{"id":1699,"date":"2026-03-28T18:30:08","date_gmt":"2026-03-28T09:30:08","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1699"},"modified":"2026-03-28T17:12:39","modified_gmt":"2026-03-28T08:12:39","slug":"new-arrivals-yoshida-hiroshi-charles-bartlett-helen-hyde-kawase-hasui-clifton-karhu-maeda-masao-ito-shinsui-maruyama-banka-makino-munenori-yamanaka-gen-kakizaki-kizashi-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1699","title":{"rendered":"New Arrivals: Yoshida Hiroshi, Charles Bartlett, Helen Hyde, Kawase Hasui, Clifton Karhu, Maeda Masao, Ito Shinsui, Maruyama Banka, Makino Munenori, Yamanaka Gen, Kakizaki Kizashi and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Scenes in the Japan Alps \/ Hodakadake” by Yoshida Hiroshi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twelve
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twelve Scenes of Tokyo \/ Dippping for Goldfish” by Yoshida Hiroshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Isogo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Isogo” by Charles Bartlett<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Rainy Night” by Helen Hyde<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Morning
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Morning at the Hot-spring Resort in Arayu, Shiobara” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kamishichiken
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kamishichiken” by Clifton Karhu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lake Shikotsu” by Maeda Masao<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hokkai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hokkai” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stone Garden at Ryoan-ji Temple, E” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Stone
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Stone Garden at Ryoan-ji Temple, H” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lake Penketo” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"White
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“White Chrysanthemum” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mashu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mashu Caldera” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Horonai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Horonai River, Karafuto” by Maruyama Banka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mountain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mountain Lake” by Sasajima Kihei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Moonlight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Moonlight” by Makino Munenori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dream
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dream of heaven and earth” by Yamanaka Gen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Clock
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Clock and the beauty\uff08\u2161\uff09” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Actor
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Actor Nakamura Ganjiro I as Kamiya Jihei” by Yoshikawa Kanpo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Floodgate
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Floodgate (III)” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Floodgate
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Floodgate IV” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lingering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lingering Snow” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Light
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Light Shimmering on Water” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter Sculpin” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Pooled
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Pooled Water” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thaw
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thaw” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Winter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Winter River” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Seascape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Seascape” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Light
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Light Shimmering on Water” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"River
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“River Fishing” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bay
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bay” by Kakizaki Kizashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Summer
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Summer Evening in Kyoto” by Nakazawa Hiromitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Omuro
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Omuro Pagoda in Snow” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Eizan\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mitate:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mitate: Hana Kyodai Wakagi no Hachiue” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Fifty-three Stations \/ Shinagawa” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Hatsu Momiji Ogura no Nishiki” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mitsuhiki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mitsuhiki no Chokichi andYottsuibishi Chogoro” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-two
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-two Aspects in the Modern Style \/ The Waiting-for-Fireworks-to-Start Type” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Beautiful Women at Famous Places in Edo \/ Kiba” by Toyokuni III and Kunihisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Past
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Past and Present, Both Sides of the Leaf \/ Aburaya Osome and Hisamatsu” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Past
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Past and Present, Both Sides of the Leaf \/ Meshitsukai Ohatsu and Onoe” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Past
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Past and Present, Both Sides of the Leaf \/ Shioboshi no Yosa and Komori Yasu” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Past
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Past and Present, Both Sides of the Leaf \/ Shirai Gonpachi and Honjo Sukeichi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Na o Tsuide Shinoda no Yomeiri” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Toyokuni IV\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tale
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tale of a Demon Who Eats Humans in One Mouthful” by Ikumaru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Instructive
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Instructive Models of Lofty Ambition \/ No. 45: Fukuchi Gen’ichiro” by Kiyochika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Prefectural Governors Conference” by Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Attack
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Attack on the Fortress at Niuzhuang on March 4, 1895” by Yoshimune II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wonsan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wonsan Detachment Attacks Pyongyang on September 15, 1894” by Yoshimune II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Wonsan
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Wonsan Detachment in the Night Battle at the Pyongyang Fortress on September 15, 1894” by Yoshimune II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Collection of Warriors on Horses” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published: Ume no Haru” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published: Kiyomoto Osome” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Four
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Four Seasons \/ Fall” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido Iroha Nikki \/ The Candy Seller Uzumatsu” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Sato Tsubame Sugata no Inazuma” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Pieces of Otsu-e \/ No. 2: Thunder” by Hirokuni\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ten
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ten Pieces of Otsu-e \/ No. 7: Gourd and Catfish” by Hirokuni\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Twelve Scenes in the Japan Alps \/ Hodakadake” by Yoshida Hiroshi “Twelve Scenes of Tokyo \/ Dippping for Goldfish” by Yoshida Hiroshi “Isogo” by Charles Bartlett “A Rainy Night” by Helen Hyde “Morning at the Hot-spring Resort in Arayu, Shiobara” by Kawase Hasui “Kamishichiken” by Clifton Karhu “Lake Shikotsu” by Maeda Masao “Title unknown” by […]<\/p>\n","protected":false},"author":1,"featured_media":1707,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1699","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1699"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1699\/revisions"}],"predecessor-version":[{"id":1708,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1699\/revisions\/1708"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1707"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}