{"id":1796,"date":"2026-06-06T18:30:58","date_gmt":"2026-06-06T09:30:58","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1796"},"modified":"2026-06-05T14:05:17","modified_gmt":"2026-06-05T05:05:17","slug":"new-arrival-kanpon-by-takei-takeo-2","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1796","title":{"rendered":"New Arrival: “Kanpon” by Takei Takeo"},"content":{"rendered":"

A collection of Kanpon<\/strong><\/a> Works, the privately published miniature books that Takei Takeo<\/strong><\/a> devoted himself to producing and distributing throughout his life, has recently arrived. <\/p>\n

\n
\n
\n\t\t
\n\t\t\"Takei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takei Takeo Kanpon Box No.7” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takei Takeo Kanpon Box No.8” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takei Takeo Kanpon Box No.9” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takei Takeo Kanpon Box No.9” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Takei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Takei Takeo Kanpon Box No.14” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 13: My Karuta” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” Kanpon \/ No. 15: Botan-Ayaki” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 19: Story of Moridon” by Takei Takeo \/ dyed by Inagaki Toshijiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 23: Flower of India” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 35: The World Nearby” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 37: An Alternate Eden” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 38: Sphere” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 40: Obake taijo” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 44: Yonjuyonbankan” by Takei Takeo \/ woodblock printed by Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 46: The Flag of the Gods” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 48: Space Tailor” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 51: Heaven and Hell” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 52: From Egg to Egg” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 53: Goemon the Demon” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 54: Purple Glasses” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 56: The Pearl Pond” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 60: Leo’s Magic” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 62: Shuju no kyoen” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 63:The Prayer Book” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 64: Twentieth Century Tiger” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 66: Samoiya-den” by Takei Takeo \/ inden by Goto Seikichiro \/ hand-printed woodblock by Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 68: Sakadachi Kankuro” by Takei Takeo \/ hand-printed by Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 69: Six Windows” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 70: Devil’s Flag” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 71: MIRACLE TOWER” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 72: Kageya” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 75: The Stingy God” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 77: Gankyu ibun” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 79: Ji-ko Embarks” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 80: Window of Jinshiro” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 83: World Revolution” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 84: White Paper on Peace” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 85: No Women Admitted” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 88: The Gourd Maker” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 89: Mendo muyoto” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 91: The Man Who Makes Rainbows” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 94: Takasugi Shinsaku” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 95: Return of the Creator” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 96: Sosei no yume” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 98: The Forest of Gold” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 100: The Rooster Lecoq” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 102” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 104: Tengu Tenhachiro” by Takei Takeo \/ stencil by Tsukagoshi Genshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 105: Chin wamei-sho” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 106: Hansuke no Kamisama” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 107: Aiueo Monogatari” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 109: The Carriage of the King and the Carriage of the Beggar” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 112: Nezumikozo Gerokichi” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 113: Osan the Thunder Goddess” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 114: Konji and Otan” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 116: Airan no Koi” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 117: Rui and Canna” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” Kanpon \/ No. 118: Money under the table” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 120: Hanatatsu and Raccoon dog” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 121: Rickshaw Puller Mangoro” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 122: Chinchikurin no Mikoto” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 125: Shin’s Magic” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 126: Berabo monogatari” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 127: Kato Kiyomasa” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 129: Naked Woman Nesai” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 130: The Child Who Came from the Moon” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 131: Thousand-armed Kannon” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 132: Wife of the Potter Kuriemon” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 134: Kaguyahime gojitsutan ” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” Kanpon \/ No. 137: ABC Night stories” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

A collection of Kanpon Works, the privately published miniature books that Takei Takeo devoted himself to producing and distributing throughout his life, has recently arrived. “Takei Takeo Kanpon Box No.7” by Takei Takeo “Takei Takeo Kanpon Box No.8” by Takei Takeo “Takei Takeo Kanpon Box No.9” by Takei Takeo “Takei Takeo Kanpon Box No.9” by […]<\/p>\n","protected":false},"author":1,"featured_media":1801,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1796","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1796"}],"version-history":[{"count":3,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1796\/revisions"}],"predecessor-version":[{"id":1799,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1796\/revisions\/1799"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1801"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}