{"id":1885,"date":"2026-07-25T18:30:06","date_gmt":"2026-07-25T09:30:06","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1885"},"modified":"2026-07-25T13:42:15","modified_gmt":"2026-07-25T04:42:15","slug":"new-arrival-kasamatsu-shiro-kasamatsu-mihoko-oda-kazuma-ono-tadashige-ikeda-shuzo-morita-tsunetomo-hirokage-toyokuni-kuniyoshi-kunisada-kyosai-kuniteru-kuniaki-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1885","title":{"rendered":"New Arrival: Kasamatsu Shiro, Kasamatsu Mihoko, Oda Kazuma, Ono Tadashige, Ikeda Shuzo, Morita Tsunetomo, Hirokage, Toyokuni, Kuniyoshi, Kunisada, Kyosai, Kuniteru, Kuniaki and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Pine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pine Trees at Yudanaka Hot Spring, Shinshu” by Kasamatsu Shiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hira
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hira Range” by Kasamatsu Mihoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Otamaya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Otamaya Mausoleum, Shiba” by Oda Kazuma<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wave
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wave” by Ono Tadashige<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Outside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Outside Florence” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain Gate in Spring” by Seiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Crab
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Crab” by Ikeda Shuzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Scenery Prints \/ Volume 2: Aizu” by Morita Tsunetomo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of the Vegetables and the Fish” by Hirokage<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comical
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comical Views of Famous Places in Edo \/ No. 33: View of the Myoken Temple in Yanagishima” by Hirokage\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Enjoying
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Enjoying the Cool of Evening on the Riverbed at Shijo” by Toyokuni III<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Splendor of Butterflies and Peonies in the Garden” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon and Flowers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Popular Selection of Six Flowers \/ Weeping Cherry” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Practicing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Practicing Flower Arrangement on New Year’s Morning” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene in the Play Meiboku Sendai Hagi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fashionable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fashionable Eastern Genji” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Night Appearance of Genji among the Flowers” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Visiting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Visiting the Peony Garden” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Young
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Young Murasaki’s Silkworm Cultivation” by Kuniaki II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sunrise
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sunrise on New Year’s Day” by Kunimaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Goshu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Goshu Chodai” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sunrise
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sunrise on New Year’s Day at the Sumida River” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Incidents in Daily Life \/ The Trigram Kan, Coldness: Autumn Moon of Prudishly” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Iris Garden at Horikiri” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow at the Muromachi Palace” by Kuniteru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kudami-jo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kudami-jo Does a Good Deed by Releasing Living Things” by Kuniteru I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fishing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fishing Village at Dusk” by Tamamura Hokuto\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print from ‘Hosun'” by Sakamoto Hanjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toden
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toden Passing through Kajiwara” by Inoue Yosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Embankment
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Embankment near the Railroad (Akabane)” by Inoue Yosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanda Underpass” by Inoue Yosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Ogu Station” by Inoue Yosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Keisei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Keisei Electric Train at the Edogawa Iron Bridge” by Inoue Yosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock New Year’s Card” by Sugiura Hisui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kawakami
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kawakami Hotspring” by Morita Tsunetomo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hibara
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hibara Lakeside” by Morita Tsunetomo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small Lake at the Foot of Mount Bandai” by Morita Tsunetomo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Aga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Aga River” by Morita Tsunetomo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ruins
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ruins of Wakamatsu Castle” by Morita Tsunetomo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chrysanthemums
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chrysanthemums (tentative title)” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shoki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shoki and ogre (tentative title)” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Genjiyama Kichidayu” by Shuntei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Tsuneyama Goroji” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Hiuchinada Aragoro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Goyoboku Kumoemon” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Kimenzan Tanigoro” by Kunihisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gekko's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gekko’s Miscellany \/ Mori Tahei on a Tiger Hunt” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki play” by Toyokuni\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Chofu Jewel River in Musashi Province” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon and Flowers \/ Moon at the Mountain Village” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Omi \/ Evening Bell at Mii-dera Temple” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Modern Life in Tokyo \/ Inside the Great Kanda Shrine” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actor Print” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Yoshiwara: Konami” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actors
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actors for the Fifty-three Stations of the Tokaido Road \/ Numazu: Porter Heisaku” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Treasure
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Treasure House of the Gods of Good Fortune” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictures of the Forty-seven Loyal Retainers \/ Mimura Jiroemon Kanetsune” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Place in Tokyo \/ Nihonbashi Bridge” by Baiko?\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Tale of a Day-long Tea Gathering \/ Entering the Tea Room” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Elegant Selections \/ Female Peddler: Woman of the Bun’an Era” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matches for the Kana Syllables \/ Wi (I) Brigade, Sixth Group: Izaemon” by Kunichika and Tacho (Yoshikane)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Postcards
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Postcards” by Togawa Yasuie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year’s Cards” by Ishimaru Yahei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Postcard
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Postcard” by Ito Ren\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Pine Trees at Yudanaka Hot Spring, Shinshu” by Kasamatsu Shiro “Hira Range” by Kasamatsu Mihoko “Otamaya Mausoleum, Shiba” by Oda Kazuma “Wave” by Ono Tadashige “Outside Florence” by Ono Tadashige “Mountain Gate in Spring” by Seiko “Crab” by Ikeda Shuzo “Japanese Scenery Prints \/ Volume 2: Aizu” by Morita Tsunetomo “The Great Battle of the […]<\/p>\n","protected":false},"author":1,"featured_media":1892,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1885","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1885"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1885\/revisions"}],"predecessor-version":[{"id":1891,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1885\/revisions\/1891"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1892"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}