{"id":1758,"date":"2026-05-09T18:30:40","date_gmt":"2026-05-09T09:30:40","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1758"},"modified":"2026-05-09T14:57:59","modified_gmt":"2026-05-09T05:57:59","slug":"new-arrival-saito-kiyoshi-onchi-koshiro-shinagawa-takumi-natori-shunsen-yamashita-shintaro-hiroshige-hirokage-chikanobu-kunisada-yoshitoshi-yoshitora-yoshikazu-sadahide-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1758","title":{"rendered":"New Arrival: Saito Kiyoshi, Onchi Koshiro, Shinagawa Takumi, Natori Shunsen, Yamashita Shintaro, Hiroshige, Hirokage, Chikanobu, Kunisada, Yoshitoshi, Yoshitora, Yoshikazu, Sadahide and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Tenderness
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tenderness” by Saito Kiyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Castle
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Castle” by Saito Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Composition
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Composition No.2 Character” by Onchi Koshiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Study
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Study of human body (Shoulder)” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sense
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sense of flight I” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sense
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sense of flight II” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sense
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sense of flight III” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sense
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sense of flight VI” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Image
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Image No.3 (d):Blue flower II” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Insects
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Insects from Signs of Seasons” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fish from Signs of Seasons” by Onchi Koshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selection of Bird and Flower Prints by Rising Artists” by Ono Chikkyo, Tokuoka Shinsen, Uda Tekison, Ikeda Yoson and other artists\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stone buddha” by Shinagawa Takumi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Carnival
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Carnival in the sky” by Shinagawa Takumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shinbashi:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shinbashi: Hanako of the Hanatamaya” by Natori Shunsen<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kinpachi,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kinpachi, Nakahigashi, Fukagawa” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chitose,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chitose, Naka-no-cho” by Natori Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Green at Arashiyama, Kyoto” by Yamashita Shintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Corridor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Corridor of the Kasuga Shrine, Nara” by Yamashita Shintaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Nagoya \/ No. 1” by Goto Rinnosuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of the Vegetables and the Fish” by Hirokage<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children Playing in the Snow under Plum Trees in Bloom” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of the Night Attack at Horikawa” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Generals of Minamoto Clan Defeating the Bandit Chief Yasusuke at Mount Takashima in Omi Province by Order” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Former Taiheiki \/ The Surrender of Abe no Muneto and His Retainers” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chronicle
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chronicle of the Satsuma Rebellion \/ Colonel Nozu Takes Back the Battle Flag” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Procession
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Procession under Cherry Blossoms by Mayuzumi of the Sanotsuchiya at Edo-cho Nichome in the New Yoshiwara” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Death in Action of Imai Shiro at the Battle of Awazu” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fall of the Castle in Takadachi, Oshu Province” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kominato
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kominato bay” by Yoshimune II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fashionable
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fashionable Genji \/ Salt Kilns at Suma” by Hiroshige I and Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Rivers on the Tokaido Road \/ The O’i River” by Kunihisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hanashobu Ukina no Kaobure” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Monogusa Taro Saku Tekuda no Utaate” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki play” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Ichinotani Futaba Gunki” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Senbon-zakura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Senbon-zakura \/ Act 2: Scene of Funaikusa” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miracles
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miracles of Kannon \/ No. 6 of the Bando Pilgrimage Route: Chokoku-ji at Hanshoyama, Aiko-gun, Sagami Province” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miracles
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miracles of Kannon \/ No. 3 of the Bando Pilgrimage Route: Tashirodo at Kamakura, Sagami Province” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Miracles
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Miracles of Kannon \/ No. 1 of the Bando Pilgrimage Route: Sugimoto-dera at Daisozan, Kamakura, Sagami Province” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Loyal Retainers Achieve Their Goal” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Empress
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Empress Jingu Attacks the Three Korean Kingdoms” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Outer Palace \/ Viewing the Sanno Festival” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Inner Palace \/ Moon-Viewing Party” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chiyoda
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chiyoda Outer Palace \/ Visiting the Shrine at Nikko” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Grand Maneuvers of the Navy and the Army” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Imperial
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Imperial Viewing of the Great Military Drill at the Narashino Plain, Shimosa Province” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Our
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Our Soldiers’ Great Victory at Pyongyang” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Japanese
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Japanese and Chinese Troops at the Great Battle of Pyongyang” by Kokunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Japanese Fleet Attacks on Weihaiwei” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Selected
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Selected Masterpieces of Torii Kiyonaga \/ Volume 1 and 2\u3010Reproduction\u3011” by Kiyonaga\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/ The Night Rain at Yanagihara\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo Shinbashi\u3000Station\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/The Night-Stall at Asakusa\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/Fireflies at Ochanomizu\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/The Dawn of Kanda Yagumo Shrine\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/Early Summer Rain on Kudan Slope\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/Taro Inari Shrine at Asakusa Ricefields\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/Tenno-ji Koromo-gawa\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/Suruga-cho Yuki\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/ Moto Yanagi-bashi Ryogoku Enkei \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/ The fireworks by the pond, Tokyo \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/ Shin-ohashi Bridge in the Rain, Tokyo \u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Tenderness” by Saito Kiyoshi “Castle” by Saito Kiyoshi “Composition No.2 Character” by Onchi Koshiro “Study of human body (Shoulder)” by Onchi Koshiro “Sense of flight I” by Onchi Koshiro “Sense of flight II” by Onchi Koshiro “Sense of flight III” by Onchi Koshiro “Sense of flight VI” by Onchi Koshiro “Mirror” by Onchi Koshiro “Image […]<\/p>\n","protected":false},"author":1,"featured_media":1765,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1758"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1758\/revisions"}],"predecessor-version":[{"id":1766,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1758\/revisions\/1766"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1765"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}