{"id":1868,"date":"2026-07-11T18:30:10","date_gmt":"2026-07-11T09:30:10","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1868"},"modified":"2026-07-11T09:25:56","modified_gmt":"2026-07-11T00:25:56","slug":"new-arrival-hiratsuka-unichi-saito-shinichi-mori-yoshitoshi-katsuhira-tokushi-ikeda-masuo-joan-miro-toyokuni-kuniyoshi-yoshimori-kunichika-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1868","title":{"rendered":"New Arrival: Hiratsuka Unichi, Saito Shinichi, Mori Yoshitoshi, Katsuhira Tokushi, Ikeda Masuo, Joan Miro, Toyokuni, Kuniyoshi, Yoshimori, Kunichika and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Library
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Library of Congress, Washington D.C.” by Hiratsuka Unichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” Tea House \u201cIppaku-Tei\u201d in Japanese Embassy, Washington D.C.” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Blue
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Blue sky, Washington D.C.” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Uptown
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Uptown of Los Angeles” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Usuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Usuki stone buddha” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Usuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Usuki stone buddha” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pond
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pond in Byodo-in” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views of Asakusa \/ Okuyama after a typhoon” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Half
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Half Moon in Midsummer” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pond
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pond in Byodo-in” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foot
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foot of Mount Amagi” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Oharame
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Oharame doll” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Half
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Half Moon in Midsummer” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dabotap
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dabotap Pagoda of Bulguksa Temple, Gyeongju” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daphniphyllum
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daphniphyllum macropodum, Inspired by the Manyoshu” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Figure
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Figure of Genroku Era” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print with a tanka poem” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print with a tanka poem” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print with a tanka poem” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print with a tanka poem” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print with a tanka poem” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print with a tanka poem” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Nudes \/ Mirror III” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Nudes \/ Mirror I” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Nudes \/ Atelier X” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Nudes \/ Hand mirror” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pheasant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pheasant and camellia” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring in Assisi, Spain” by Saito Shinichi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Onna
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Onna Shibaraku” by Mori Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fireside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fireside” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months of Maiko \/ January: Court Carriage” by Sekino Junichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dancing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dancing man” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miss
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miss F” by Funakoshi Yasutake\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Funakoshi Yasutake\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mark
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mark” by Hiwasaki Takao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Crane
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Crane” by Sakuma Shoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"D.L.M.
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“D.L.M. 87-89” by Joan Miro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"D.L.M.
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“D.L.M. 87-89” by Joan Miro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actor Print” by Toyokuni III<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matchmaking
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matchmaking at the Grand Shrine of Izumo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hanaregoma
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanaregoma Chokichi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nuregami
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nuregami Chogoro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Instructive Alphabet of Proverbs \/ The Syllables To and Chi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"An
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“An Instructive Alphabet of Proverbs \/ The Syllables Na and Ra” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Nagato Province: Kezori Kuemon” by Toyokuni III and Kunimaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Ise Province: Fukuoka Mitsugi” by Toyokuni III and Kunimaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Satsuma Province: Satsuma Gengobei” by Toyokuni III and Sadatoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Totomi Province: Katanaya Hanshichi” by Toyokuni III and Kuniaki II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Iga Province: Karaki Masaemon” by Toyokuni III and Sadafusa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Harima Province: Okiku” by Kuniyoshi<\/strong> and Yoshitsuru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Awaji Province: Shinchunagon Taira no Tomomori” by Kuniyoshi and Yoshiteru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-odd Provinces of Great Japan \/ Awa Province: Awa Jurobei” by Kuniyoshi and Yoshitama\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lives
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lives of Remarkable People Renowned for Loyalty and Virtue \/ Koshikibu no Naishi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fashionable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fashionable Dolls” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portraits
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portraits as True Likenesses in the Moonlight \/ Actor Bando Hikosaburo” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketches by Yoshitoshi \/ Okame Peeks at the Shadow of a Matsutake Mushroom and Giggles; Seven Gods of Good Fortune” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers of Edo: A Series of Chivalrous Men \/ Actor Kawarazaki Gonjuro” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers of Edo: A Series of Chivalrous Men \/ Actor Sawamura Tanosuke” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers of Edo: A Series of Chivalrous Men \/ Actor Bando Hikosaburo” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers of Edo: A Series of Chivalrous Men \/ Actor Sawamura Tossho” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Modern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Modern Romance of the Three Kingdoms” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Six Floral Selections in Modern Style” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Demonic People, Good and Evil \/ Oniazami Seikichi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Compendium
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Compendium of Bridges \/ Actor Kawarazaki Sansho” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Memorial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Memorial Portrait of the Famous Actor Ichikawa Danjuro IX” by Hosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki play” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Calligraphy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Calligraphy and Pictures for the Fifty-three Stations of the Tokaido \/ Kameyama in Ise Province: Unremitting Hatred” by Toyokuni IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eastern
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eastern Brocade: Comparison of Day and Night \/ Suo no Naishi” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Library of Congress, Washington D.C.” by Hiratsuka Unichi ” Tea House \u201cIppaku-Tei\u201d in Japanese Embassy, Washington D.C.” by Hiratsuka Unichi “Blue sky, Washington D.C.” by Hiratsuka Unichi “Uptown of Los Angeles” by Hiratsuka Unichi “Usuki stone buddha” by Hiratsuka Unichi “Usuki stone buddha” by Hiratsuka Unichi “Pond in Byodo-in” by Hiratsuka Unichi “Views of Asakusa […]<\/p>\n","protected":false},"author":1,"featured_media":1875,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1868","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1868"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1868\/revisions"}],"predecessor-version":[{"id":1876,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1868\/revisions\/1876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1875"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}