{"id":1934,"date":"2026-09-12T18:30:39","date_gmt":"2026-09-12T09:30:39","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1934"},"modified":"2026-09-12T08:33:39","modified_gmt":"2026-09-11T23:33:39","slug":"new-arrival-9-12","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1934","title":{"rendered":"New Arrival: Paul Jacoulet, Frank Brangwyn, Katsuhira Tokushi, Yoshida Hodaka, Mori Masamoto, Otsu Eibin, Clifton Karhu, Nakabayashi Tadayoshi, Toyokuni, Hiroshige, Kuniyoshi, Yasuji, Yoshitoshi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Song of Waves” by Paul Jacoulet<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Autumn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Autumn pilgrimage to Sado Island” by Paul Jacoulet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Loving
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Loving Couple at the Jan van Eyckplein, Bruges” by Frank Brangwyn<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bon Odori” by Katsuhira Tokushi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sun
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sun and Moon” by Yoshida Hodaka<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dependents
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dependents” by Yoshida Hodaka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Awaking
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Awaking” by Yoshida Hodaka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ganyudo,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ganyudo, Numazu” by Mori Masamoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Masugata
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Masugata Ryokan in Shinano Oiwake” by Mori Masamoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Houses
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Houses in Ikaruga” by Mori Masamoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sangatsu-do
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sangatsu-do” by Mori Masamoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning at Taisho Pond” by Mori Masamoto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Anemones
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Anemones and Mont Saint-Michel” by Otsu Eibin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Magnolia
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Magnolia tree in the forest” by Kuruhara Kimi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nature
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nature Morte” by Komai Tetsuro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flow, My Tears” by Yamamoto Yoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"KOSHIHATA
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“KOSHIHATA SNOW” by Clifton Karhu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Inn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Inn at Gion” by Nakazawa Hiromitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Transposition
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Transposition ’86 -Ground- I” by Nakabayashi Tadayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Transposition
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Transposition ’89 -Ground- I” by Nakabayashi Tadayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Transposition
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Transposition ’92 -Ground- VI” by Nakabayashi Tadayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scenery
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scenery with Cigarettes \/ I Am a Cat ” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Keirin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Keirin” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Speed
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Speed Reading Tokyo” by Brian Boigon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sancy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sancy” by Anno Mitsumasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Monmon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Monmon” by Takeda Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Monmon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Monmon 2” by Takeda Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Monmon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Monmon 5” by Takeda Hideo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Half
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Half Moon in Midsummer” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The signpost I
\n” by Takeda Fumiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yugyo-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yugyo-ji Temple, Fujisawa” by Yamagishi Kazue\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Yamagishi Kazue\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Jugs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Jugs and persimmons” by Mabuchi Toru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Ivan Rabuzin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Ivan Rabuzin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Melody
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Melody nearly forgotten” by Takeda Fumiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tiny
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tiny memories\uff1aDrop” by Takeda Fumiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The spiral tower of Cythere” by Takeda Fumiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Silver
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Silver Pavilion” by Nakagawa Isaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"England\uff08York
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“England\uff08York city\uff09” by Izumiji Yasuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shadow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shadow on a Face” by Fukazawa Yukio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Inside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Inside the Fruit” by Fukazawa Yukio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"At
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“At a Zoo: People Watching Rhinoceros” by Aigasa Masayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow-covered
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow-covered water gate” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sai River in Winter” by Kitaoka Fumio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tea
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tea Room, London” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ski
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ski Resort in Switzerland” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cafe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cafe in Paris” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Teramachi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Teramachi” by Ikezumi Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dried
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dried Dream” by Kurosaki Akira\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Natural
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Natural History \uff0876-2\uff09” by Kimura Kosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dance
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dance of the Dog and the Vulture” by Takeda Shinzaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memories
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memories of Silence: The Three Windows” by Osawa Keizo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Horikoshi Chiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actors Print” by Toyokuni I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Date Kurabe Okuni Kabuki” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches by Yoshitoshi \/ The Tongue-cut Sparrow” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Matsuda, Kyobashi” by Yasuji,Tankei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Sights of the Fifty-three Stations \/ No. 12, Mishima: First Gate of the Shrine of Mishima Daimyojin” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Grateful
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Grateful Thanks for Answered Prayers: Waterfall-striped Fabrics \/ Botaro’s Nurse Otsuji” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Women of Wisdom and Courage \/ O’iko” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ogura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ogura Imitations of One Hundred Poems by One Hundred Poets \/ Poem by Akazome Emon” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lives
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lives of Remarkable People Renowned for Loyalty and Virtue \/ Kane-jo” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo \/ Mimeguri Embankment on the Sumida River” by Shigemaru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Second Industrial Exhibition” by Kunimatsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cartoons
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cartoons by Kiyochika \/ Shin-Ohashi Bridge, Okawabata in Tokyo” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lingering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lingering Sentiments of a Late Collection of Genji \/ Ch. 31: Otome” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beautiful
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beautiful Women in Scenic Places \/ Shinobazu Pond, Tokyo” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beautiful
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beautiful Women in Scenic Places \/ Amanohashidate, Tango Province” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gennyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gennyo Shonin’s Preaching Tour to Hokkaido \/ Kunnui” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Tale of a Day-long Tea Gathering \/ Preparing the Food” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eighteen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eighteen Acts of Glory \/ Sakai Tadatsugu” by Toshihide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"primary
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“primary” by Takayanagi Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“The Song of Waves” by Paul Jacoulet “Autumn pilgrimage to Sado Island” by Paul Jacoulet “Loving Couple at the Jan van Eyckplein, Bruges” by Frank Brangwyn “Bon Odori” by Katsuhira Tokushi “Sun and Moon” by Yoshida Hodaka “Dependents” by Yoshida Hodaka “Awaking” by Yoshida Hodaka “Ganyudo, Numazu” by Mori Masamoto “Masugata Ryokan in Shinano Oiwake” […]<\/p>\n","protected":false},"author":1,"featured_media":1938,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1934","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1934"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1934\/revisions"}],"predecessor-version":[{"id":1939,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1934\/revisions\/1939"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1938"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}