{"id":1802,"date":"2026-06-13T18:30:54","date_gmt":"2026-06-13T09:30:54","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1802"},"modified":"2026-06-13T04:29:04","modified_gmt":"2026-06-12T19:29:04","slug":"new-arrival-oda-kazuma-ishikawa-toraji-kawanishi-hide-hoshi-joichi-tabata-asako-takeda-gentaro-okada-roshu-toyokuni-kuniyoshi-yoshiiku-yoshiyuki-kunichika-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1802","title":{"rendered":"New Arrival: Oda Kazuma, Ishikawa Toraji, Kawanishi Hide, Hoshi Joichi, Tabata Asako, Takeda Gentaro, Okada Roshu, Toyokuni, Kuniyoshi, Yoshiiku, Yoshiyuki, Kunichika and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views of Tokyo \/ Kiba” by Oda Kazuma<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views of Tokyo \/ Kagurazaka” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Views
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Views of Osaka \/ Distant View of the Tenjin Bridge” by Oda Kazuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Types of Female Nudes \/ Morning” by Ishikawa Toraji<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Types of Female Nudes \/ In the Bathroom” by Ishikawa Toraji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Types of Female Nudes \/ Reading” by Ishikawa Toraji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Market
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Market in Ryukyu” by Ishikawa Toraji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Early
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Early Summer in Motomachi” by Kawanishi Hide<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thunder
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thunder (Green)” by Hoshi Joichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stroller
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stroller” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Meet
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Meet at the corner” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Face
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Face” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shining
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shining Taro” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"White
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“White Clothes” by Tabata Asako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dashing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dashing Men Who Have Taken Alternate Names \/ Omatsuri Sashichi” by Toyokuni III<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Group
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Group of Pilgrims Going to the Mitsumine Shrine for a Special Viewing” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Otonashi River at Oji” by Toyokuni III and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Satsukibare Ueno no Asakaze” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Eight Views \/ Sunset Glow at Hyogo” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Eight Views \/ Lingering Snow at the Hermit\u2019s Cell” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Eight Views \/ Night Rain at Kurama” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Heroes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Heroes for the Eight Views \/ Evening Bell at Nara” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Namazu-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Namazu-e” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Takeda Gentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Takeda Gentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene of Tokyo” by Takeda Gentaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tiger
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tiger Hill, Suzhou” by Koizumi Motohiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Ivan Rabuzin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Nankai Shachinosuke from Kii Province” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Hiraishi Shichidayu” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Koyanagi Tsunekichi” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Okinohama Katsuzo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e: Akashigata Namigoro” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Genji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Genji in Modern Guise \/ Comparison of Lovers on a Rainy Night” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Pairings for the Tokaido \/ Kanagawa: The Tomb of Urashima” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido \/ Shimada Station: The Oi River” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Kawasaki: The Death of Nitta Yoshioki at the Yaguchi Ferry” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Pairings for the Tokaido \/ Fujisawa: Oguri Hangan” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Chiryu: Ariwara Narihira at Yatsuhashi” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-three Pairings for the Tokaido Road \/ Hodogaya: Yura Hyogo, His Wife Minato and Shinozuka Hachiro” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Edo \/ Oji” by Yoshiyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ Takashi Bay” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ Below Yatsuyama in Shinagawa” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Arai” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Samezu: Samezu Kannon Temple” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-nine Stations of the Kisokaido Road \/ Kettle Bridge at Ochiai Station: Ishikawa Goemon” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sixty-nine Stations of the Kisokaido Road \/ Suwa Shrine at Niekawa Station: Katsuyori” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Modern Handsome Men \/ Tetsudo no Koma” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published: Oyamatsubushi” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Heroes with Magical Powers \/ Fujinami Yukarinojo” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matches
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matches for the Five Elements” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"View
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“View of Jiangnan” by Takeuchi Seiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mozart\uff1aThe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mozart\uff1aThe magic flute” by Okada Roshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mozart\uff1aThe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mozart\uff1aThe magic flute” by Okada Roshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mozart\uff1aThe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mozart\uff1aThe magic flute” by Okada Roshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mozart\uff1aThe
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mozart\uff1aThe magic flute” by Okada Roshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Okada Roshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Okada Roshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Okada Roshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shibaraku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shibaraku” by Shimizu Miezo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yellow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yellow Dust” by Nakagawa Kigen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Echigojishi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Echigojishi” by Kimura Shohachi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dew
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dew hardens to frost, crops are harvested in the fall and stored in the storehouse for the winter” by Shimizu Kosho\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Views of Tokyo \/ Kiba” by Oda Kazuma “Views of Tokyo \/ Kagurazaka” by Oda Kazuma “Views of Osaka \/ Distant View of the Tenjin Bridge” by Oda Kazuma “Ten Types of Female Nudes \/ Morning” by Ishikawa Toraji “Ten Types of Female Nudes \/ In the Bathroom” by Ishikawa Toraji “Ten Types of Female […]<\/p>\n","protected":false},"author":1,"featured_media":1804,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1802"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1802\/revisions"}],"predecessor-version":[{"id":1809,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1802\/revisions\/1809"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1804"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}