{"id":224,"date":"2023-05-27T18:25:37","date_gmt":"2023-05-27T09:25:37","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=224"},"modified":"2023-05-27T15:49:40","modified_gmt":"2023-05-27T06:49:40","slug":"new-arrival-yokoo-tadanori-hoshi-joichi-marie-laurencin-kiyochika-yoshitoshi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=224","title":{"rendered":"[New Arrival] Yokoo Tadanori, Hoshi Joichi, Marie Laurencin, Kiyochika, Yoshitoshi and Others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Kyogen play,Chinsetsu Yumihari-zuki\uff08National Theatre\uff09” by Yokoo Tadanori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Red
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Red branches” by Hoshi Joichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fudo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fudo myoo No.25” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“From the series: Twelve Scenes of Maiko” by Miyamoto Saburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fil
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fil de reve L’EVENTAIL DE MARIE LAURENCIN:Qui n’entend qu’une cloche” by Marie Laurencin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fil
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fil de reve L’EVENTAIL DE MARIE LAURENCIN:Olga” by Marie Laurencin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fil
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fil de reve L’EVENTAIL DE MARIE LAURENCIN:La rue Soufflot” by Marie Laurencin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fil
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fil de reve L’EVENTAIL DE MARIE LAURENCIN:La Nymphe d’Auteuil” by Marie Laurencin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fil
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fil de reve L’EVENTAIL DE MARIE LAURENCIN:Le miroir” by Marie Laurencin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fil
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fil de reve L’EVENTAIL DE MARIE LAURENCIN:L’an suave” by Marie Laurencin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fil
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fil de reve L’EVENTAIL DE MARIE LAURENCIN:Fil de reve” by Marie Laurencin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Asakusa in the Eastern Capital” by Iyama Yoshitomo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Honjo, Revised from Kaei edition” by Tomatsu Masanori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Meguro and Shirokane” by Tomatsu Masanori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Kohinata around Koishikawa and Ushigome” by Tomatsu Masanori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Koishikawa in the Eastern Capital” by Tomatsu Masanori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Yotsuya around Sendagaya and Samegahashi, Expanded and Revised” by Tomatsu Masanori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Honjo, Revised from Kaei edition” by Tomatsu Masanori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of the South Nihonbashi around Tsukiji and Hacchobori, Expanded and Revised” by Kageyama Muneyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Teppozu of Minami Tsukiji in Kyobashi, Revised from Manen edition” by Kageyama Muneyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of the Sumida River and Mukojima, New Ansei edition” by Kageyama Muneyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Akasaka around Kojimachi and Nagatacho, Expanded and Revised” by Kageyama Muneyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Akasaka around Imaidani and Roppongi, Expanded and Revised” by Kageyama Muneyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Aoyama in the Eastern Capital” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Uchisakurada including Daimyo Koji and Kandabashi” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Map
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Map of Ichigaya and Ushigome” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirage
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirage at Nanao on the Noto Peninsula” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rice
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rice and a Coin \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Famous Generals of Great Japan \/ Chinzei Hachiro Tametomo and Oni Yasha” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in Yoshiwara \/ The Fourth Month: Ariwara of the Inamoto-ro” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in Yoshiwara \/ The Fifth Month: Motoharu of the Gosei-ro” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in Yoshiwara \/ The Sixth Month: Hanamurasaki of the Tama-ro” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Nichinichi Shinbun \/ No. 911” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Excellent Selection of Thirty-six Noted Courtesans \/ No. 8: Nagao” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Akushichibyoe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Akushichibyoe Kagekiyo and Mioya Juro” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Amusing Views of Famous Places in Tokyo \/ Nihonbashi” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Standing by the River (tentative title)” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Assortment of Women’s Customs \/ No Play” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Assortment of Women’s Customs \/ Sugoroku” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Assortment of Women’s Customs \/ Tearoom” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Assortment of Women’s Customs \/ Festival” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Assortment of Women’s Customs \/ The Obitoki Ceremony” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One hundred views of Mt.Fuji\u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“The Kyogen play,Chinsetsu Yumihari-zuki\uff08National Theatre\uff09” by Yokoo Tadanori “Red branches” by Hoshi Joichi “Fudo myoo No.25” by Sasajima Kihei “From the series: Twelve Scenes of Maiko” by Miyamoto Saburo “Fil de reve L’EVENTAIL DE MARIE LAURENCIN:Qui n’entend qu’une cloche” by Marie Laurencin “Fil de reve L’EVENTAIL DE MARIE LAURENCIN:Olga” by Marie Laurencin “Fil de reve […]<\/p>\n","protected":false},"author":1,"featured_media":231,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-224","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=224"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/224\/revisions"}],"predecessor-version":[{"id":232,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/224\/revisions\/232"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/231"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}