{"id":1684,"date":"2026-03-14T18:30:47","date_gmt":"2026-03-14T09:30:47","guid":{"rendered":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1684"},"modified":"2026-03-28T12:51:16","modified_gmt":"2026-03-28T03:51:16","slug":"new-arrivals-kawase-hasui-yamashita-kiyoshi-maeda-masao-uchima-ansei-yoshida-toshi-yamataka-noboru-hirezaki-eiho-eizan-eisen-shunjo-hiroshige-kuniteru-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.com\/english\/blog\/?p=1684","title":{"rendered":"New Arrivals: Kawase Hasui, Yamashita Kiyoshi, Maeda Masao, Uchima Ansei, Yoshida Toshi, Yamataka Noboru, Hirezaki Eiho, Eizan, Eisen, Shunjo, Hiroshige, Kuniteru and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Souvenirs
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Souvenirs of Travel, Third Series \/ Starlit Night at Miyajima” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Eizan<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of Edo \/ Returning Sails at Shiba Bay” by Eisen<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shutto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shutto Botto” by Yamashita Kiyoshi<\/strong> and Shikiba Ryuzaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Signed
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Signed postcards” by Yamashita Kiyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“From the series Eight Views of Hokkaido” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"From
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“From the series Gates of Edo” by Maeda Masao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Forest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Forest byobu(Fragrance)” by Uchima Ansei<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring breeze” by Uchima Ansei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Buncho
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Buncho” by Yoshida Toshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mizonokuchi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mizonokuchi Church” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hongo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hongo Kikuzaka” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Village
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Village of Peach Blossoms” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Afternoon” by Yamataka Noboru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New One Hundred Views of Japan \/ Late Autumn at Itako” by Henmi Takashi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chichibu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chichibu Pilgrimage Route, Miracles of Kannon” by Hiroshige II and Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Shunjo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki Play” by Shunjo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Silkworm
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Silkworm Cultivation” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sekitori
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sekitori Heroes of Great Sumo Wrestlers in Great Japan” by Kunitsuna\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Conquest of O’shu by Lord Minamoto no Yoshiie” by Yoshimori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Valiant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Valiant Warriors of Echigo and Kai \/ Sanada Zaemon no jo Nobutaka” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sketch
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sketch of Manners for Women” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sands
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sands of Edo: Annual Events \/ The Festival of the Third Month” by Chikanobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Mount Fuji \/ The Sagami River” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ Tsurumi” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ Kanazawa, Kamakura” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Daishigawara” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Yui” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Thirty-six
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Thirty-six Views of Modern Life in Tokyo \/ Five-story Building in the New Yoshiwara” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Nihonbashi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places of Tokaido \/ View of Shichiri-ga-hama in Kamakura” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Proccesion of Lord Minamoto Yoritomo on the Way to the Hunting Grounds at Mount Fuji” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 1” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 1” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 2” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 2” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 3” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 4” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 5” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 6 and No. 7” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 8 and No. 9” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 9” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 10” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 11 and No. 12” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 13” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 14” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 15” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 16” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Food,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Food, Clothing, and Shelter: Process of Construction Explained for Children in Pictures \/ No. 18, No. 19 and No. 20” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido \/ Owari-cho, Edo” by Yoshimune\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Brocades
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Brocades of the Capital \/ D’Arc’s Marionette” by Kogyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fly (II)” by Kawachi Seiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Zipangu\uff08X\uff09
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Zipangu\uff08X\uff09” by Kawachi Seiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Hirezaki Eiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokeshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokeshi” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Recollections
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Recollections of Tokyo \/ Meiji Shrine” by Yamaguchi Gen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Persimmon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Persimmon” by Kobayashi Kokei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dragonfly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dragonfly” by Kobayashi Kokei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Portraits
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Portraits” by Okamoto Ippei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Russian
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Russian Folk Songs ” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"'On
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“‘On Billow Rocking’ from the comic opera ‘the Bells of Corneville'” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sheet
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sheet music:Benikara tonbo’ composed ” by Yamada Kosaku Noguchi Ujyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Walnuts
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Walnuts (tentative title)” by Misu Yuji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fukushima,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fukushima, Kiso” by Miyao Shigeo\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Souvenirs of Travel, Third Series \/ Starlit Night at Miyajima” by Kawase Hasui “A Beauty” by Eizan “Eight Views of Edo \/ Returning Sails at Shiba Bay” by Eisen “Shutto Botto” by Yamashita Kiyoshi and Shikiba Ryuzaburo “Signed postcards” by Yamashita Kiyoshi “From the series Eight Views of Hokkaido” by Maeda Masao “From the series […]<\/p>\n","protected":false},"author":1,"featured_media":1688,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1684"}],"version-history":[{"count":3,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1684\/revisions"}],"predecessor-version":[{"id":1687,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1684\/revisions\/1687"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1688"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.com\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}