{"id":1709,"date":"2026-04-04T20:00:06","date_gmt":"2026-04-04T11:00:06","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1709"},"modified":"2026-04-04T18:12:05","modified_gmt":"2026-04-04T09:12:05","slug":"new-arrivals-kuniyoshi-hiroshige-eitaku-toyokuni-saito-kiyoshi-yoshida-toshi-sakamoto-hanjiro-mortimer-menpes-maekawa-senpan-katsuhira-tokushi-kawanishi-hide-torii-tadamasa-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1709","title":{"rendered":"New Arrivals: Kuniyoshi, Hiroshige, Eitaku, Toyokuni, Saito Kiyoshi, Yoshida Toshi, Sakamoto Hanjiro, Mortimer Menpes, Maekawa Senpan, Katsuhira Tokushi, Kawanishi Hide, Torii Tadamasa and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Seven
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seven Komachi in Modern Style” by Kuniyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fifty-Three
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fifty-Three Stations of the Tokaido (Hoeido Edition)<\/strong> \/ Okitsu: The Okitsu River” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Advertisements
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Advertisements for the Three Drugs from Rakuzendo” by Eitaku<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kamakura
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kamakura in Spring, the Gate of Kencho-ji” by Saito Kiyoshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t” Pine, bamboo, and plum” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Picnicking
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Picnicking” by Mortimer Menpes\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Five
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Five Views of Aso” by Sakamoto Hanjiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Girls
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Girls from the Field” by Maekawa Senpan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Oga Peninsula” by Katsuhira Tokushi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Yokohama Port” by Kakihara Toshio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Kamikochi” by Yamaguchi Susumu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Rain at the Great Bridge at Sanjo, Kyoto” by Asahi Yasuhiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Aoshima, Hyuga” by Kawanishi Hide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Lake Towada” by Shimozawa Kihachiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Early Autumn at Lake Ashinoko” by Kuriyama Shigeru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Lake Biwa” by Asada Benji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Clear Weather after Snow at Mount Asama” by Kitazawa Shuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Bell Tower at Todai-ji Temple, Nara” by Kotozuka Eiichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sakawa River and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sano
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sano Village and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lakeside
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lakeside New Year and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Plum
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Plum Trees in Shimosoga and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Tokyo Imperial Palace and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A House in a Rural Area of Onuma and Mount Fuji” by Jokata Kaiseki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Man
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Man Crucified” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eighteen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eighteen Great Patterns of Kumadori \/ Heikuro’s Kumadori of Female Demon Modified by Onoe Kikugoro V” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Second
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Second series of the Eighteen Great Patterns of Kumadori \/ Haggard Kumadori of Kuronushi” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Second
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Second series of the Eighteen Great Patterns of Kumadori \/ Kumadori of the Second Role in Dojo-ji” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Second
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Second series of the Eighteen Great Patterns of Kumadori \/ Classic Benkei no Kuma in Kanjincho Worn by Saigyu” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Second
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Second series of the Eighteen Great Patterns of Kumadori \/ Youchi Soga Goro no Kuma Modified by Ichikawa Danjuro VII” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Second
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Second series of the Eighteen Great Patterns of Kumadori \/ Kagekiyo-guma” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Second
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Second series of the Eighteen Great Patterns of Kumadori \/ Namazu-guma: Handogataki” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Second
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Second series of the Eighteen Great Patterns of Kumadori \/ Kaen-guma in Ichikawa Style” by Torii Tadamasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Oharame
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Oharame” by Asai Chu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Original
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Original Caricatures: Pictures of Sixty Years of New Japan \/ Sumo in Full Swing” by Fujimoto Kyufu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Noh Plays \/ Asukagawa” by Tsukioka Kogyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Sadamasu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumo-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumo-e” by Ryukoku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pleasures
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pleasures of a Rainy Spring Evening” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Hours in Fukagawa \/ The Hour of the Hare” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Imaginary
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Imaginary Matches of Actors for the Fifty-three Stations \/ Kakegawa: The Ghost of Iwafuji” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Competitions
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Competitions among Actors of the Three Theaters” by Unknown artist\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Okehazama Naruko Gundan” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Women
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Women as the Seven Gods of Good Fortune \/ Bishamonten” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children and a Beauty (tentative title)” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Contest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Contest of Actors in Season-opening Hit Plays” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Chikashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Selected Modern Paper Fortunes” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published Wigs to Put On” by Izawa Kikutaro, Izawa Motojiro (?)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lives
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lives of Great People of the Occident \/ Watt” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kyoga
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kyoga shinpen \/ No. 5: Sanshi gotai” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Elegant Selections \/ Love Letter: Woman of the Genroku Era” by Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snow,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snow, Moon and Flowers\u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Months by Two Artists, Toyokuni and Toyohiro \/ The Sixth Month, a Triptych\u3010Reproduction\u3011” by Toyohiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year’s Day at the Ogiya Brothel, Yoshiwara\u3010Reproduction\u3011” by Hokusai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"True
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“True Views of Famous Places in Tokyo \/ February, a Snowy Evening at Matsuchiyama\u3010Reproduction\u3011” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Seven Komachi in Modern Style” by Kuniyoshi “Fifty-Three Stations of the Tokaido (Hoeido Edition) \/ Okitsu: The Okitsu River” by Hiroshige I “Advertisements for the Three Drugs from Rakuzendo” by Eitaku “Kamakura in Spring, the Gate of Kencho-ji” by Saito Kiyoshi ” Pine, bamboo, and plum” by Yoshida Toshi “Picnicking” by Mortimer Menpes “Five Views […]<\/p>\n","protected":false},"author":1,"featured_media":1712,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1709"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1709\/revisions"}],"predecessor-version":[{"id":1715,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1709\/revisions\/1715"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1712"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}