{"id":1907,"date":"2026-08-22T18:30:48","date_gmt":"2026-08-22T09:30:48","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1907"},"modified":"2026-08-22T06:53:45","modified_gmt":"2026-08-21T21:53:45","slug":"new-arrival-hiroshige-sadahide-yoshimori-kiyochika-chikanobu-toyokuni-takayama-uichi-inoue-satoru-onchi-koshiro-takehisa-yumeji-oka-shikanosuke-fujita-tsuguharu-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1907","title":{"rendered":"New Arrival: Hiroshige, Sadahide, Yoshimori, Kiyochika, Chikanobu, Toyokuni, Takayama Uichi, Inoue Satoru, Onchi Koshiro, Takehisa Yumeji, Oka Shikanosuke, Fujita Tsuguharu and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Foreign
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreign Merchant House in Yokohama” by Sadahide<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miyozaki,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miyozaki, Yokohama at a Glance” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening View of Ichikoku Bridge” by Kiyochika<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nezu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nezu Shrine in Autumn” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo<\/strong> \/ Nihon Embankment, Yoshiwara” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo \/ Sanno Festival Procession at Kojimachi 1-chome” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition)<\/strong> \/ Okitsu: The Okitsu River” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Ejiri: Distant View of Miho” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Narumi: Famous Arimatsu Tie-dyed Fabric” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Fukuroi: Tea Stall” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Seki: Early Departure of a Daimyo” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Minakuchi: Famous Dried Gourd” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Fujieda: Fording the Seto River” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Arai: View of the Distant Lake and the Horie Area” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Seki: The Ancient Barrier Gate at Suzuka” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations by Two Brushes \/ Tsuchiyama” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Origin of the Three Shrines at the Miyato River” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Yayoi no Hana Iroha no Honzetsu” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hatsu Dochu Sugoroku Soga” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hitokanade Kodakara Soga” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Doro-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Doro-e: Mount Fuji (tentative title)” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seven Stabbed at the Brothel Sugito-ya, Edo-cho Nichome in the New Yoshiwara” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Educational
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Educational Kindergarden” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Customs: Manners for Girls” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Our Country’s Revered Deities and Esteemed Emperors” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nobility
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nobility Going Out” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Azuma
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Azuma \/ Beanbag” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Azuma
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Azuma \/ Beloved Cat” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Third National Industrial Exhibition at Ueno Park” by Shogetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ True View of Shinbashi Station” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Modern Tokyo \/ Fukagawa: Gathering Shellfish at Susaki” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Procession of a Princess Bride Riding in the Palanquin” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"In
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“In the Foothills of Mount Fuji, the Soga Brothers Achieve Their Revenge” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Storehouse
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Storehouse of Loyal Retainers Acted Out by Children \/ Act 4” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women in Benkei-checked Fabrics \/ Benkei in the Boat” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoshitsune's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoshitsune’s Troops Descending the Cliff at Ichinotani” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji Clouds Matched with Ukiyo-e Pictures \/ Yadorigi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreign
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreign Words \/ Dutch” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Conquest of Various Provinces by Famous Generals” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Collection of Flowers of the Twelve Months \/ Plum for Spring” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Surimono:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Surimono: The Life of Yoshitsune (tentative title)” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictures of Dances \/ Bonito Seller” by Tai Koun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictures of Dances \/ Tokiwa” by Tai Koun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Designs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Designs for Artisans \/ Volume 5” by Taito II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genkon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genkon eimei hyakushu” by Eitaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The flowers at dawn” by Takayama Uichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Magazine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Magazine Seller” by Inoue Satoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Umekawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Umekawa Chubei” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"To
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“To the Moon” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mother
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mother and child” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miserere
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miserere #68” by Georges Rouault\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Three Scenes of Nara \/ Forest in Furu” by Higashiyama Kaii\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pansy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pansy and Nest” by Oka Shikanosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Red
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Red castle” by Oka Shikanosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Power
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Power Plant in a Village” by Oka Shikanosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pasture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pasture with Lingering Snow” by Oka Shikanosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Waterside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Waterside castle” by Oka Shikanosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Le
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Le dragon des mers: Tamanoi” by Fujita Tsuguharu (Leonard Foujita)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Le
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Le dragon des mers: Le caiman” by Fujita Tsuguharu (Leonard Foujita)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eiza
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eiza and Matsuomaru” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Le
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Le Canal” by Bernard Buffet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Among
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Among the Rocks” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Prayer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Prayer” by Mochizuki Michiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Day It Returns to the Sky” by Mochizuki Michiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Delivery
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Delivery of S” by Mochizuki Michiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Road
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Road to a Market” by Mochizuki Michiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sculpture
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sculpture” by Yokoyama Teiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Delivering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Delivering Flowers” by Suzuki Atsuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"See
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“See You” by Suzuki Atsuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter moon” by Abo Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Foreign Merchant House in Yokohama” by Sadahide “Miyozaki, Yokohama at a Glance” by Yoshimori “Evening View of Ichikoku Bridge” by Kiyochika “Nezu Shrine in Autumn” by Kiyochika “One Hundred Famous Views of Edo \/ Nihon Embankment, Yoshiwara” by Hiroshige I “One Hundred Famous Views of Edo \/ Sanno Festival Procession at Kojimachi 1-chome” by Hiroshige […]<\/p>\n","protected":false},"author":1,"featured_media":1913,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1907","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1907"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1907\/revisions"}],"predecessor-version":[{"id":1915,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1907\/revisions\/1915"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1913"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}