{"id":1785,"date":"2026-05-30T18:30:32","date_gmt":"2026-05-30T09:30:32","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1785"},"modified":"2026-05-30T07:03:32","modified_gmt":"2026-05-29T22:03:32","slug":"new-arrival-georges-bigot-kayama-matazo-shimazaki-ryohei-kawase-hasui-komura-settai-takehisa-yumeji-munakata-shiko-asano-takeji-kuniyoshi-kunichika-kunisada-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1785","title":{"rendered":"New Arrival: Georges Bigot, Kayama Matazo, Shimazaki Ryohei, Kawase Hasui, Komura Settai, Takehisa Yumeji, Munakata Shiko, Asano Takeji, Kuniyoshi, Kunichika, Kunisada and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Etchings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Etchings album:Ohayo(Good morning)” by Georges Bigot<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Venus
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Venus comb and plover” by Kayama Matazo<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girl
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girl on the Clifftop” by Shimazaki Ryohei<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Scenes of Tokyo \/ Spring in Mount Atago” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Iris
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Iris Garden at Meiji Shrine” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning at Mitohama” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Poetry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Poetry and Hanga: Kaze (Wind) \/ Nos. 1 (republication)”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shiro
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shiro to Kuro (White & Black) \/ Volume 22”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” Magazine: HANGA vol.9 & 10\t“<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hangeijutsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hangeijutsu \/ No.2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hangeijutsu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hangeijutsu \/ No.29: Fujimori Shizuo printworks “<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Osen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Osen” written by Kunieda Kanji, designed & illustrated by Komura Settai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Komura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Komura Settai Painting Collection” written by Komura Yae, edited by Yamamoto Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"osen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“osen” written by Kunieda Kanji, designed & illustrated by Komura Settai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ Vol.1-1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ Vol.1-2”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ Vol.1-3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ Vol.1-4”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 5 of Volume 1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 6 of Volume 1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No. 7 of Volume 1”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comical
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comical Game of Darumas” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Soga Brothers Kill Ten Warriors” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Vengence
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Vengence at Iga Ueno” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers \/ Act 6” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Actors Print” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Storehouse of Loyal Retainers \/ Act 5” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: The Storehouse of Loyal Retainers” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Naidaijin
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Naidaijin Taira no Shigemori Assisting the Young Lord” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Depiction of the Attack on Gifu Castle, Mino Province” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Chie no Haru Tosa-e no Sayaate” by Kunihisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Silkworm
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Silkworm Cultivation for Genji” by Fusatane\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woodblock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woodblock Posters” by Nakagawa Yutaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"This
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“This Way” by Munakata Shiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Washington
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Washington monument in spring” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Daphniphyllum
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Daphniphyllum macropodum, Inspired by the Manyoshu” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Print
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Print with a tanka poem” by Hiratsuka Unichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Teodori
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Teodori” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow at the Chion-in Temple” by AsanoTakeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Kasuga Shrine at Night” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokyo \/ Tokyo:Kabukiza theater” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kiyamachi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kiyamachi Street, Kyoto” by AsanoTakeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Harvest Time” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in and around Kyoto \/ Kiyomizu Temple in Autumn” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cockscomb
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cockscomb” by Kawarazaki Shodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Zoo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Zoo” by Ono Tadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Coast
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Coast in IZu” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hongan-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hongan-ji” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Two Seasons: Summer and Winter \/ Mountain Lake, Summer; Silver Grass Field, Winter” by Nakamura Gakuryo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shelter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shelter from the Rain” by Hiyoshi Mamoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year at Farmhouse” by Hiyoshi Mamoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"d'artiste
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“d’artiste” by Otsuki Yujiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cotton
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cotton Rosemallow” by Mabuchi Hikaru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A shore” by Fujita Fumio\t\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nigatsu-do
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nigatsu-do Hall in Nara” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"YOSHITOSHI:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“YOSHITOSHI: Le dernier grand maitre de l’ukiyo-e” written by Eric Faure\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hiroshige:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hiroshige: The Fifty-three Stages of the Tokaido” written by Oka Isaburo, Amino Yoshihiko and Shiraishi Tsutomu\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Etchings album:Ohayo(Good morning)” by Georges Bigot “Venus comb and plover” by Kayama Matazo “Girl on the Clifftop” by Shimazaki Ryohei “Twelve Scenes of Tokyo \/ Spring in Mount Atago” by Kawase Hasui “Iris Garden at Meiji Shrine” by Kawase Hasui “Morning at Mitohama” by Kawase Hasui “Poetry and Hanga: Kaze (Wind) \/ Nos. 1 (republication)” […]<\/p>\n","protected":false},"author":1,"featured_media":1792,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1785","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1785"}],"version-history":[{"count":8,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1785\/revisions"}],"predecessor-version":[{"id":1794,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1785\/revisions\/1794"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1792"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}