{"id":2017,"date":"2026-11-14T18:30:45","date_gmt":"2026-11-14T09:30:45","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=2017"},"modified":"2026-11-14T07:35:17","modified_gmt":"2026-11-13T22:35:17","slug":"new-arrival-kuniyoshi-yoshitoshi-utamaro-hiroshige-toyokuni-yoshikazu-yoshifuji-yoshitora-yoshiiku-nobukazu-chikanobu-kunichika-gekko-kuniyasu-toshikazu-and-others-kogei","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=2017","title":{"rendered":"New Arrival: Kuniyoshi, Yoshitoshi, Utamaro, Hiroshige, Toyokuni, Yoshikazu, Yoshifuji, Yoshitora, Yoshiiku, Nobukazu, Chikanobu, Kunichika, Gekko, Kuniyasu, Toshikazu and others \/ Kogei"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred and Eight Heroes of the Popular Shuihuzhuan \/ Huang Xin, Guardian of Three Mountains” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daijo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daijo nyudo Jokai (tentative title)” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle between Nitta Yoshisada and Ashikaga Takauji” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Wada Rebellion: The Ferocious Courage and Amazing Strength of Asahina Saburo Yoshihide” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Votive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Votive Tablet with Masks of Kabuki Actors Taken at Face Value” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fan Seller” by Utamaro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Forms of Thirty-Six Ghosts \/ Fujiwara no Sanekata Turning into Sparrows for His Grudge” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Forms of Thirty-Six Ghosts \/ Sogi” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoshitoshi's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoshitoshi’s Catalogue of Choice Warriors \/ The Great Minister Takenouchi no Sukune” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mikawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mikawa Go-fudoki: The Difficult Battle at Daiju-ji Temple” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months in the Present Day” by Nobukazu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Views of the Four Seasons \/ Fall Section” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True View of the Foreign Buildings along the Kaigandori Seen from the Yokohama Wharves” by Hiroshige III<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Detailed
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Detailed View of the New Frontier in Yokohama” by Hodo Takashima ?\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Detailed
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Detailed Complete View of Yokohama, Republished” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictorial Map of Yokohama” by Goyosha Manju\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Educational
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Educational Sugoroku: Girls at Play” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nobility
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nobility of Imperial Japan Viewing the Cherry Blossoms” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Shiranui Monogatari” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of the Yodo River in Yamashiro Province” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Festival
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Festival Parade at Hie Shrine in the Eastern Capital” by Yoshifuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of the Eastern Capital \/ Year-end Fair in Asakusa” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Sugoroku: Road to Fifty-three Stations of the Tokaido” by Hiroshige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ehon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ehon Edo miyage \/ Volume 6” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Harimaze-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Harimaze-e” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Edo in the Twelve Months \/ The Seventh Month: Tanabata Festival at Yatsuji, Sujikai Mitsuke” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Playing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Playing with a Hobbyhorse” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Three Musical Instruments on a Moonlit Night in Fall” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Explosion
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Explosion of Torpedoes at the Boat Race Held beside Sumida River” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Feminine Virtue for a Thousand Ages \/ Righteousness” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Some Moyo Imose no Kadomatsu” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Sawarabi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Tokonatsu” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Yugiri” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Fujibakama” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Miotsukushi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Hanachirusato” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Asagao” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Kiritsubo” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Makibashira” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Usugumo” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sugoroku:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sugoroku: Girls Enjoying Spring Outings” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Story
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Story of Omatsu of Kasamatsu Pass” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lord
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lord Yoritomo’s Hunt at Mount Fuji” by Yoshikatsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Uchiwa-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Uchiwa-e” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of the Minamoto and Taira Clans at Ichinotani and Yashima Dannoura” by Kuniyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Depictions
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Depictions of Various Industries \/ Making Vehicles” by Toshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Joshu Oritateshu no oshima” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Restaurants of Tokyo \/ The Hiramatsu Restaurant in Nihon Embankment, with the Geisha Okame of Nihonbashi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Restaurants of Tokyo \/ The Umematsu Restaurant in Kajicho, with the Geisha Kogane of Nakabashi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Restaurants of Tokyo \/ The Daishichi Restaurant in Imado, with the Geisha Kogiku of Saruwaka-machi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Restaurants of Tokyo \/ The Uosen Restaurant in Nihonbashi, with the Geisha Kowaka of Nakahashi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play : Fumi meguru Katami Ezoshi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Furyru Ogi Tenugui” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreigners
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreigners Drawn from Life \/ American Woman Playing the Accordion” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Five-Story Bank in Kaiun Bridge, Kabuto-cho, Tokyo” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Accurate Depiction of Toshogu Shrine and Taiyuin Temple at Nikko” by Kobayashi Jiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nitta
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nitta Shiro Viewing the True Figure of Mount Fuji” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Book of Domestic Manners \/ Volume 3” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Military
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Military Review for Noble Dignitaries” by Kuniyasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Forty-Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Forty-Eight Famous Views of Edo \/ No. 35: Autumn Moon at Takanawa” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Genji Moyo Furisode Hinagata” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seven Komachi in the Modern World \/ Kiyomizu Temple” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoshitsune's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoshitsune’s Mistress Shizuka Gozen and Sato Shirobyoe Tadanobu” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Chigusa no Hana Iro no Yozakari” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Imperial Excursion to Yasukuni Shrine at Kudanzaka” by Kuniaki II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Eastern Genji” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Nichinichi Shinbun \/ No. 885” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tegoma
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tegoma nashi Tsume Shogi” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sugiya Inn” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flyer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flyer” by Toen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places of Tokyo \/ Ueno Toshogu Shrine” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ise
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ise Daidai Kagura” by Yamashita Sobei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pilgrimage
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pilgrimage Route to Ise” by Goto Sadakichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toyokawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toyokawa Myogonji Temple in Spring” by Sugiura Ryugyoku (?)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ueno
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ueno” by Unknown artist\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"KAII
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“KAII HIGASHIYAMA CATALOGUE RAISONE” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Photographs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Photographs of Historical Sites: Edo Castle, Past and Present” by edited by Toba Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
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\n\t\t“Famous Places of Tokaido” by edited by Nihon zue Kankokai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kotsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kotsu miniature book \/ Volume 89: Writer and Book Designer” by Tsuchida Mitsuhumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.15” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.44” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.64” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.73” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei \/ Volume 74” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.75” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.81” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.105” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.112” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.114” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.115” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.117” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.117” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kogei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kogei Vol.120” by \t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“One Hundred and Eight Heroes of the Popular Shuihuzhuan \/ Huang Xin, Guardian of Three Mountains” by Kuniyoshi “Daijo nyudo Jokai (tentative title)” by Kuniyoshi “The Great Battle between Nitta Yoshisada and Ashikaga Takauji” by Kuniyoshi “The Wada Rebellion: The Ferocious Courage and Amazing Strength of Asahina Saburo Yoshihide” by Kuniyoshi “Votive Tablet with Masks […]<\/p>\n","protected":false},"author":1,"featured_media":2013,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2017"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2017\/revisions"}],"predecessor-version":[{"id":2025,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2017\/revisions\/2025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/2013"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2017"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2017"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}