{"id":199,"date":"2023-05-02T18:08:02","date_gmt":"2023-05-02T09:08:02","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=199"},"modified":"2023-05-02T18:08:02","modified_gmt":"2023-05-02T09:08:02","slug":"new-arrival-ono-tadashige-yamataka-noboru-takehisa-yumeji-kiyochika-kunisada-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=199","title":{"rendered":"[New Arrival] Ono Tadashige, Yamataka Noboru, Takehisa Yumeji, Kiyochika, Kunisada and Others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Ferry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ferry (Waterfront)” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tainan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tainan Station” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Moulin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Moulin Rouge, Shinjuku” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japan Print Association Calendar for November, 1941” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ainu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ainu Women” by Akagi Sanpei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original paintings” by Matsumoto Kappei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Tama River” by Kimura Shigeru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tutelary
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tutelary Woods” by Kimura Shigeru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Trail
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Trail” by Kimura Shigeru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miscellaneous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miscellaneous Trees” by Kimura Shigeru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Zelkova
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Zelkova” by Kimura Shigeru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Kaburaki Kiyokata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Suzuki Kason\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Kajita Hanko\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n\t\t
\n\t\t\"Shinbashi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shinbashi Station” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stories
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stories from Japanese History” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of a Military Review Attended by the Emperor” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Beauties \/ Teahouse” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fashionable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fashionable Twelve Months \/ The Seventh Month” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fashionable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fashionable Twelve Months \/ The Sixth Month” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Agemaki,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Agemaki, Courtesan of the Miuraya” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Sawamura Tanosuke as Kangiku no Tanokichi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hanakawado
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanakawado no Sukeroku” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matches for Famous Places in Edo \/ No. 18: Yamagaeri no Yonekichi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chronicle
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chronicle of the Satsuma Rebellion” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Nijubashi Bridge at Imperial Palace and the National Diet Building” by Nobukazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year Event of Firefighters in Tokyo, January 4, 1875” by Kunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers \/ Act 11” by Kuniteru I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketch
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketch of the Festival Procession at Toshogu Shrine, Nikko Mountain” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play : Juni-doki Kaikei Soga” by Kochoro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Funeral
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Funeral Procession of the Empress Dowager Eisho” by Kokyo\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n
\n

\n“Senoo music sheets” by Takehisa Yumeji<\/strong>\n<\/p>\n

\n
\n
\n\t\t
\n\t\t\"\"Seagull
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Seagull off the Coast” composed by Yamada Kosaku” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"Ume
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Ume wa Saitaka” composed by Yamada Kosaku” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “Berceuse from Jocelyn”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"Neya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Neya no Itado” composed by Yamada Kosaku” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"Wild
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Wild Rose” composed by Yamada Kosaku” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"Tears\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Tears” composed by Yamada Kosaku” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"Pilgrim's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Pilgrim’s Chor” from the opera “Tannhauser”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"Elisabeth's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Elisabeth’s Gebet” from the opera “Tannhauser,” Act 3″ by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"Vecchia
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Vecchia zimarra, senti” from the opera “La Boheme”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lyric
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lyric “E strano! Ah,fors’e lui” from the opera “La traviata”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"Connais
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Connais tu le pays” from the opera “Mignon,” Act 1″ by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"Le
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”Le Lied d’Ossian” from the opera “Werther”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “Nina (Siciliano)”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “Nina (Siciliano)”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spanish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spanish Serenade “Lolita”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spanish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spanish Habanera “Tu”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “Berceuse from Jocelyn”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “Moshiya aukato”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “Ich Grolle Nicht”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “Wiegenlied of 1915″” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “Kodama”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “On a Day When Rain Falls”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Solo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Solo “Moonlight and Dew”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Solo “Mountain Shadow”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peer Gynt “Solveig’s Song”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peer Gynt “Solveig’s Song”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rain in Jogashima” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rain in Jogashima” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Younger
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Younger Sister” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Song
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Song of the Sea” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hama-uta
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hama-uta” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Forever
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Forever Love” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"British
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“British Song “Sweet Home”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paysage
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paysage Triste” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ouvre
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ouvre tes yeux bleus” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Les
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Les Berceaux” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Italian
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Italian Song “Mattinata”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morgen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morgen” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Folk
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Folk Song “Do Not Frost”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Folk
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Folk Song of Vienna “The Old Refrain”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Folk Song “Boatmen”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Folk Song “Boatmen”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ave
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ave Maria” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"My
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“My Love is Green” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wanderer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wanderer” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"\"On
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“”On Billow Rocking” from the comic opera “the Bells of Corneville”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Vocal
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Vocal Quartet “Die Ehre Gottes aus der Natur” and “Hymne von Gluck”” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Ferry (Waterfront)” by Ono Tadashige “Tainan Station” by Yamataka Noboru “Moulin Rouge, Shinjuku” by Yamataka Noboru “Japan Print Association Calendar for November, 1941” by Hiratsuka Unichi “Ainu Women” by Akagi Sanpei “Original paintings” by Matsumoto Kappei “The Tama River” by Kimura Shigeru “Tutelary Woods” by Kimura Shigeru “Trail” by Kimura Shigeru “Miscellaneous Trees” by Kimura […]<\/p>\n","protected":false},"author":1,"featured_media":209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=199"}],"version-history":[{"count":9,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/199\/revisions"}],"predecessor-version":[{"id":208,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/199\/revisions\/208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/209"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}