{"id":1957,"date":"2026-09-26T18:30:48","date_gmt":"2026-09-26T09:30:48","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1957"},"modified":"2026-09-26T07:50:08","modified_gmt":"2026-09-25T22:50:08","slug":"new-arrival-kunisada-hiroshige-chikanobu-ikkei-fujimori-shizuo-suwa-kanenori-hiratsuka-unichi-maekawa-senpan-kawahara-asao-kitano-tsunetomi-hashiguchi-goyo-katsuhira-tokushi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1957","title":{"rendered":"New Arrival: Kunisada, Hiroshige, Chikanobu, Ikkei, Fujimori Shizuo, Suwa Kanenori, Hiratsuka Unichi, Maekawa Senpan, Kawahara Asao, Kitano Tsunetomi, Hashiguchi Goyo, Katsuhira Tokushi and others"},"content":{"rendered":"

[News] The 36th Ukyo-e Auction<\/b>
\n\"The<\/a>
\nThe 36th Ukyo-e Auction is going to be held by Ukiyo-e Dealers Association of Japan from October 2nd.
\nWe look forward to seeing you there.
\n\u2192Click here for details<\/a><\/p>\n

\n
\n
\n\t\t
\n\t\t\"Onzoshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Onzoshi Kills the Bandits at Aohaka Station” by Kunisada I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Beauties \/ Evening Bell at the Eko-in” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Beauties \/ Clearing Weather at Komagata” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Improvised
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Improvised Shadow Pictures \/ Dried Salmon and Tea Kettle” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Views of Edo \/ Low Tide at Susaki, Shinobazu Pond in Ueno, Asuka Hill, Cherry Blossoms at Goten-yama” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mount Fuji \/ Surugadai in Edo” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seasonal
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seasonal Flowers:Fuyou” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Harimaze-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Harimaze-e” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Harimaze-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Harimaze-e” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The First Month, the Second Month, The Third Month (tentative title)” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-nine Stations of the Kisokaido Road \/ No. 14: Takasaki” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Hills in the Eastern Capital \/ Edo-view Hill” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Various Provinces \/ Hot Spring at Hakone” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Various Provinces \/ The Inner Precinct at Mount Haruna in Kozuke Province” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e: Lantern” by Toyohisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Seven Luminaries \/ Water: Waterfall at Meguro” by Chikanobu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seven Komachi in Eastern Customs \/ Soshi arai” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comical
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comical Pictures” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo<\/strong> \/ The Central Meteorological Observatory” by Fujimori Shizuo<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Tokyo \/ Shinbashi Enbujo Theatre” by Suwa Kanenori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nandaimon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nandaimon Gate, Keijo” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girls
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girls from the Field” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Still
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Still life” by Kawahara Asao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Motomura Taira\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Heron Maiden” by Kitano Tsunetomi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman in the Trees” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"After
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“After the Bath” by Shima Seien\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Maiko
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Maiko ” by Yamamura Koka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokyo Station” by Yamakawa Shuho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iris ” by Kondo Shiun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actress
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actress” by Yamanaka Kodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Long
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Long Underrobe” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Noren
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Noren” by Ikeda Terukata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dance
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dance” by Kitani Chigusa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Views of Tokyo \/ Shibaura” by Ishii Hakutei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ritual of Freeing Living Things” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Karuta
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Karuta Worriors in Kamakura Period Compared to Six Famous Poets ” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Hara: Kaguya-hime and the Old Bamboo Cutter in the Tale of the Bamboo Cutter” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration of Etiquette for Ladies” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Historical Eras \/ The Jokyo Era” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Minister Kibi” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade Prints: Comparison of Day and Night \/ Ono no Komachi” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Emperor Nintoku” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Senju no Mae” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Mitsunaka Dreams of the Dragon Woman” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Nii no Naishi” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Lord Fujiwara no Michizane” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Takeuchi no Sukune” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Susano-o no Mikoto” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo \/ Atago” by Toyohiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Forty-Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Forty-Eight Views of Famous Places in Tokyo \/ Cherry Blossom Viewers in front of the Black Gate, Ueno” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Amusing Views of Famous Places in Tokyo \/ Kudanzaka” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Amusing Views of Famous Places in Tokyo \/ Kozukahara” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Amusing Views of Famous Places in Tokyo \/ Nihonbashi” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Amusing Views of Famous Places in Tokyo \/ Kyobashi Bridge” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Amusing Views of Famous Places in Tokyo \/ Zojo-ji Temple in Shiba” by Ikkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Pictures of Famous Places in Tokyo \/ Kanda Myojin Shrine” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fudo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fudo myoo No. 56” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rainbow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rainbow bird” by Mizufune Rokushu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Evening and Cat” by Hirafuku Hyakusui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calligraphy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calligraphy” by Shimizu Kosho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sekitei\uff08Rock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sekitei\uff08Rock garden\uff09” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"V
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“V Rhapsody-No. 108” by Kabe Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Tanabata Festival in Akita – Prints of Kanto” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Akita – Five Scenes with Sleds” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Folk Customs \/ Volume 1, Sightseeing and Hot Spring: Hachimantai” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Folk Customs \/ Volume 5, Sightseeing and Hot Spring: Kanegasaki Onsen” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Folk Customs \/ Volume 6: Riddle” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Folk Customs \/ Volume 7: Akitabuki” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Folk Customs \/ Volume 8: Children’s Song” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Folk Customs \/ Volume 11: Dance” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Folk Customs \/ Volume 14: Akita Inu” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prints
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prints of Folk Customs \/ Volume 15: Akita Ondo” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[News] The 36th Ukyo-e Auction The 36th Ukyo-e Auction is going to be held by Ukiyo-e Dealers Association of Japan from October 2nd. We look forward to seeing you there. \u2192Click here for details “Onzoshi Kills the Bandits at Aohaka Station” by Kunisada I “Eight Views of Beauties \/ Evening Bell at the Eko-in” by […]<\/p>\n","protected":false},"author":1,"featured_media":1960,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1957"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1957\/revisions"}],"predecessor-version":[{"id":1963,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1957\/revisions\/1963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1960"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}