Kato Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lithographs:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lithographs: Hokkaido \/ Kitami” by Kazuki Yasuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pipe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pipe” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bathing,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bathing, I” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Face
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Face” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Leda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Leda and the Swan” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scenery
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scenery of a Foreign Land” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Southern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Southern Barbarian Playing the Flute” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scenery
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scenery of a Foreign Land” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Shinchi, Utsunomiya” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cover
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cover art for Chugaku sekai” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Aesop’s Fables \/ Ten (Volume 1)” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yokohama
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yokohama Kaiko” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Futarizure
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Futarizure” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chagu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chagu Chagu Umakko Festival” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nebuta
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nebuta Festival, Goldfish Lanterns, Hirosaki” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in Kobe \/ June: Hatoba, Early Summer” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Aoshima, Hyuga” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nanban-kyoku(4)
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nanban-kyoku(4)” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Showa-Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Showa-Tokyo Scenery Prints One Hundred Pictures Promulgated Painting The seventeenth scene Ueno Park, Yamashita” by Koizumi Kishio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hat
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hat and Bin” by Komai Tetsuro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daitokuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daitokuji Temple Kyoto” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter in Aizu (5): Yanaizu” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"June
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“June Kamakura(E)” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kozanji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kozanji Temple, Kyoto(B)” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hundred
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hundred Flowers Spectrum by Hisui” by Sugiura Hisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Original Illustrations of Hisui” by Sugiura Hisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cover
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cover art for Nasanu naka” by Sugiura Hisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calpis
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calpis Letter Paper” by Sugiura Hisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Shimura Tatsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting” by Shimura Tatsumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Letters
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Letters” by Saito Shinichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Flute Player Under the Flower(tentative title)” by Sugimoto Kenkichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Seasons for Goze” by Saito Shinichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kappa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kappa” by Sugimoto Kenkichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 6 of Volume 1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Day
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Day of Fulfilment of a Vow” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Koharu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Koharu and Jihei” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Letters
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Letters” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Akitsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Akitsu” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 7 of Volume 1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Complete
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Complete set of Kanpon with original boxes” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tower
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tower of Hope” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration” by Takabatake Kasho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ups
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ups And Downs\u3000Luck Promotion Sugoroku” by Takabatake Kasho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mutter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mutter House” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kai,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kai, No. 2” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Key” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Korea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Korea” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fuji” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers are flowers” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sleeping
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sleeping Tiger” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mysterious
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mysterious Bird” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Untitled
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Untitled (Flying Woman)” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cover
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cover art for Yuusare no Uta” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cupids
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cupids and an Eagle” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Atelier
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Atelier” by Taninaka Yasunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mt.Fuji” by Hagiwara Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small Works” by Hirakawa Seizo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock: Asama at Dawn” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Hiresaki Eiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dawn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dawn Breaks on the Road” by Furukawa Ryusei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sugoroku:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugoroku: Loving Sisterhood” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain Print Works” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hare
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hare no Hi” by Minami Kunzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Uomi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Uomi” by Minami Kunzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Aizenbon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Aizenbon hanga-kan \/ Raijin onranda no saku” by Munakata Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Aizenbonhangakan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Aizenbonhangakan Chinkahyouko no Saku” by Munakata Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tomoesho
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tomoesho no Saku” by Munakata Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hanagitsune
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanagitsune no Saku” by Munakata Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A collection of small paintings by Munakata\uff08I\uff09\u3000Ouga-rajo no Saku” by Munakata Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yamato-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yamato-e Print” by Munakata Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Kamikochi” by Yamaguchi Susumu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seasonal
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seasonal Tanzaku” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Letters
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Letters” by Yamamoto Kanae\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snowscape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snowscape” by Yamamoto Kanae\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"French
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“French Pastoral in Spring” by Yamamoto Kanae\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bathing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bathing” by Yamamoto Kanae\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

All artworks from catalogue #127 are now available in our online store. If you are interested, feel free to contact us. *Featured artists [Ukiyo-e] Katsushika HOKUSAI, Utagawa HIROSHIGE, Utagawa KUNIYOSHI, Utagawa TOYOKUNI, Utagawa TOYOKUNI III, Utagawa SADAHIDE, Tsukioka YOSHITOSHI, Kawanabe KYOSAI, Yoshu CHIKANOBU, Toyohara KUNICHIKA, Ochiai YOSHIIKU, Utagawa HIROSHIGE III, Ogata GEKKO [Shinhanga] Kawase Hasui, Ito […]<\/p>\n","protected":false},"author":1,"featured_media":19,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-234","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=234"}],"version-history":[{"count":28,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/234\/revisions"}],"predecessor-version":[{"id":281,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/234\/revisions\/281"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/19"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}