{"id":2015,"date":"2026-11-14T18:30:12","date_gmt":"2026-11-14T09:30:12","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=2015"},"modified":"2026-11-14T07:24:39","modified_gmt":"2026-11-13T22:24:39","slug":"new-arrival-yoshida-hiroshi-kawase-hasui-ohara-koson-ito-sozan-ito-shinsui-serizawa-keisuke-maeda-seison-saito-kiyoshi-oda-kazuma-ono-tadashige-jokata-kaiseki-hayashi-yukiko-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=2015","title":{"rendered":"New Arrival: Yoshida Hiroshi, Kawase Hasui, Ohara Koson, Ito Sozan, Ito Shinsui, Serizawa Keisuke, Maeda Seison, Saito Kiyoshi, Oda Kazuma, Ono Tadashige, Jokata Kaiseki, Hayashi Yukiko and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Scenes in the Japan Alps \/ The Kurobe River” by Yoshida Hiroshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Lake Kawaguchi” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wind
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wind (Kaze)” by Serizawa Keisuke<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Katazome-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Katazome-e” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Don
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Don Quijote, New Edition” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Market
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Market in Naha” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Italy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Italy” by Maeda Seison\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"JUNE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“JUNE KAMAKURA\u3000(B)
\n” by Saito Kiyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"HOUSE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“HOUSE IN AIZU (C)
\n” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original Caricatures: Pictures of Sixty Years of New Japan” by Kitazawa Rakuten, Okamoto Ippei, Maekawa Senpan, Tanaka Hisara and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Natsume
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Natsume Soseki” by Okamoto Ippei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fragments
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fragments of Old Striped Cotton Textile collected by Tanaka Chiyo”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Golden
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Golden Pheasant (tentative title)” by Ito Sozan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Harvesting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Harvesting a Nest” by Ohara Koson (Shoson)<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Palanquin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Palanquin Bearers” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rice
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rice Planting” by Ohara Koson (Shoson)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Godaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Godaido Hall, Matsushima” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sacred
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sacred Bridge at Nikko” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miyajima
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miyajima in Snow” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nagao
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nagao Pass” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring rain” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fubuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fubuki (Snowstorm)” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fubuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fubuki (Snowstorm)” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Woman Who Wears Nagajuban \u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nude
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nude ” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Postcards
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Postcards” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Copperplate Prints” by Jo Keito\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Saipan in the South Seas” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"First
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“First Snow (The First Month)” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow country” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Asaoki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Asaoki ichiban Sugoroku” by Fukiya Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Round-the-world
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Round-the-world Sugoroku” by Nakamura Fusetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Osaka” by Asada Benji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Cats: The Excitement of the Row Houses” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wild
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wild chrysanthemum” by Unno Mitsuhiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Tokyo Imperial Palace and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kofu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kofu Park and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kannondo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kannondo in Matsuda and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lakeside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lakeside New Year and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Plum
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Plum Trees in Shimosoga and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sano
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sano Village and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Holding Flowers (tentative title)” by Kito Nabesaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One-Sheet
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One-Sheet Document” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Story
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Story of Heads” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Murotsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Murotsu Courtesans Boarding the Boat of a Saint” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Osawa Shosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Compendium
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Compendium of Occupations in the Showa Era, Volume 2 \/ Farmer” by Wada Sanzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cat
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cat (tentative title)” by Kimura Shohachi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fulfillment
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fulfillment of a Great Wish” by Nishizawa Tekiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sharaku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sharaku Doll” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Karuizawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Karuizawa” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cup
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cup with design of a window” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Auspicious
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Auspicious Design” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman Bathers” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hanging
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanging Lamp” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Mizuno Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Mizuno Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Tokyo Peace Exhibition” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1971-1974” by Takei Takeo, Hiwasaki Takao, Maeda Masao, Azechi Umetaro, Kitaoka Fumio, Kawakami Sumio, Saito Kiyoshi, Hashimoto Okiie and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1978-1981” by Takei Takeo, Saito Kiyoshi, Kanamori Yoshio, SekinoJunichiro, Furusawa Iwami, Clifton Karhu, Omoto Yasushi, Mori Doshun, Hiwasaki Takao, Mabuchi Toru and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1979-1982” by Takei Takeo, Saito Kiyoshi, Kanamori Yoshio, SekinoJunichiro, Furusawa Iwami, Clifton Karhu, Omoto Yasushi, Mori Doshun, Hiwasaki Takao, Karasawa Hitoshi, Mabuchi Toru and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1983-1986” by Takei Takeo, SekinoJunichiro, Furusawa Iwami, Omoto Yasushi, Mabuchi Toru and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1987-1990” by Kanamori Yoshio, Sekino Junichiro, Yamataka Noboru and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1995-1998” by Kanamori Yoshio, Miyashita Tokio, Kurita Masahiro and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Album
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Album for the Ex Libris Calendars” by Nishikawa Totaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dream
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dream of Roses” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dream
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dream of Roses” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"LEPIDOPTERA
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“LEPIDOPTERA PLATE 1. PSYCHE” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"LEPIDOPTERA
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“LEPIDOPTERA PLATE 1. PSYCHE” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"RIDDLE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“RIDDLE” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"RIDDLE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“RIDDLE” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iris” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iris” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mandragora
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mandragora” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mandragora
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mandragora” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Die
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Die Madchen mit dem Einhorn IV. Geruchsinn” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Die
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Die Madchen mit dem Einhorn IV. Geruchsinn” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Angel
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Angel of The Bibliophile” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Angel
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Angel of The Bibliophile” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hiten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hiten” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hiten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hiten” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Les
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Les LITANIES de la ROSE II.” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Les
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Les LITANIES de la ROSE II.” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Starry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Starry Night” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Starry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Starry Night” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mask
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mask of Festivals” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mask
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mask of Festivals” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gardener's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gardener’s Diary : Spring” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gardener's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gardener’s Diary : Summer” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gardener's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gardener’s Diary : Summer” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gardener's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gardener’s Diary : Summer” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gardener's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gardener’s Diary : Autumn” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gardener's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gardener’s Diary : Autumn” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gardener's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gardener’s Diary : Winter” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gardener's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gardener’s Diary : Winter” by Hayashi Yukiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Red
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Red Mt. Fuji” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Drooping
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Drooping Cherry Tree” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mt.
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mt. Fuji” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Oze
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Oze Marshland” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"White
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“White Chrysanthemum” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Water
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Water Lily” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peony
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peony” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Setting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Setting Sun” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seabed
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seabed” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Naruto Strait Under The Moon” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Annual
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Annual Rings of Yaku-Sugi(Cedar)” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Structure
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Structure” by Hamanishi Katsunori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris” by Bando Soichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris” by Bando Soichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris” by Bando Soichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heavenly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heavenly maiden” by Wakatsuki Kohei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kestrel
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kestrel” by Wakatsuki Kohei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heavenly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heavenly maiden” by Wakatsuki Kohei\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Twelve Scenes in the Japan Alps \/ The Kurobe River” by Yoshida Hiroshi “View of Lake Kawaguchi” by Kawase Hasui “Wind (Kaze)” by Serizawa Keisuke “Katazome-e” by Serizawa Keisuke “Don Quijote, New Edition” by Serizawa Keisuke “Market in Naha” by Serizawa Keisuke “Italy” by Maeda Seison “JUNE KAMAKURA\u3000(B) ” by Saito Kiyoshi “HOUSE IN AIZU […]<\/p>\n","protected":false},"author":1,"featured_media":2012,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2015","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2015"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2015\/revisions"}],"predecessor-version":[{"id":2021,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2015\/revisions\/2021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/2012"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}