{"id":1717,"date":"2026-04-11T18:30:53","date_gmt":"2026-04-11T09:30:53","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1717"},"modified":"2026-04-11T19:35:07","modified_gmt":"2026-04-11T10:35:07","slug":"__trashed","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1717","title":{"rendered":"New Arrivals: Hiroshige, Kuniyoshi, Yoshitoshi, Kuniteru, Toyokuni, Kunisada, Eisen, Wada Sanzo, Nakata Hinako, Shimazaki Ryohei, Noel Nouet, Torii Kotondo and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening View of Ryogoku in the Eastern Capital” by Kuniteru I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tsukiji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tsukiji Gobo in Toshima District, Musashi Province (tentative title)” by Hiroshige II<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yokozuna
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yokozuna Grand Champion Sumo Wrestler Hidenoyama Raigoro Entering the Ring” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Popular
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Popular Flute Tunes and Pictures of Women \/ Kan” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Forms of Thirty-Six Ghosts \/ The Fox Woman Kuzunoha Leaving Her Child ” by Yoshitoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-two Aspects of Customs and Manners \/ Looking Suitable: The Appearance of a Geisha of the Licensed Quarters in the Koka Era” by Yoshitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Night Attack in Chushingura; The Loyal Samurai Break into the Mansion in the Night Attack” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Six Selected Heroes \/ Yamamoto Kansuke Nyudo Dokisai” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Six Selected Heroes \/ Onikojima Yataro Kazutada” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Distant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Distant View of Steam Train” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Steam
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Steam Train in Yatsuyamashita, Tokyo” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Kusatsu in Kozuke Province” by Osai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e” by Toyonobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Place in Tokyo: View of Ryogoku from Asakusa Bridge” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Courtesan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Courtesan Wearing Kimono with design of Dragon and Butterfly (tentative title)” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Second
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Second Compendium of Occupations in the Showa Era” by Wada Sanzo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tatsuta
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tatsuta” by Nakata Hinako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tengu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tengu no Nozoki ana” by Shimazaki Ryohei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"QUOIT
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“QUOIT” by Azuma Itsuko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tomoshibi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tomoshibi Izukoka” by Mitani Takuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Man
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Man Playing the Organ” by Hayashi Chie\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nihonbashi\u3010Reproduction\u3011
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nihonbashi\u3010Reproduction\u3011” by Noel Nouet<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kagurazaka\u3010Reproduction\u3011\t
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kagurazaka\u3010Reproduction\u3011\t” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Benkei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Benkei Moat\u3010Reproduction\u3011\t” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ochanomizu\u3010Reproduction\u3011\t
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ochanomizu\u3010Reproduction\u3011\t” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shinobazu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shinobazu Pond\u3010Reproduction\u3011\t” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"RyogokuBashi\u3010Reproduction\u3011\t
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“RyogokuBashi\u3010Reproduction\u3011\t” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shiba
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shiba Furu\uff4bawa\u3010Reproduction\u3011\t” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Senso-ji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Senso-ji Temple\u3010Reproduction\u3011” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Akasaka-mitsuke\u3010Reproduction\u3011\t
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Akasaka-mitsuke\u3010Reproduction\u3011\t” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kameido\u3010Reproduction\u3011\t
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kameido\u3010Reproduction\u3011\t” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Summer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Summer Robe with Iris Pattern\u3010Reproduction\u3011” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lip
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lip Color\u3010Reproduction\u3011” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Geisha
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Geisha in Summer Style\u3010Reproduction\u3011” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning Hair\u3010Reproduction\u3011” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peony
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peony Snowflakes\u3010Reproduction\u3011” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Makeup\u3010Reproduction\u3011
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Makeup\u3010Reproduction\u3011” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rain\u3010Reproduction\u3011
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rain\u3010Reproduction\u3011” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hazy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hazy Spring\u3010Reproduction\u3011” by Torii Kotondo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hana
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hana no Nagare ni” by Makino Munenori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Woman
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Woman No.4” by Miki Ran\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Place-names
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Place-names of the East \/ Snow at Mukojima” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Buildings of Yamagata Prefecture” by Chikuyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrations
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrations of Famous Places in Tokyo \/ The First National Bank near the Kaiun Bridge” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Eastern Capital \/ View of Ochanomizu” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Kakegawa” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cherry
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cherry Blossoms at Night by the Sumida River in the Eastern Capital” by Hiroshige II and Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Maguchi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Maguchi Nijugoken Okuyuki Sanjukken amari Shintomiza Honfushin Shuttai no Zu” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Toyokuni's
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Toyokuni’s Caricature Pictures \/ Jiraiya” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Place-names
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Place-names of the East \/ Ryogoku” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Comical
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Comical Views of Famous Places in Edo \/ No. 28: View of Gomi Hill in Tsumagoi” by Hirokage\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Beauties \/ No. 21” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Elegant Selections \/ After the Bath: Woman of the Kansei Era” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Elegant Selections \/ Playing with a Ball: Women of the Keicho Era” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"School
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“School of Utazawa” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Listing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Listing of the Members of the House of Commons in the Imperial Diet” by Kuniteru III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ten Valiant Retainers of Amago” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Oto ni Kiku Tenjiku Tokubei” by Kochoro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lady
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lady Murasaki’s Genji Cards \/ No. 11: Hanachirusato” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pictures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pictures of the Forty-seven Loyal Retainers \/ Kanzaki Yogoro Noriyasu” by Gekko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Shishinden Nue Taiji” by Hosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Beauties Drawn from Life \/ Tamatoko” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Fujibumi Sono namo Gozonji” by Toyokuni I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Views of Osaka \/ Mitsu Hachiman-gu Shrine” by Sadanobu I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in the Capital \/ The Gate of the Shimabara” by Sadanobu I\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Evening View of Ryogoku in the Eastern Capital” by Kuniteru I “Tsukiji Gobo in Toshima District, Musashi Province (tentative title)” by Hiroshige II “Yokozuna Grand Champion Sumo Wrestler Hidenoyama Raigoro Entering the Ring” by Toyokuni III “Popular Flute Tunes and Pictures of Women \/ Kan” by Kunisada I “New Forms of Thirty-Six Ghosts \/ The […]<\/p>\n","protected":false},"author":1,"featured_media":1722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1717"}],"version-history":[{"count":10,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1717\/revisions"}],"predecessor-version":[{"id":1729,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1717\/revisions\/1729"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1722"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}