{"id":1776,"date":"2026-05-23T18:30:06","date_gmt":"2026-05-23T09:30:06","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1776"},"modified":"2026-05-21T15:54:45","modified_gmt":"2026-05-21T06:54:45","slug":"new-arrival-kawase-hasui-tsuchiya-koitsu-ito-takashi-asano-takeji-ide-gakusui-inagaki-tomoo-yoshitoshi-yoshifuji-yoshinobu-chikanobu-toyokuni-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1776","title":{"rendered":"New Arrival: Kawase Hasui, Tsuchiya Koitsu, Ito Takashi, Asano Takeji, Ide Gakusui, Inagaki Tomoo, Yoshitoshi, Yoshifuji, Yoshinobu, Chikanobu, Toyokuni and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of New Tokyo \/ Snow at the Great Gate fo Shiba” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collected
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collected Views of Japan II, Kansai Edition \/ The Kasuga Shrine in Nara (Rain)” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collected
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collected Views of Japan II, Kansai Edition \/ Zentsu-ji Temple in Sanuki Province” by Kawase Hasui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kagurazaka,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kagurazaka, Ushigome” by Tsuchiya Koitsu<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Futarasan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Futarasan Shrine, Nikko” by Tsuchiya Koitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"National
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“National Park Lake Towada \/ Oirase in Spring” by Ito Takashi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dawn
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dawn at Takegawa” by Ito Takashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hongo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hongo Red Gate in Snow” by Kasamatsu Shiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening Glow at Yakushiji Temple” by Asano Takeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Camellia
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Camellia (tentative title)” by Ide Gakusui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Roses
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Roses and a Vase (tentative title)” by Ide Gakusui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Persimon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Persimon and Japanese White Eye” by Ide Gakusui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese Ivy and Titmouse” by Ide Gakusui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Riverside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Riverside” by Inagaki Tomoo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Russian Couple Enjoying Themselves” by Yoshifuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Holland
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Holland” by Yoshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Nations \/ Englishman” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Customs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Customs of Japan: Night View of the Garden” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon, and Flowers \/ Snow” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places and Humorous Images of Modern Life in Tokyo” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places and Humorous Images of Modern Life in Tokyo” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-four Enjoyments of Beauties of the Present Day \/ Fond of Cuisine” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Manete Mimasu Sugata Hakkei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scenes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scenes of Darkness and Suffering \/ The Darkness of Heart: Yaoya Hanbei” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Dashing Women \/ Yushima no Okan” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Nito no Gaku Aguru Miyamoto” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flyer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flyer” by Sadanobu II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flyer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flyer” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Customs of Beauties, Old and New \/ No. 3 of Volume 8” by Yukawa Shodo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow at Fushimi” by Torii Kiyotada IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Calendar of Kabuki Actors \/ April” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shigaraki-style
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shigaraki-style Tanuki” by Nishijima Katsuyuki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sano
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sano Village and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sho
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sho Kannon” by Kato Shinmei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rain Hat (tentative title)” by Kiyohara Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Senko
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Senko hanabi (tentative title)” by Kiyohara Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year’s Card” by Oda Hiroki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuniyoshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuniyoshi Heroes: Heroes from Tales of the Water Margin”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kawase
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kawase Hasui: Travel and nostalgic landscape” supervised by Iwakiri Shinichiro \/ edited by Tomokazu Rieko, Fujimoto Kenji, Matsushima Satoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"UKIYO-E
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“UKIYO-E MODERN” edited by Takizawa Kyoji, Murase Kana, The Tokyo Shimbun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"This
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“This is Kyosai! The Israel Goldman Collection” edited by The Bunkamura Museum of Art; The Museum of Art, Kochi; Museum \u201cEKi\u201d KYOTO; Ishikawa Prefectural Museum of Art; and The Tokyo Shimbun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"CELEBRATING
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“CELEBRATING A DECADE IN ROPPONGI: KANO MOTONOBU, ALL UNDER HEAVEN BOWED TO HIS BRUSH” edited by Ikeda Fumi, Ueno Tomoe, Uchida Takeshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Unrivaled
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Unrivaled Calligraphy: Yan Zhenqing and His Legacy” edited by Tokyo National Museum, The Mainichi Newspapers\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"LINEAGE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“LINEAGE OF ECCENTRICS:THE MIRACULOUS WORLD OF EDO PAINTING” edited by Tokyo Metropolitan Art Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Treasures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Treasures from the Chishakuin Temple in Kyoto” edited by Suntory Museum, The Asahi Shimbun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Splendor of Edo Painting”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Forms
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Forms and Expressions of Prayer – Introduction to Buddhist Art”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tumultuous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tumultuous Times – Painters in the Bakumatsu and Meiji”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Art
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Art of the Edo Period – Birth of “Lightness””<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“HAKUIN – THE HIDDEN MESSAGE OF ZEN ART” supervised by Yoshizawa Katsuhiro and Yamashita Yuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Edo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Edo and Beijing – Cities and Urban Life in the 18th Century”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hanabusa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hanabusa Itcho: A Talented Man of Great Refinement Depicts the Floating World – In Commemoration of the 300th Anniversary of His Death”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"In
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“In Memory 170th Year after his Death – Enjoying Zen Paintings: SENGAI”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ukiyo-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ukiyo-e of Children” edited by Kumon Institute of Children’s Studies, NHK Promotion Inc.\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"TAKAHASHI
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“TAKAHASHI Yuichi” edited by Furuta Ryo(Tokyo University of the Arts, Associate Professor), The YomiuriShimbun, NHK, NHK Promotion Inc.\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Masterpieces
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Masterpieces of Ukiyoe and Edo Paintings from the Yamatane Collection”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Energy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Energy and Revival – The Art of Momoyama”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Paintings
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Paintings by Kano Tan’yu: Commemorating the 400th Tan’yu’s birth”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Commemorating
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Commemorating the 90th year of the Death of the Artist: TESSAI”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shibakawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shibakawa Terukichi Collection”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Discover
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Discover the Beauty of Japan V: Taiga, Buson, Gyokudo and Sengai \/ The Spirit of Laughter”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seductive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seductive Smiles:Masterpieces of ukiyo-e paintings from the Weston Collection”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yamato-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yamato-e: Traditions of Beauty from the Imperial Court” edited by Tokyo National Museum, NHK, NHK Promotions Inc., The Yomiuri Shimbun\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"GENSO
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“GENSO NO EDO” edited by Kita City Asukayama Museum\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kyosai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kyosai – Master painter and his student Conder” supervised by Kawanabe Kusumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Commemorating
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Commemorating the 180th year of the Death of the Artist: Tanomura Chikuden”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Exhibition
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Exhibition on the 250th Anniversary of the Birth of Nishiki-e, Ukiyo-e Masterpieces from the Philadelphia Museum of Art: Featuring Harunobu, Sharaku, and More!” supervised by Asano Shugo(ABENO HARUKAS Art Museum)\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“One Hundred Views of New Tokyo \/ Snow at the Great Gate fo Shiba” by Kawase Hasui “Collected Views of Japan II, Kansai Edition \/ The Kasuga Shrine in Nara (Rain)” by Kawase Hasui “Collected Views of Japan II, Kansai Edition \/ Zentsu-ji Temple in Sanuki Province” by Kawase Hasui “Kagurazaka, Ushigome” by Tsuchiya Koitsu […]<\/p>\n","protected":false},"author":1,"featured_media":1783,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1776"}],"version-history":[{"count":6,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1776\/revisions"}],"predecessor-version":[{"id":1782,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1776\/revisions\/1782"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1783"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}