{"id":1894,"date":"2026-08-01T18:30:49","date_gmt":"2026-08-01T09:30:49","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1894"},"modified":"2026-08-01T16:02:22","modified_gmt":"2026-08-01T07:02:22","slug":"new-arrival-maekawa-senpan-fukazawa-sakuichi-kasamatsu-shiro-tsuruta-goro-yamakawa-shuho-asano-takeji-yamagishi-kazue-nakazawa-hiromitsu-koizumi-kishio-takei-takeo-hiroshige-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1894","title":{"rendered":"New Arrival: Maekawa Senpan, Fukazawa Sakuichi, Kasamatsu Shiro, Tsuruta Goro, Yamakawa Shuho, Asano Takeji, Yamagishi Kazue, Nakazawa Hiromitsu, Koizumi Kishio, Takei Takeo, Hiroshige and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Hanga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanga Yokusenfu” by Maekawa Senpan<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanchu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanchu kanpon” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanchu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanchu kanpon” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Small Pieces Selected by the Artist \/ First Series” by Fukazawa Sakuichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twilight,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twilight, Honami Hotspring in Shinano” by Kasamatsu Shiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fuji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fuji Seen from Suwanomori” by Tsuruta Goro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twilight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twilight” by Yamakawa Shuho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Asano Takeji<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Twelve Views of Kyoto \/ Light Rain at Dawn, Kawaramachi ” by AsanoTakeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Twelve Views of Kyoto \/ Evening Glow at Kyobashi Bridge, Fushimi” by AsanoTakeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Basilica in Montmartre” by Yamagishi Kazue\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nigatsudo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nigatsudo Hall at Todai-ji Temple” by Ishiwata Koitsu (Shoichiro)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Willow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Willow Tree at Sarusawa Pond” by Nakazawa Hiromitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Benkei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Benkei Chikaramochi at Mii-dera” by Nakazawa Hiromitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Yamaguchi Susumu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Inner
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Inner Shrine Path” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ryounkaku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ryounkaku” by Koizumi Kishio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shijo-ohashi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shijo-ohashi Bridge” by Asada Benji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nagara
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nagara Bridge (Famous Place in Gifu)” by Muto Rokuro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eching
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eching Exlibris collection \/ Volume 3” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picnic
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picnic” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"15
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“15 Exlibris across the Sea” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Maekawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Maekawa Senpan -A collection of his verse and representative prints and paintings-” by edited by Yamazaki Akira\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exlibris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exlibris Collection” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pocket
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pocket Illustrated Book of Prints: Golden Bat Zoo” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Kijo shunju \/ No. 1” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Kijo shunju \/ No. 2” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Kijo shunju \/ No. 4” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Kijo shunju \/ No. 6” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Kijo shunju \/ No. 7” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shin Kijo shunju \/ No. 11” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Water
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Water Performance” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Omocha-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Omocha-e shokoku meguri \/ Volumes 1-10 \u3010Reproduction\u3011” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Series
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Series of Birds \/ No. 16” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokeshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokeshi (tentative title)” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Messenger
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Messenger of Spring” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miss
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miss Okyo’s Kimono” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miss
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miss Okyo Riding a Horse” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lantern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lantern and Elida” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dandy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dandy on Bicycle” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Doll
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Doll (c)” by Suzuki Shintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Story
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Story of Horse Chestnut” by written by Tomiki Tomoji, illustrated by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Akita – Five Scenes with Sleds” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Akita – Winter Prints Collection \/ No. 2” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girl in a Snowy Country” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iris (tentative title)” by Mitsui Atsuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Helmet
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Helmet (tentative title)” by Mitsui Atsuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Old
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Old Castle of Shuri” by Kosugi Hoan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Golden Pavilion” by Domoto Insho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of Musashi Plain” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Goyu” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Narumi: Shop Selling Famous Arimatsu Tie-dyed Fabric” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Kanagawa: View of the Bluff from Asamashita” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Kuwana: Sea Ferry Terminal at Shichiri” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Kusatsu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Kyoto: The Great Bridge at Sanjo” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Fuchu: Distant View of the Abe River” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations of the Tokaido Road \/ Seki: The Inn” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Imaginary
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Imaginary Couples: Enishi no saku” by Sadayoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki play” by Shibakuni\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Kano Minshi as Courtesan Takigawa” by Hokkei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Ane Imo’to Date no O’kido” by Ashiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hadekurabe Ise Monogatari” by Ashiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki play” by Ashiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kappa-zuri
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kappa-zuri” by Kuniyoshi and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Female
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Female Factory Workers Study at the Tomioka Silk Mill” by Asataka\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Hanga Yokusenfu” by Maekawa Senpan “Kanchu kanpon” by Maekawa Senpan “Kanchu kanpon” by Maekawa Senpan “Collection of Small Pieces Selected by the Artist \/ First Series” by Fukazawa Sakuichi “Twilight, Honami Hotspring in Shinano” by Kasamatsu Shiro “Fuji Seen from Suwanomori” by Tsuruta Goro “Twilight” by Yamakawa Shuho “Title unknown” by Asano Takeji “New Twelve […]<\/p>\n","protected":false},"author":1,"featured_media":1901,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1894"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1894\/revisions"}],"predecessor-version":[{"id":1902,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1894\/revisions\/1902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1901"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}