{"id":1966,"date":"2026-10-10T18:30:03","date_gmt":"2026-10-10T09:30:03","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1966"},"modified":"2026-10-08T11:13:25","modified_gmt":"2026-10-08T02:13:25","slug":"new-arrival-tsuchiya-koitsu-ito-shinsui-tsukahara-chigusa-kawakami-sumio-hiratsuka-unichi-kimura-shohachi-taniuchi-rokuro-ido-masao-kuniyoshi-yoshitoshi-yoshikazu-yoshitsuya-hiroshige-and","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1966","title":{"rendered":"New Arrival: Tsuchiya Koitsu, Ito Shinsui, Tsukahara Chigusa, Kawakami Sumio, Hiratsuka Unichi, Kimura Shohachi, Taniuchi Rokuro, Ido Masao, Kuniyoshi, Yoshitoshi, Yoshikazu, Yoshitsuya, Hiroshige and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Lake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lake Kawaguchi in Kai Province” by Tsuchiya Koitsu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dawn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dawn” by Ito Shinsui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow” by Tsukahara Chigusa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lamp
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lamp” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations for ‘Hana no Shogai’ by Funahashi Seiichi” by Kimura Shohachi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nakamise
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nakamise Shopping Street in Asakusa” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small illustrations for ‘O’ru Yomimono'” by Taniuchi Rokuro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Stations of the Tokaido, based on Hizakurige \/ Odawara” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Tales of Warriors \/ Sunset Glow at Mount Saijo” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Minamoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Minamoto Yorimitsu (Raiko) on Mount Oe” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"American
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“American Steamship” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo \/ Distant View of Zojo-ji Temple in Shibaura and Moonlit Evening at Takanawa” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo \/ Cherry Blossoms in Full Bloom at Goten-yama” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Latest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Latest News from Korea” by Ginko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of the Pleasure Quarter in Yokohama, Kanagawa” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Catching
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Catching Fireflies at Mukojima” by Kuniaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Sugoroku: Tricks by Foxes” by Shigetoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Date Kurabe Okuni Kabuki” by Shigenao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Scene Matched with Beauties” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Views of the Four Seasons \/ Winter Section” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Itsumadegusa Ukina no Kaeuta” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tomigaoka Koi no Yamagane” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Twenty-four Generals of the Takeda Clan” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of Kawanakajima: The Twenty-four Generals of the Echigo Side” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lives
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lives of Wise and Heroic Women \/ The Wife of Kajiwara Genta Kagesue” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from the Tale of Genji” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ehon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ehon Seiro Bijin Awase\u3010Reproduction\u3011” by Harunobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning Mist” by Ota Saburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Winter in Kenrokuen” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa \/ Nagamachi in winter” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa \/ Cherry blossoms at Night at Ishikawa Gate” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa \/ The Former Fourth National High School” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Saikawa Riverside” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Oyama-jinja Shrine” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Higashiyama” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Edomura” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa \/ View of the Asano River” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Views of Kanazawa\/ Kenrokuen Ganko Bridge” by Ido Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Motomura Taira\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ex
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ex Libris Calendars 1957-1960” by Azechi Umetaro, Kawakami Sumio, Hashimoto Okiie, Maekawa Senpan, Yamaguchi Susumu and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris Collection II” by Shimizu Atsushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris Collection of Nyoan Kawano Eiichi” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris collection: Intimate Incubuses” by Iwasa Nao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris Collection \/ No. 2: Omocha-e” by Izumi Koji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Travelogue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Travelogue of Mountains, I: Azumino” by Kurita Masahiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Votive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Votive Plaques from Various Provinces” by edited by Nishizawa Tekiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Figures in Social Life” by Tamate Toshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Edo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Edo Decorative Paper” by Hirose Tatsugoro\uff08Isetatsu \u2163)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Votive Plaques” by Taniguchi Tosen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Votive Plaques” by Taniguchi Tosen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Works
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Works by Kawakami Sumio” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Alaskan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Alaskan Tale (revived)” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Jagatarabumi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Jagatarabumi (revived)” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Playing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Playing Cards (reproduction)” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"People
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“People in English ABC (revived)” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Glass
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Glass Paintings by Kawakami Sumio” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kawakami
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kawakami Sumio’s posthumous works: Sumio E-kotoba” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gakan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gakan” by Kawakami Sumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ideal Book” by written by William Morris, translated by Shoji Sensui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Patterns
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Patterns of Oribe” by Kanamori Yoshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Azechi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Azechi Umetaro compleate prints works” by Machida city museum of graphic arts\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints by Hatsuyama Shigeru” by Hatsuyama Shigeru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Hairstyles in Osaka” by Sanchosai Hironobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kono nushi” by Ozaki Koyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokusui
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokusui \/ No. 2: The Eleventh Month Issue” by cover art by Sugiura Hisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gafu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gafu \/ No. 3” by edited by Ozaki Masanori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"To
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“To the Dust” by written by Ogawa Kunio, illustrated by Kobayashi Donge\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“From an Artist to Writers: Paintings for Gift” by Fukuda Takayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beautiful
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beautiful Japanese Traditions POCHIBUKURO” by written by Kido Hiroko\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Lake Kawaguchi in Kai Province” by Tsuchiya Koitsu “Dawn” by Ito Shinsui “Snow” by Tsukahara Chigusa “Lamp” by Kawakami Sumio “Illustrations for ‘Hana no Shogai’ by Funahashi Seiichi” by Kimura Shohachi “Nakamise Shopping Street in Asakusa” by Hiratsuka Unichi “Small illustrations for ‘O’ru Yomimono’” by Taniuchi Rokuro “Fifty-three Stations of the Tokaido, based on Hizakurige […]<\/p>\n","protected":false},"author":1,"featured_media":1967,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1966","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1966"}],"version-history":[{"count":4,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1966\/revisions"}],"predecessor-version":[{"id":1971,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1966\/revisions\/1971"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1967"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}